"Looking Back at al-Andalus" focuses on Arabic and Hebrew Literature that expresses the loss of al-Andalus from multiple vantage points. In doing so, this book examines the definition of al-Andalusa (TM) literary borders, the reconstruction of which navigates between traditional generic formulations and actual political, military and cultural challenges. By looking at a variety of genres, the book shows that literature aiming to recall and define al-Andalus expresses a series of symbolic literary objects more than a geographic and political entity fixed in a single time and place. "Looking Back at al-Andalus" offers a unique examination into the role of memory, language, and subjectivity in presenting a series of interpretations of what al-Andalus represented to different writers at different historical-cultural moments.

Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.

Islamic civilization flourished in the Middle Ages across a vast geographical area that spans today's Middle and Near East. First published in 2006, Medieval Islamic Civilization examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th centuries. This important two-volume work contains over 700 alphabetically arranged entries, contributed and signed by international scholars and experts in fields such as Arabic languages, Arabic literature, architecture, history of science, Islamic arts, Islamic studies, Middle Eastern studies, Near Eastern studies, politics, religion, Semitic studies, theology, and more. Entries also explore the importance of interfaith relations and the permeation of persons, ideas, and objects across geographical and intellectual boundaries between Europe and the Islamic world. This reference work provides an exhaustive and vivid portrait of Islamic civilization and brings together in one authoritative text all aspects of Islamic civilization during the Middle Ages. Accessible to scholars, students and non-specialists, this resource will be of great use in research and understanding of the roots of today's Islamic society as well as the rich and vivid culture of medieval Islamic civilization.

The aim of this volume is to raise and discuss questions about the different approaches to the study of pre-modern Arabic anthologies from the perspectives of philology, religion, history, geography, and literature.

With new topics and contributions, this updated second edition discusses the history and contemporary presence of Islam in Europe and America. The book debates the relevance and multi-faceted participation of Muslims in the dynamics of Western societies, challenging the changing perception on both sides. Collating over 30 chapters, written by experts from around the world, the volume presents a wide range of perspectives. Case studies from the Muslim presence in the Iberian Peninsula between the Middle Ages and the modern age set off the Handbook, along with an outline of Muslims in America up to the twentieth century. The second part covers concepts around new conditions in terms of consolidating identities, the emergence of new Muslim actors, the appearance of institutions and institutional attitudes, the effects of Islamic presence on the arts and landscapes of the West, and the relational dynamics like ethics and gender. Exploring the influence of Islam, particularly its impact on society, culture and politics, this interdisciplinary volume is a key resource for policymakers, academics and students interested in the history of Islam, religion and the contemporary relationship between Islam and the West.

This expansive four-volume encyclopedia presents a broad introduction to Islam that enables learning about the fundamental role of Islam in world history and promotes greater respect for cultural diversity. One of the most popular and widespread religions in the world, Islam has attracted a great deal of attention in recent times, particularly in the Western world. With the ongoing tensions in the Middle East and a pervasive sense of hostility toward Arab Americans, there is ever increasing need to examine and understand Islam as a religion and historical force. Islam: A Worldwide Encyclopedia provides some 700 entries on Islam written by expert contributors that cover the religion from the birth of Islam to the present time. The set also includes 16 pages of color images per volume that serve to illustrate the diverse expressions of this important religious tradition. Each entry begins with a basic introduction, followed by a general discussion of the subject and a conclusion. Each entry also features a further readings list for readers. In addition to supplying a comprehensive, authoritative overview of Islam, this work also specifically addresses many controversial related issues, including jihad, violence in Islam, polygamy, and apostasy.

A Companion to Medieval Toledo. Reconsidering the Canons explores the limits of “Convivencia” through new and problematized readings of material familiar to specialists and offers a thoughtful initiation for the non-specialist into the historical, cultural, and religious complexity of the iconic city of Toledo. The volume seeks to understand the history and cultural heritage of the city as a result of fluctuating coexistence. Divided into three themed sections,- the essays consider additional material, new transcriptions, and perspectives that contribute to more nuanced understandings of traditional texts or events. The volume places this cultural history and these new readings into current scholarly debates and invites its readers to do the same.

Mapping Medieval Geographies explores the ways in which geographical knowledge, ideas and traditions were formed in Europe during the Middle Ages. Leading scholars reveal the connections between Islamic, Christian, Biblical and Classical geographical traditions from Antiquity to the later Middle Ages and Renaissance. The book is divided into two parts: Part I focuses on the notion of geographical tradition and charts the evolution of celestial and earthly geography in terms of its intellectual, visual and textual representations; whilst Part II explores geographical imaginations; that is to say, those 'imagined geographies' that came into being as a result of everyday spatial and spiritual experience. Bringing together approaches from art, literary studies, intellectual history and historical geography, this pioneering volume will be essential reading for scholars concerned with visual and textual modes of geographical representation and transmission, as well as the spaces and places of knowledge creation and consumption.

The poetic memorialization of the Maghribī city illuminates the ways in which exilic Maghribī poets constructed idealized images of their native cities from the ninth to nineteenth centuries CE. The first work of its kind in English, Of Lost Cities explores the poetics and politics of elegiac and nostalgic representations of the Maghribī city and sheds light on the ingeniously indigenous and indigenously ingenious manipulation of the classical Arabic subgenres of city elegy and nostalgia for one’s homeland. Often overlooked, these poems – distinctively Maghribī, both classical and vernacular, and written in Arabic and Tamazight – deserve wider recognition in the broader tradition and canon of (post)classical Arabic poetry. Alongside close readings of Maghribī poets such as Ibn Rashīq, Ibn Sharaf, al-Ḥuṣrī al-Ḍarīr, Ibn Ḥammād al-Ṣanhājī, Ibn Khamīs, Abū al-Fatḥ al-Tūnisī, al-Tuhāmī Amghār, and Ibn al-Shāhid, Nizar Hermes provides a comparative analysis using Western theories of place, memory, and nostalgia. Containing the first translations into English of many poetic gems of premodern and precolonial Maghribī poetry, Of Lost Cities reveals the enduring power of poetry in capturing the essence of lost cities and the complex interplay of loss, remembrance, and longing.

The first study of nineteenth-century replication across art, literature, science, social science and humanities