First published in 1554 and banned by the Inquisition, the anonymous Lazarillo de Tormes begat a whole new genre—the picaresque novel. This classic has had enduring popularity as a literary expression of Spanish identity and emotion. Through its daring autobiographical form the reader observes the magnificent, conquering Spain of Charles the Fifth through the inner consciousness of the humble Lazarillo. This editon includes the annotated Spanish-language text and prologue (with modernized and regularized spelling) , a full vocabulary, and concise footnotes explaining allusions and translating phrases of varying difficulty. Spanish-language with introductions in English

The Lazarillo Phenomenon illustrates that despite the enormous amount of research already invested in the anonymous novel, it still has much left to offer. --Book Jacket.

The beginning of the golden age of Spanish literature and the particular socio-political circumstances of early 16th century Spain made fertile ground for the emergence of the picaresque novel, an early form of the first-person narrative novel relating the adventures of a rogue or lowborn traveler (Spanish picaro) as he drifts through the Spanish countryside from one social milieu to another in an effort to survive. Influenced largely by the medieval tradition of the fabliaux and by the early Italian Renaissance, and structured upon a foundation of anecdotes, proverbs, popular beliefs, and folk tales, the picaro's discourse becomes a satirical survey of the hypocrisies and corruptions of society. The picaresque novel is exemplified by the prototypical and anonymously written Lazarillo de Tormes, published in 1554, in which the poor boy Lazaro describes his services under seven successive lay and clerical masters, each of whom hides a dubious character beneath a mask of hypocrisy. So piercing are its deliberate social criticisms, irreverent wit, anticlerical attitude and string of mischievous misadventures that Lazarillo was an entry in the 1559 Index of Prohibited Books. For the modern reader, the choice of characters and the backdrop for Lazarillo de Tormes reveal the heart of Spain's national dilemma after the crucial events of the 1520s. This dual-language, annotated critical edition of Lazarillo de Tormes presents the complete text of the novel in both English and Spanish. The translation attempts to capture in modern English not only the meaning of the historical text, but also the qualities of its original style.

"This is the first graphic novel adaptation of Lazarillo de Tormes, an anonymous sixteenth-century work that is credited with founding the literary genre of the picaresque novel. This genre includes not only works by Spanish authors like Miguel de Cervantes but also famous novels in English and American literature featuring the "anti-hero." This edition offers a new approach to old questions about a book that has puzzled readers and critics alike for centuries. Who was its mysterious author? Why did the Inquisition forbid this seemingly harmless book? Who read the book and how was it understood? These and other questions are recreated in the graphic novel, offering a broader vision of the fortunes and adversities that this book "lived" and how against all odds it became a literary classic. Translated and retold for the modern reader, Lazarillo de Tormes offers a complete visual experience of the adventures and misadventures of the ultimate picaresque anti-hero as well as insights into the history of the book that set a precedent in Spanish literature."--

Lazarillo de Tormes (1554) is here offered facing the brilliant Tudor English translation of David Rowland of Anglesey (1586). Ostensibly a racy autobiography of a young rogue and his succession of masters, in reality it is a comical and caustic exposé of sixteenth century Spanish society, and especially the Church.

Research on medieval and early modern travel literature has made great progress, which now allows us to take the next step and to analyze the correlations between the individual and space throughout time, which contributed essentially to identity formation in many different settings. The contributors to this volume engage with a variety of pre-modern texts, images, and other documents related to travel and the individual's self-orientation in foreign lands and make an effort to determine the concept of identity within a spatial framework often determined by the meeting of various cultures. Moreover, objects, images and words can also travel and connect people from different worlds through books. The volume thus brings together new scholarship focused on the interrelationship of travel, space, time, and individuality, which also includes, of course, women's movement through the larger world, whether in concrete terms or through proxy travel via readings. Travel here is also examined with respect to craftsmen's activities at various sites, artists' employment for many different projects all over Europe and elsewhere, and in terms of metaphysical experiences (catabasis).

Originally compiled and published in 1988, this vole contains the full text and translation of Walter Hawkesworth's Labyrinthus, alongside textual and critical notes, including essays on the author, the staging and the style and language. This is the first of two volumes.