During the quarter century between 1780 and 1806, Berlin's courtly and intellectual elites gathered in the homes of a few wealthy, cultivated Jewish women to discuss the events of the day. Princes, nobles, upwardly mobile writers, actors, and beautiful Jewish women flocked to the salons of Rahel Varnhagen, Henriette Herz, and Dorothea von Courland, creating both a new cultural institution and an example of social mixing unprecedented in the German past.

A “very readable” history of Jewish conversions to Christianity over two centuries that “tracks the many fascinating twists and turns to this story” (Library Journal). When the Nazis came to power and created a racial state in the 1930s, they considered it an urgent priority to identify Jews who had converted to Christianity over the preceding centuries. With the help of church officials, a vast system of conversion and intermarriage records was created in Berlin, the country’s premier Jewish city. Deborah Hertz’s discovery of these records, the Judenkartei, was the first step on a long research journey that led to this compelling book. Hertz begins the book in 1645, when the records begin, and traces generations of German Jewish families for the next two centuries. The book analyzes the statistics and explores letters, diaries, and other materials to understand in a far more nuanced way than ever before why Jews did or did not convert to Protestantism. Focusing on the stories of individual Jews in Berlin, particularly the charismatic salon woman Rahel Levin Varnhagen and her husband, Karl, a writer and diplomat, Hertz brings out the human stories behind the documents, sets them in the context of Berlin’s evolving society, and connects them to the broad sweep of European history.

The encounter of Jews with the Enlightenment movement has so far been considered almost entirely from a masculine perspective. This highly original study, based on analysis of the correspondence and literary works of a group of educated Jewish women, demonstrates their intellectual proclivities, feminine awareness, and social activities, as well as their attitudes to marriage, traditional family frameworks, and religion. In doing so it makes a significant contribution to German Jewish history as well as to gender studies.

When wealthy Jewish industrialist David Friedländer proposed in 1799 that Berlin's Jews undergo a sham conversion to Christianity in return for full German citizenship, he touched off a political and theological debate that would continue to define the relation between Jewish and German identity for more than a century. In the series of provocative letters collected here, Friedländer, Protestant leader Wilhelm Abraham Teller, and young Christian theologian Friedrich Schleiermacher debate Friedländer's radical proposal. In so doing, they grapple with many of the thorny problems--such as citizenship, religious tolerance, and assimilation--that continue to vex world political leaders today. Richard Crouter's Introduction provides the cultural, religious, and historical context for this compelling exchange; a postscript by Julie Klassen reveals the ways in which Germany's minorities continue to be marginalized more than two hundred years after Friedländer made his passionate appeal for political liberty and human rights.

Elijah ben Solomon, the "Genius of Vilna,” was perhaps the best-known and most understudied figure in modern Jewish history. This book offers a new narrative of Jewish modernity based on Elijah's life and influence. While the experience of Jews in modernity has often been described as a process of Western European secularization—with Jews becoming citizens of Western nation-states, congregants of reformed synagogues, and assimilated members of society—Stern uses Elijah’s story to highlight a different theory of modernization for European life. Religious movements such as Hasidism and anti-secular institutions such as the yeshiva emerged from the same democratization of knowledge and privatization of religion that gave rise to secular and universal movements and institutions. Claimed by traditionalists, enlighteners, Zionists, and the Orthodox, Elijah’s genius and its afterlife capture an all-embracing interpretation of the modern Jewish experience. Through the story of the “Vilna Gaon,” Stern presents a new model for understanding modern Jewish history and more generally the place of traditionalism and religious radicalism in modern Western life and thought.

The Berlin Jewish community was both the pioneer in intellectual modernization and the first to experience a crisis of modernity. This original and imaginative book connects intellectual and political transformation with the social structures and daily activities of the Jewish community. Steven M. Lowenstein has used extraordinarily rich documentation about the life of Berlin Jewry in the period and assembled a collective biography of the entire community of Berlin Jews. He has examined tax lists, subscription lists, genealogical records, and address lists as well as kosher meat accounts to give us a vivid picture of daily life. On another level in detailing the complexity of Jewish life in Berlin during this period, this book illuminates the connections between the "peaceful stage" of enlightenment and the crisis that followed.

Although women constitute half of the Jewish population and have always played essential roles in ensuring Jewish continuity and the preservation of Jewish beliefs and values, only recently have their contributions and achievements received sustained scholarly attention. Scholars have begun to investigate Jewish women’s domestic, economic, intellectual, spiritual, and creative roles in Jewish life from biblical times to the present. Yet little of this important work has filtered down beyond specialists in their respective academic fields. Women and Judaism brings the broad new insights they have uncovered to the world. Women and Judaism communicates this research to a wider public of students and educated readers outside of the academy by presenting accessible and engaging chapters written by key senior scholars that introduce the reader to different aspects of women and Judaism. The contributors discuss feminist approaches to Jewish law and Torah study, the spirituality of Eastern European Jewish women, Jewish women in American literature, and many other issues. Contributors: Nehama Aschkenasy, Judith R. Baskin, Sylvia Barack Fishman, Harriet Pass Freidenreich, Esther Fuchs, Judith Hauptman, Sara R. Horowitz, Renée Levine, Pamela S. Nadell, and Dvora Weisberg.

Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions.

Paula Hyman broadens and revises earlier analyses of Jewish assimilation, which depicted “the Jews” as though they were all men, by focusing on women and the domestic as well as the public realms. Surveying Jewish accommodations to new conditions in Europe and the United States in the years between 1850 and 1950, she retrieves the experience of women as reflected in their writings--memoirs, newspaper and journal articles, and texts of speeches--and finds that Jewish women’s patterns of assimilation differed from men’s and that an examination of those differences exposes the tensions inherent in the project of Jewish assimilation. Patterns of assimilation varied not only between men and women but also according to geographical locale and social class. Germany, France, England, and the United States offered some degree of civic equality to their Jewish populations, and by the last third of the nineteenth century, their relatively small Jewish communities were generally defined by their middle-class characteristics. In contrast, the eastern European nations contained relatively large and overwhelmingly non-middle-class Jewish population. Hyman considers how these differences between East and West influenced gender norms, which in turn shaped Jewish women’s responses to the changing conditions of the modern world, and how they merged in the large communities of eastern European Jewish immigrants in the United States. The book concludes with an exploration of the sexual politics of Jewish identity. Hyman argues that the frustration of Jewish men at their “feminization” in societies in which they had achieved political equality and economic success was manifested in their criticism of, and distancing from, Jewish women. The book integrates a wide range of primary and secondary sources to incorporate Jewish women’s history into one of the salient themes in modern Jewish history, that of assimilation. The book is addressed to a wide audience: those with an interest in modern Jewish history, in women’s history, and in ethnic studies and all who are concerned with the experience and identity of Jews in the modern world.

Is there such a thing as a distinctive Jewish literature? While definitions have been offered, none has been universally accepted. Modern Jewish literature lacks the basic markers of national literatures: it has neither a common geography nor a shared language—though works in Hebrew or Yiddish are almost certainly included—and the field is so diverse that it cannot be contained within the bounds of one literary category. Each of the fifteen essays collected in Modern Jewish Literatures takes on the above question by describing a movement across boundaries—between languages, cultures, genres, or spaces. Works in Hebrew and Yiddish are amply represented, but works in English, French, German, Italian, Ladino, and Russian are also considered. Topics range from the poetry of the Israeli nationalist Natan Alterman to the Russian poet Osip Mandelstam; from turn-of-the-century Ottoman Jewish journalism to wire-recorded Holocaust testimonies; from the intellectual salons of late eighteenth-century Berlin to the shelves of a Jewish bookstore in twentieth-century Los Angeles. The literary world described in Modern Jewish Literatures is demarcated chronologically by the Enlightenment, the Haskalah, and the French Revolution, on one end, and the fiftieth anniversary of the State of Israel on the other. The particular terms of the encounter between a Jewish past and present for modern Jews has varied greatly, by continent, country, or village, by language, and by social standing, among other things. What unites the subjects of these studies is not a common ethnic, religious, or cultural history but rather a shared endeavor to use literary production and writing in general as the laboratory in which to explore and represent Jewish experience in the modern world.