"Despite critical interest in the role of women in the French Revolution, there is no single, comprehensive study of the works of the two most prolific women writers of the period: Olympe de Gouges and Manon Roland. At a time when politicians were molding public policy concerning life, liberty, the pursuit of happiness, and constituting criteria for citizenship, increasing numbers of women in Paris were clamoring for rights. New medical and philosophical theories redefining female nature were trotted out to justify women's continued exclusion from full political participation. Such theories focused on the female body as the locus of women's intellectual inadequacies and promulgated the idea that women who acted outside of the confines of their physiological nature were considered desensitized and unfeminine. "Deviant Women of the French Revolution and the Rise of Feminism" aims to uncover the work of those women who challenged prevailing views of female nature, sought social reforms, and were deemed 'deviant' for their writing and/or activism during the French Revolution."--Jacket.

Romantic Wars is a collection of eight specially commissioned essays focusing on the relations between British Romantic culture (poetry, fiction, painting, and non-fictional prose) and the Revolutionary and Napoleonic wars. Whilst in recent years much attention has been paid to the influence of the French Revolution on British Romanticism, comparatively little has been written about the effects of war. This book takes, as its central thesis, the idea that Romanticism is facilitated and conditioned by a culture of hostility. Whether this is manifested in Blakean visions of 'mental warfare', or in socio-historical reflections on the links between conflict and nationhood, the essays in this volume seek to correct a prevailing assumption that the culture of this period is unaffected by discourses of violence. Through a combination of individual case studies - detailed readings of warfare in Coleridge, Byron, Charlotte Smith and Austen - and wider-ranging survey discussions, including essays on the representation of the British sailor and war poetry by women, the book provides a timely reflection on the texts and contexts of the first 'Great War'. The book is aimed at literary specialists and historians working in the areas of Romanticism and European history. It will also appeal to general readers with an interest in early nineteenth-century writing and British culture.

Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.

The French Revolution remains the most examined event, or period, in world history. It was, most historians would argue, the first “modern” revolution, an event so momentous that it changed the very meaning of the word revolution, from “restoration,” as in the Glorious Revolution of 1688 in England, to its modern sense of connoting a political and/or social upheaval that marks a decisive break with the past, one that moves a society in a forward, or progressive, direction. No revolution has occurred since 1789 without making reference to this first revolution, and most have been measured against it. One cannot utter the date 1789 without thinking of revolution, and so significant were the changes unleashed in that year that it has come to mark the dividing line between early modern and late modern European history Kings This second edition of Historical Dictionary of the French Revolution covers its history through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 400 cross-referenced entries on the causes and origins; the roles of significant persons; crucial events and turning points; important institutions and organizations; and the economic, social, and intellectual factors involved in the event that gave birth to the Declaration of the Rights of Man and Citizen. This book is an excellent access point for students, researchers, and anyone wanting to know more about this period.

The French Revolution remains the most examined event and period in world history. Most historians would argue that it was the first "modern" revolution, an event so momentous that it changed the very meaning of the word revolution to its current connotation of a political and/or social upheaval that marks a decisive break with the past, moving the society in a forward or progressive direction. No revolution has occurred since 1789 without making reference to this first revolution, and most have been measured against it. When revolution shook the foundations of the Old Regime in France, shock waves reverberated throughout the western world. The A to Z of the French Revolution examines the causes and origins; the roles of significant persons; crucial events and turning points; important institutions and organizations; and the economic, social, and intellectual factors involved in the event that gave birth to the Declaration of the Rights of Man and Citizen, the introduction of universal manhood suffrage, and the Napoleonic Empire. An introductory essay, chronology, and comprehensive bibliography complement the more than 400 cross-referenced dictionary entries, making this a great resource for students and history enthusiasts alike.

Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that the performance of virtue on stage served to foster the passage from private emotion to public virtue and allowed groups such as women, children, and the poor who were excluded from direct political participation to imagine a new and inclusive social and political structure. Providing close readings of texts by, among others, Denis Diderot, Collot d'Herbois, and Voltaire, Feilla maps the ways in which continuities and innovations in the theatre from 1760 to 1800 set the stage for the nineteenth century. Her book revitalizes and enriches our understanding of the significance of sentimental drama, showing that it was central to the way that drama both shaped and was shaped by political culture.

Examines the full spectrum of women's participation in the social, economic, religious, and poetic debates surrounding the French Revolution.

A collection of the words of women spaning some 26 centuries from every corner of the earth and from many cultures.

At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".