"Lei and the Fire Goddess blends preteen angst and beloved Hawaiian moʻolelo in a way that hasn't been done before." —Auliʻi Cravalho, actress and voice of Disney's Princess Moana Curses aren't real. At least, that's what twelve-year-old, part-Hawaiian Anna Leilani Kamaʻehu thinks when she listens to her grandmother's folktales about sacred flowers and family guardians. Anna's friends back home in Colorado don't believe in legends, either. They're more interested in science and sports—real, tangible things that stand in total contrast to Anna’s family’s embarrassing stories. So when Anna goes back to Hawaiʻi to visit her Tūtū, she has no interest in becoming the heir to her family’s history; she’s set on having a touristy, fun vacation. But when Anna accidentally insults Pele the fire goddess by destroying her lehua blossom, a giant hawk swoops in and kidnaps her best friend, and she quickly learns just how real these moʻolelo are. In order to save her friends and family, Anna must now battle mythical creatures, team up with demigods and talking bats, and evade the traps Pele hurls her way. For if Anna hopes to undo the curse, she will have to dig deep into her Hawaiian roots and learn to embrace all of who she is.

From debut author Malia Maunakea comes a sweeping fantasy about a part-Hawaiian girl who must save her best friend and her island from an angry fire goddess. Curses aren't real. At least, that's what twelve-year-old, part-Hawaiian Anna Leilani Kamaʻehu thinks when she listens to her grandmother's folktales about sacred flowers and family guardians. Anna's friends back home in Colorado don't believe in legends either; they're more interested in science and sports — real, tangible things that stand in total contrast to Anna's family's loopy cultural traditions. So when Anna goes back to Hawaiʻi to visit her Tūtū, she's set on having a touristy, fun vacation. But when Anna accidentally insults Pele the Fire Goddess by destroying her lehua blossom, a giant hawk swoops in and kidnaps her best friend, and she quickly learns just how real these moʻolelo are. In order to save her friends and family, Anna must now battle mythical creatures, team up with demi-gods and talking bats, and evade the traps Pele hurls her way. For if Anna hopes to undo the curse, she will have to dig deep into her Hawaiian roots and learn to embrace all of who she is.

An exciting follow-up to Lei and the Fire Goddess features a mysterious, invisible island, dangerous spirits, and a newcomer who does not need Lei's help...or does she? It turns out that curses are real. After saving her best friend and ancestral guardian, Kaipo, from Pele the fire goddess’s traps and successfully preventing lava from destroying her tūtū’s house, all Lei wants to do is take a nap. The only problem? Kaipo’s ʻaumakua pendant is missing, and without it, he will soon rot . . . emotionally and physically. So Lei, Kaipo, the shapeshifting bat Ilikea, and newcomer Kaukahi—a fiercely independent fashionista—set off on a journey to an invisible island where they hope to find Kaipo’s pendant. To get there, they’ll have to jump off the edge of their world, contend with sharks, and cross an ocean. And when they arrive? The crew realizes that the missing pendant is the least of their problems. For there are evil spirits gathering, and they’re out for blood. In this exciting follow-up to Lei and the Fire Goddess, Malia Maunakea crafts a tale about friendship, family, culture, and what it means to forgive each other and yourself.

Lei are the very expression of traditional Hawaiian culture and were once an essential part of community and family life. Following in the footsteps of Samuel Kamakau, Abraham Fornander, and others, the authors have collected here a wealth of written and oral information to reveal the significance of making and wearing lei and their role in Hawaiian ritual and dance. This volume covers eighty-five flowers and plants (and another dozen color variations) used in traditional lei construction. They are arranged according to their Hawaiian names and accompanied by botanical information and descriptions gleaned from legends and chants that illustrate the cultural uses and special meanings of lei prior to Western contact. Many are introduced by poems written especially for this work by master kumu hula, linguist, and ethnologist Pualani Kanakaole Kanahele. The authors present the lei art form in not only words, but also pictures. Lavish color photographs by Jean Coté showcase each plant and lei (shown by itself or worn), as well as places throughout the Islands associated with specific flowers and plants. An appendix includes a complete list of lei plants, basic instructions for their propagation, and other sources for material.

A great resource for students of traditional Hawaiian dance, this beautiful handbook filled with archival photographs covers the origins, language, etiquette, ceremonies, and the spiritual culture of hula. Hula, the indigenous dance of Hawai'i, preserves significant aspects of Native Hawaiian culture with strong ties to health and spirituality. Kumu Hula, persons who are culturally recognized hula experts and educators, maintain and share this cultural tradition, conveying Hawaiian history and spiritual beliefs in this unique form of cultural and creative expression, comprising specific controlled rhythmic movements that enhance the meaning and poetry of the accompanying songs. Emphasizing the importance of cultural literacy, the Handbook begins with an overview of the origins of hula, its history in Hawai'i, and the primacy of the spiritual focus of the dance. The book goes on to introduce halau etiquette and practices, and explains the format of a traditional hula presentation, together with the genres of hula and the regalia worn by the dancers. Practical components include sections on Hawaiian language and chant and a glossary of hula commands and footwork. Author Mahealani Uchiyama trained in Hawaii in the hula lineage of Joseph Kamoha'i Kaha'ulelio and is currently the Kumu Hula at the Halau Ku Ua Tuahine in Berkeley, California. As the founder and artistic director of the Center for International Dance and board member of Dance Arts West, the producers of San Francisco's annual Ethnic Dance Festival, Uchiyama's approach to hula is deeply holistic and reflects her background in indigenous wisdom traditions and cultural exchange and interaction.

This dictionary focuses on more than 9,500 goddesses from hundreds of cultures around the world.

Blaise, an evil witch, longs to get her way with Eric Ross. But Thea, Blaise's cousin, uses white magic to try to save Eric from destruction.

"A comprehensive quarterly digest and index of all quality Chinese publications in the archeological and art history fields;" includes also translated longer synopses of articles on topics covered, and a report of archeological news.