Christian churches in recent decades have taken some steps in their practices of liturgy and worship toward acknowledging the graced dignity of human variety. But who is still excluded? What pernicious norms still govern below the surface, and how might they be revealed? How do texts, gestures, and space abet and enforce such norms? How might Christian assemblies gather multiple expressions of human difference to propose through Christian liturgy patterns of graced interaction in the world around them? Liturgy with a Difference gathers a broad range of international theologians and scholars to interrogate current practices of liturgy and worship in order to unmask ways in which dehumanizing majoritarianisms and presumed norms of gender, culture, ethnicity, and body, among others, remain at work in congregations. Together, the chapters in this collection call for a liturgical practice that recognizes and rehearses the vivid richness of God’s image found in the human community and glimpsed, if only for a moment, in liturgical celebration. They point a way beyond mere inclusion toward a generous embrace of the many differences that make up the Christian community. With contributions from Rachel Mann, Teresa Berger, Susannah Cornwall, Miguel A. DeLa Torre, Edward Foley, W. Scott Haldeman, Michael Jagessar, Bruce T. Morrill, Kristine Suna-Koro and Frank Senn. Foreword by Ann Loades.

In Liturgy and the New Evangelization, Timothy O'Malley provides a liturgical foundation to the church s New Evangelization. He examines questions pastoral ministers must treat in order to foster the renewal of humanity that the New Evangelization seeks to promote. Drawing on narrative, as well as theological concepts in biblical, patristic, and systematic theology, O'Malley invites readers into a renewed experience of the liturgical life of the church, learning to practice the art of self-giving love for the renewal of the world.

This little book aims to introduce a variety of prayer forms, each one being an approach to prayer which various members of the Federal Association of the Order of Malta have found valuable. The forms of prayer include centering prayer, Liturgy of Hours, stations of the cross, and novenas.

Victorian Art Criticism and the Woman Writer by John Paul M. Kanwit examines the development of specialized art commentary in a period when art education became a national concern in Britain. The explosion of Victorian visual culture--evident in the rapid expansion of galleries and museums, the technological innovations of which photography is only the most famous, the public debates over household design, and the high profile granted to such developments as the Aesthetic Movement--provided art critics unprecedented social power. Scholarship to date, however, has often been restricted to a narrow collection of male writers on art: John Ruskin, Walter Pater, William Morris, and Oscar Wilde. By including then-influential but now lesser-known critics such as Anna Jameson, Elizabeth Eastlake, and Emilia Dilke, and by focusing on critical debates rather than celebrated figures, Victorian Art Criticism and the Woman Writer refines our conception of when and how art criticism became a professional discipline in Britain. Jameson and Eastlake began to professionalize art criticism well before the 1860s, that is, before the date commonly ascribed to the professionalization of the discipline. Moreover, in concentrating on historical facts rather than legends about art, these women critics represent an alternative approach that developed the modern conception of art history. In a parallel development, the novelists under consideration--George Eliot, Charlotte Brontë, Anne Brontë, and Elizabeth Gaskell--read a wide range of Victorian art critics and used their lessons in key moments of spectatorship. This more inclusive view of Victorian art criticism provides key insights into Victorian literary and aesthetic culture. The women critics discussed in this book helped to fashion art criticism as itself a literary genre, something almost wholly ascribed to famous male critics.

Nearly everything that theologians write on liturgy, Father Kavanagh notes, is often called liturgical theology, although on closer examination such works appear to be either dogmatic theologies about the liturgy or systematic theologies making use of liturgical data. None truly reflects how liturgy shapes theology or is theology or even relates to theology. This work is Father Kavanagh's effort to substantiate the existence of a truly liturgical theology. It will raise almost as many questions as it answers, but it will also further insight into theology and liturgy as it assays their relationship.

The Parish Church was the primary site of religious practice throughout the early modern period. This was particularly so for the silent majority of the English population, who conformed outwardly to the successive religious upheavals of the sixteenth and seventeenth centuries. What such public conformity might have meant has attracted less attention - and, ironically, is sometimes less well documented - than the non-conformity or semi-conformity of recusants, church-papists, Puritan conventiclers or separatists. In this volume, ten leading scholars of early modern religion explore the experience of parish worship in England during the Reformation and the century that followed it. As the contributors argue, parish worship in this period was of critical theological, cultural and even political importance. The volume's key themes are the interlocking importance of liturgy, music, the sermon and the parishioners' own bodies; the ways in which religious change was received, initiated, negotiated, embraced or subverted in local contexts; and the dialectic between practice and belief which helped to make both so contentious. The contributors - historians, historical theologians and literary scholars - through their commitment to an interdisciplinary approach to the subject, provide fruitful and revealing insights into this intersection of private and public worship. This collection is a sister volume to Martin and Ryrie (eds), Private and Domestic Devotion in Early Modern Britain. Together these two volumes focus and drive forward scholarship on the lived experience of early modern religion, as it was practised in the sixteenth and seventeenth centuries.

One of the most influential works in the debate over the concept and definitions of liturgical theology, Context and Text by Monsignor Kevin W. Irwin is now available in a completely rewritten, new edition. In light of the historical, theological, and pastoral mandates of the Constitution on the Sacred Liturgy, Context and Text is both a proposal for and an example of an investigation of the Church's liturgical praxis from a liturgical-theological perspective. This second edition, which includes an expanded introduction, covers: · new liturgical and ecclesial contexts resulting from newly promulgated liturgies · further research in methodfor liturgical studies · consideration for changes in the cultural contexts in which people celebrate the liturgy. Besides brand-new chapters on time and sacramentality, and additions to the chapter on the arts, this edition also considers the “ongoing ‘texts and contexts’ of the liturgy as always a new event in the life and ongoing discussion of liturgical theology within Christianity.