If you are going to self-publish, this is a 'must have' book. An excellent "how-to-guide" that walks you through the steps of self-publishing. Self-publishing made easy by following the steps from cover-to-cover.

The 2014 Guide to Self-Publishing is the essential resource for indie publishers. In other words, this is the guide for writers who are taking their publishing futures into their own hands and self-publishing. In addition to hundreds of listings for freelance editors, designers, self-publishing companies, and more, the Guide to Self-Publishing offers articles on how to produce engaging covers, handle sales tax, dissect the self-publishing contract, protect your work, promote your work, and more. "The Guide to Self-Publishing is brilliant, timely, and the ultimate go-to index for the industry's huge surge of indie authors! Love, love, love having all the pieces of the Puzzle in one resource. Finally, the indie author can wave a Writer's Market of his own and find his way to publication. I predict GTSP to be the hottest how-to writing book of the year. Very highly recommended!" --C. Hope Clark, author of The Shy Writer and the Carolina Slade Mystery Series, and force behind FundsForWriters.com

Debates about researcher education emphasise the dramatic changes facing higher education in the twenty-first century. Post/graduate students must learn often-hidden research literacies with very limited support. Research Literacies and Writing Pedagogies for Masters and Doctoral Writersexplores the challenges students face when engaging in research writing. The chapters offer insights into effective pedagogies, ranging from direct, scaffolded instruction to peer learning, in face-to-face and online interventions. Themes extend from genre approaches, threshold concepts and publishing pedagogies through to the emotional aspects of post/graduate writing, writing groups, peer learning and relational collaborations, employing both online and digital technologies. Throughout, authors have revealed how research literacies and writing pedagogies, in situated contexts around the globe, demonstrate practices that are constantly changing in the face of personal, institutional and broader influences. With contributions from: Nick Almond, Cecile Badenhorst, Agnes Bosanquet, Marcia Z. Buell, Jayde Cahir, Mary Davies Turner, Robert B. Desjardins, Gretchen L. Dietz, Jennifer Dyer, Shawana Fazal, Marília Mendes Ferreira, Amanda French, Clare Furneaux, Cally Guerin, Pejman Habibie, Devon R. Kehler, Muhammad Ilyas Khan, Kyung Min Kim, Sally S. Knowles, Stephen Kuntz, Tara Lockhart, Michelle A. Maher, Muhammad Iqbal Majoka, Cecilia Moloney, Zinia Pritchard, Janna Rosales, Brett H. Say, Natalia V. Smirnova, Natalie Stillman-Webb, Joan Turner, John Turner, Gina Wisker, and K. Hyoejin Yoon.

The 2015 Guide to Self-Publishing is the essential resource for writers who are taking their publishing futures into their own hands, whether it's referred to as self-publishing or indie publishing. In addition to hundreds of listings for freelance editors, designers, self-publishing companies, and more--the Guide to Self-Publishing offers articles on how to create standout covers, hire freelance designers, break in to the gift market, protect your work, promote your work, and more. You also gain access to: • Lists of conferences, organizations, and book fairs and festivals • A pay-rate chart to help negotiate fair terms with any freelancers you might use • Interviews with successful indie authors, including Hugh Howey, Bob Mayer, Delilah Marvelle, and more + Includes access to a one-hour webinar, "How to Format E-books With Microsoft Word," indie author Jason Matthews helps writers master e-book formatting. This webinar covers each section of your book's needs, from the title and table of contents to inserting images and hyperlinks. In just over an hour, you'll be able to professionally format your e-book and give readers something they'll enjoy.

This book examines changing representations of masculinity in geek media, during a time of transition in which “geek” has not only gone mainstream but also become a more contested space than ever, with continual clashes such as Gamergate, the Rabid and Sad Puppies’ attacks on the Hugo Awards, and battles at conventions over “fake geek girls.” Anastasia Salter and Bridget Blodgett critique both gendered depictions of geeks, including shows like Chuck and The Big Bang Theory, and aspirational geek heroes, ranging from the Winchester brothers of Supernatural to BBC’s Sherlock and the varied superheroes of the Marvel Cinematic Universe. Through this analysis, the authors argue that toxic masculinity is deeply embedded in geek culture, and that the identity of geek as victimized other must be redefined before geek culture and media can ever become an inclusive space.

A world-famous ballerina’s dramatic life Dancing Past the Light cinematically illuminates the glamorous and moving life story of Tanaquil “Tanny” Le Clercq (1929‒2000), one of the most celebrated ballerinas of the twentieth century, describing her brilliant stage career, her struggle with polio, and her important work as a dance teacher, coach, photographer, and writer. Born in Paris, Le Clercq became a principal dancer with the New York City Ballet at age 19 and a role model for aspiring dancers everywhere. Orel Protopopescu recounts Le Clercq’s intense marriage to the company’s renowned choreographer George Balanchine, for whom Le Clercq was a muse, the prototype of the exquisite, long-limbed “Balanchine ballerina.” Enhanced with a wealth of previously unpublished photos, personal letters, and sketches by Balanchine, this book offers an intimate portrait of Le Clercq’s dancing life and her relationship to the man who was both her mentor and husband. It delves into her friendships with other dancers as well, including a longtime rival for her affections, choreographer Jerome Robbins. Le Clercq contracted polio while on tour in Europe at age 27 and would never dance again. This book offers a rare account of how Le Clercq grappled with a fate considered unimaginable for a ballerina and began to share her love of dance as a writer and dance teacher. It also highlights Le Clercq’s role in the struggles for racial equality and disability rights. Her art was her vehicle: she and Arthur Mitchell made history as the couple in New York City Ballet’s first interracial pas de deux at City Center in 1955 and later she taught from a wheelchair at his Dance Theatre of Harlem. With insights from interviews with her friends, students, and colleagues, Dancing Past the Light depicts the joys and the dark moments of Le Clercq’s dramatic life, celebrating her mighty legacy.

Billy Batson discovers a secret in a forgotten subway tunnel. There the young man meets a wizard who offers a precious gift: a magic word that will transform the newsboy into a hero. When Billy says, "Shazam!," he becomes Captain Marvel, the World's Mightiest Mortal, one of the most popular comic book characters of the 1940s. This book tells the story of that hero and the writers and artists who created his magical adventures. The saga of Captain Marvel is also that of artist C. C. Beck and writer Otto Binder, one of the most innovative and prolific creative teams working during the Golden Age of comics in the United States. While Beck was the technician and meticulous craftsman, Binder contributed the still, human voice at the heart of Billy's adventures. Later in his career, Beck, like his friend and colleague Will Eisner, developed a theory of comic art expressed in numerous articles, essays, and interviews. A decade after Fawcett Publications settled a copyright infringement lawsuit with Superman's publisher, Beck and Binder became legendary, celebrated figures in comic book fandom of the 1960s. What Beck, Binder, and their readers share in common is a fascination with nostalgia, which has shaped the history of comics and comics scholarship in the United States. Billy Batson's America, with its cartoon villains and talking tigers, remains a living archive of childhood memories, so precious but elusive, as strange and mysterious as the boy's first visit to the subway tunnel. Taking cues from Beck's theories of art and from the growing field of memory studies, Captain Marvel and the Art of Nostalgia explains why we read comics and, more significantly, how we remember them and the America that dreamed them up in the first place.

Why was the mission to the Moon named after the God of the Sun, and not after a Moon Goddess or God? In this unconventional work, Philippe Sibaud explores the symbolism behind the 1969 landing on the Moon. More than fifty years after this seminal event, and whilst the Moon is attracting renewed interest, the author offers a bold new interpretation of the iconic Apollo mission. Was the Apollo landing the ultimate triumph of solar consciousness over the ancient lunar ways, a concrete enactment of the god Apollo mythically slaying the mother dragon at Delphi, or can the whole venture be seen as the sacred union of Sun and Moon, birthing a new vision at a time of great need? By weaving his own personal story with a greater cultural and symbolic narrative, Philippe Sibaud invites us to reflect on the importance of myths and the power of the Imagination to unlock the deeper meaning of our individual and collective experiences. You will never look at the Moon with the same eyes again.

This is a research-based book on the divine life, teachings, spirit messages, and contributions of Sri Shirdi Sai Baba (18381918), the renowned Sufi saint of India. It highlights his importance as the 'Jagat Guru (Universal Master) whose teachings and messages elevate all people spiritually and morally and unite them. His main teachings are Allah (God) is one who is the sole master of all; the same 'atma'(soul) is in every creature; everyone is linked to others according to ones past actions and Rinanubandh (bond of give and take), and so one must be kind, compassionate, and helpful to all those who come in this life. He is now the supreme ascended master. He appears before people who earnestly remember him, in their dreams or in any other person's form to guide, inspire, save, and help them to solve their problems instantly. His Dwarka Mai masjid (mosque) and samadhi Mandir temple in Shirdi are well-known to billons of people of all regligions and cultures and are visited by thousands of people daily and by even more than hundred thousand pilgrims from all lovers of the world to seek his grace. This book was written by the devotee author as desired by the spirit of Sri Shirdi Sai Baba communicated to Sri Lakshman Swami, founder, Adi Sankarachrya and Dattratreya Adhyatmic Bhakti Mandli, Bangalore in 1992 and was blessed by Shivamma Thyayee of Roopen Agraha, Bangalore, who was then the only surviving 102-year-old contemporary devotee of Sri Shirdi Sai Baba and by Sri Shivnesh Swami of Shirdi. It has been one of the most popular books on Sri Shirdi Sai Baba since then. This revised and updated new edition provides valuable information on prominent Shirdi Sai temples, organizations, journals, and websites in the world. It will enlighten and spiritually uplift the readers belonging to all religions, cultures, and nations.

This book explores the textual traditions that authorize the history, legitimacy, and authenticity of today’s physical posture practice. The volume focuses on why and how yoga communities have adopted various texts that they consider sacred or spiritually meaningful. Among the texts discussed are Yogananda‘s Autobiography, Sri Aurobindo's Savitri, Patanjali’s Yoga Sutra, the Bhagavad Gita, the Hatha Yoga Pradipika, the Upanishads, the Vedas, and the Yoginī Tantra. Famous thinkers included are Aurobindo, Yogananda, Osho-Rajneesh, Sogyal Rimpoche, Charles Johnston, and Howard Thurman. Offering a starting point, the ten chapters address the nature, selection, and function of various ancient and contemporary texts read in contemporary yoga settings. The attention centers on how and why texts are read and for whom they are read. As yoga is practiced in ashrams, yoga studios, gyms, meeting rooms, and even private living rooms, scholarly approaches to investigate the connections between yoga and texts are necessarily diverse. This volume aims to inspire further scholarship on the reading of texts in past and present yoga communities. The collection demonstrates that textual tradions deserve to be an important part of contemporary yoga scholarship. The volume will, therefore, be of great interest to scholars of religious studies, yoga studies, and Asian studies, as well as those studying sacred texts.