SELECTED AS BOOK OF THE YEAR BY THE TIMES, FINANCIAL TIMES, DAILY TELEGRAPH, NEW STATESMAN, SUNDAY TIMES, TIMES LITERARY SUPPLEMENT AND SPECTATOR SHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 'This exceptional book is far from standard biography ... A compendium of high-grade gossip about everyone from Princess Margaret to the Krays, a tour of the immediate post-war art world, a snapshot of grimy London and a narrative of Freud's career and rackety life and loves ... Leaves the reader itchy for volume two' SUNDAY TIMES, ART BOOK OF THE YEAR 'Brilliant ... Freud would have approved' DAILY TELEGRAPH 'Sparkling' SUNDAY TIMES 'Superlative ... packed with stories' GUARDIAN 'Brilliant and compendious ... It does justice to Lucian' FRANK AUERBACH 'A tremendous read. Anyone interested in British art needs it' ANDREW MARR, NEW STATESMAN Though ferociously private, Lucian Freud spoke every week for decades to his close confidante and collaborator William Feaver – about painting and the art world, but also about his life and loves. The result is this a unique, electrifying biography, shot through with Freud's own words. In Youth, the first of two volumes, Feaver conjures Freud's early childhood: Sigmund Freud's grandson, born into a middle-class Jewish family in Weimar Berlin, escaping Nazi Germany in 1934 before being dropped into successive English public schools. Following Freud through art school, his time in the Navy during the war, his post-war adventures in Paris and Greece, and his return to Soho – consorting with duchesses and violent criminals, out on the town with Greta Garbo and Princess Margaret – Feaver traces a brilliant, difficult young man's coming of age. An account of a century told through one of its most important artists, The Lives of Lucian Freud is a landmark in the story its subject and in the art of biography itself.

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.

A riveting life of the brilliant British artist, one of the greatest figurative painters of the 20th century.

An insider's account—the first of its kind—of the thoroughly unconventional life of one of the twentieth century's most shockingly original painters Lucian Freud's paintings are instantly recognizable: often shocking and disturbing, his portraits convey a profound yet compelling sense of discomfort. Freud was twice married and the father of at least a dozen children, and his numerous relationships with women were the subject of much gossip—but the man himself remained a mystery. An intensely private individual (during his lifetime he prevented two planned biographies from being published), Freud's life, as well as his art, invites questions that have had no answer—until now. In Breakfast with Lucian, Geordie Greig, one of a few close friends who regularly had breakfast with the painter during the last years of his life, tells an insider's account—accessible, engaging, revealing—of one of the twentieth century's most fascinating, enigmatic, and controversial artists. Greig, who has studied his subject's work at length, unravels the tangled thread of a life lived on Freud's own uncompromising terms. Based on private conversations in which Freud held forth on everything from first love to gambling debts to the paintings of Velázquez, and informed by interviews with friends, lovers, and some of the artist's children who have never before spoken publicly about their relationships with the painter, this is a deeply personal memoir that is illuminated by a keen appreciation of Freud's art. Fresh, funny, and ultimately profound, Breakfast with Lucian is an essential portrait—one worthy of one of the greatest painters of our time. An NPR Best Book of 2013

Catalogue raisonné.

In an act of extraordinary generosity, the collector and philanthropist Simon Sainsbury (1930-2006) left one of the most significant bequests of art to public collections of the post-war years. Tate and The National Gallery are the joint beneficiaries of this extraordinary collection of paintings. This book illustrates these works.

Published by the Trustees of the National Galleries of Scotland on the occasion of the exhibition Lucian Freud: early works at the Scottish National Gallery of Modern Art, Edinburgh, 18 January - 13 April 1997.

At the time of the publication of Lucian Freud, the definitive monograph, by Jonathan Cape in 1996, Freud was already regarded as one of the great portrait painters of all time. His naked portraits had no parallel. His work exists outside the currents of contemporary art in a domain of his own. In the years since that publication his output has only increased. His worldwide reputation continues to be celebrated. In London, he has been shown in a major retrospective at the Tate and more recently a number of his new paintings have been shown at the Wallace Collection. This second volume contains the recent paintings, both large and small, together with a number of extraordinary new works on paper. His work shows no sign of diminishing energy. We are witnessing the work of one of the great artists of our time, now in his eighties, as he reaches still further with his scrutiny of human form and flesh.