MAXnotes. . . - offer a fresh look at masterpieces of literature - present material in an interesting, lively fashion - are written by literary experts who currently teach the subjects - are designed to stimulate independent thinking by raising various issues and thought-provoking ideas and questions - enhance understanding and enjoyment of the work - cover what one must know about each work - include an overall summary, character lists, explanation and discussion of the plot, the work's historical context, biography of the author - each chapter is individually summarized and analyzed and includes study questions and answers - feature illustrations conveying the period and mood of the work Each MAXnotes measures 5 1/4" x 8 1/4" (13.3 cm x 21 cm).

Moby Dick is a vast and dangerous white whale. An enemy for many years after the whale bit off his leg, the crazed Captain Ahab is obsessed with his quarry. Together with his extraordinary crew, Ahab braves the oceans of the world to hunt the fearsome Moby Dick. * Geraldine McCaughrean is one of the most distinguished living children's authors. She has won the Carnegie Medal, the Whitbread Children's Novel Award (twice), and the Guardian Children's Fiction Award. Geraldine's most recent best-selling novel The Kite Rider was published to universal acclaimin March 2001

Herman Melville was already considered to be a successful author when he wrote Moby-Dick in just under two years. Yet despite his earlier success, the novel was widely misunderstood by its 19th-century readers, who expected a more traditional adventure novel. Today Moby-Dick is considered to be an undisputed classic, and many believe it to be the epitome of the great American novel. With an unforgettable cast of characters, inluding the mad Captain Ahab, Melville skillfully documents the Pequod crew's tragic hunt for the great white whale. The full-length essays presented in Herman Melville's Moby Dick, Updated Edition provide expert commentary on the huge canvas of symbols themes, and subjects presented in this novel, as well as an introduction, a chronology, a bibliography, and an index, that will help students navigate confidently through Melville's masterpiece.

An introductory critical guide with five specialised essays analysing Melville's classic Moby-Dick.

In Moby Dick Melville set out to write a "mighty book" on "a mighty theme." The editors of this critical text affirm that he succeeded. Nevertheless, their prolonged examination of the novel reveals textual flaws and anomalies that help to explain Melville's fears that his great work was in some ways a hash or a botch. A lengthy historical note also gives a fresh account of Melville's earlier literary career and his working conditions as he wrote; it also analyzes the book's contemporary reception and outlines how it finally achieved fame. Other sections review theories of the book's genesis, detail the circumstances of its publication, and present documents closely relating to the story. This scholarly edition is based on collations of both editions published during Melville's lifetime, it adopts 185 revisions and corrections from the English edition and incorporates 237 emendations by the series editors. This is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).

Nominated as one of America’s best-loved novels by PBS’s The Great American Read First published in 1851, Herman Melville’s masterpiece is, in Elizabeth Hardwick’s words, “the greatest novel in American literature.” The saga of Captain Ahab and his monomaniacal pursuit of the white whale remains a peerless adventure story but one full of mythic grandeur, poetic majesty, and symbolic power. Filtered through the consciousness of the novel’s narrator, Ishmael, Moby-Dick draws us into a universe full of fascinating characters and stories, from the noble cannibal Queequeg to the natural history of whales, while reaching existential depths that excite debate and contemplation to this day.

In The Errant Art of Moby-Dick, one of America's most distinguished critics reexamines Melville's monumental novel and turns the occasion into a meditation on the history and implications of canon formation. In Moby-Dick--a work virtually ignored and discredited at the time of its publication--William V. Spanos uncovers a text remarkably suited as a foundation for a "New Americanist" critique of the ideology based on Puritan origins that was codified in the canon established by "Old Americanist" critics from F. O. Matthiessen to Lionel Trilling. But Spanos also shows, with the novel still as his focus, the limitations of this "New Americanist" discourse and its failure to escape the totalizing imperial perspective it finds in its predecessor. Combining Heideggerian ontology with a sociopolitical perspective derived primarily from Foucault, the reading of Moby-Dick that forms the center of this book demonstrates that the traditional identification of Melville's novel as a "romance" renders it complicitous in the discourse of the Cold War. At the same time, Spanos shows how New Americanist criticism overlooks the degree to which Moby-Dick anticipates not only America's self-representation as the savior of the world against communism, but also the emergent postmodern and anti-imperial discourse deployed against such an image. Spanos's critique reveals the extraordinary relevance of Melville's novel as a post-Cold War text, foreshadowing not only the self-destructive end of the historical formation of the American cultural identity in the genocidal assault on Vietnam, but also the reactionary labeling of the current era as "the end of history." This provocative and challenging study presents not only a new view of the development of literary history in the United States, but a devastating critique of the genealogy of ideology in the American cultural establishment.

Traces the process and influences behind the writing of Herman Melville's novel, "Moby Dick," which was published in the 1850s and based on the author's own experience at sea.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.