"The explicit how-to instructions will be appreciated by any who would learn details on lei making: photos are clear, steps are thoroughly explained, and lei making is revealed from its simplest designs through the more complex blossom choices and lei skills." --Midwest Book Review

Explore Hawaiian culture through the art of lei making with flower inspirations and gorgeous photography from stylist, fashion designer, and local island icon Meleana Estes. Brimming with vibrant photos of the most famous flower garlands of Hawai’i—the lei—in dreamy island settings, Lei Aloha tells the story of the flowers, craftsmanship, and community of lei culture, offering a window into this beautiful world where life is a little slower, flowers are abundant, and personal connections run deep. Local style icon Meleana Estes continues the legacy of her native Hawaiian grandmother, who was well known for her intricate and stunning lei. Sprinkled throughout the book also are anecdotes about the fascinating history of flowers, lei, and island traditions. Each chapter tells the story of a grouping of flowers and lei, such as plumerias for a sweet gathering of neighborhood keiki (kids), elegant strands of white and yellow ginger for a candle-lit party, or striking lei haku made for hula performances. It’s an easy craft for the homesteader with roots in a full backyard garden or the digital nomad who keeps her possessions in one suitcase and can pick up flowers on her travels. With evocative photos of vintage mu’umu’us, lush tropical gardens, lei-bedecked longboard surfers, striking tablescapes, and graceful hula dancers, Lei Aloha shares a side of the islands that only locals usually get to see.

Lei are the very expression of traditional Hawaiian culture and were once an essential part of community and family life. Following in the footsteps of Samuel Kamakau, Abraham Fornander, and others, the authors have collected here a wealth of written and oral information to reveal the significance of making and wearing lei and their role in Hawaiian ritual and dance. This volume covers eighty-five flowers and plants (and another dozen color variations) used in traditional lei construction. They are arranged according to their Hawaiian names and accompanied by botanical information and descriptions gleaned from legends and chants that illustrate the cultural uses and special meanings of lei prior to Western contact. Many are introduced by poems written especially for this work by master kumu hula, linguist, and ethnologist Pualani Kanakaole Kanahele. The authors present the lei art form in not only words, but also pictures. Lavish color photographs by Jean Coté showcase each plant and lei (shown by itself or worn), as well as places throughout the Islands associated with specific flowers and plants. An appendix includes a complete list of lei plants, basic instructions for their propagation, and other sources for material.

"Lei and the Fire Goddess blends preteen angst and beloved Hawaiian moʻolelo in a way that hasn't been done before." —Auliʻi Cravalho, actress and voice of Disney's Princess Moana Curses aren't real. At least, that's what twelve-year-old, part-Hawaiian Anna Leilani Kamaʻehu thinks when she listens to her grandmother's folktales about sacred flowers and family guardians. Anna's friends back home in Colorado don't believe in legends, either. They're more interested in science and sports—real, tangible things that stand in total contrast to Anna’s family’s embarrassing stories. So when Anna goes back to Hawaiʻi to visit her Tūtū, she has no interest in becoming the heir to her family’s history; she’s set on having a touristy, fun vacation. But when Anna accidentally insults Pele the fire goddess by destroying her lehua blossom, a giant hawk swoops in and kidnaps her best friend, and she quickly learns just how real these moʻolelo are. In order to save her friends and family, Anna must now battle mythical creatures, team up with demigods and talking bats, and evade the traps Pele hurls her way. For if Anna hopes to undo the curse, she will have to dig deep into her Hawaiian roots and learn to embrace all of who she is.

An exciting follow-up to Lei and the Fire Goddess features a mysterious, invisible island, dangerous spirits, and a newcomer who does not need Lei's help...or does she? It turns out that curses are real. After saving her best friend and ancestral guardian, Kaipo, from Pele the fire goddess’s traps and successfully preventing lava from destroying her tūtū’s house, all Lei wants to do is take a nap. The only problem? Kaipo’s ʻaumakua pendant is missing, and without it, he will soon rot . . . emotionally and physically. So Lei, Kaipo, the shapeshifting bat Ilikea, and newcomer Kaukahi—a fiercely independent fashionista—set off on a journey to an invisible island where they hope to find Kaipo’s pendant. To get there, they’ll have to jump off the edge of their world, contend with sharks, and cross an ocean. And when they arrive? The crew realizes that the missing pendant is the least of their problems. For there are evil spirits gathering, and they’re out for blood. In this exciting follow-up to Lei and the Fire Goddess, Malia Maunakea crafts a tale about friendship, family, culture, and what it means to forgive each other and yourself.

Ka Lei Haʻaheo: Beginning Hawaiian is a culturally oriented Hawaiian language textbook.Its grammar lessons include the relationship between the language and the Hawaiian world view. The book's dialogs are drawn from contemporary Hawaiian family life. Extensive classroom testing was used in developing Ka Lei Haʻaheo. Although it was designed for college use, it is also a handy resource for high schools and individuals, particularly because its companion volume, Ka Lei Haʻaheo: Teacher Guide and Answer Key provides English translations and answers to the exercises. The text's lively appeal is further enhanced with line drawings.

When Freudian sexual theory hit China in the early 20th century, it ran up against competing models of the mind from both Chinese tradition and the new revolutionary culture. Chinese theorists of the mind—both traditional intellectuals and revolutionary psychologists— steadily put forward the anti-Freud: a mind shaped not by deep interiority that must be excavated by professionals, but shaped instead by social and cultural interactions. Chinese novelists and film directors understood this focus and its relationship to Mao's revolutionary ethos, and much of the literature of twentieth-century China reflects the spiritual qualities of the revolutionary mind. From Ah Q to Lei Feng investigates the continual clash of these contrasting models of the mind provided by Freud and revolutionary Chinese culture, and explores how writers and filmmakers negotiated with the implications of each model. .