Despite the centrality of ceramics to Mojave culture, Mojave pottery is virtually unknown today. Museums have mostly small, unrepresentative, and largely undocumented collections, and the works have received little attention from scholars and collectors.This comprehensive volume brings to light the wondrously inventive clay people, mythological creatures, and effigy vessels of the Mojave people, recording this Southwest Indian ceramic art in more than 50 full-color plates, 25 color and black-and-white illustrations, and a complete catalog of the Dillingham Collection of Mojave Ceramics, one of the largest and most complete Mojave assemblages in the world, at the Indian Arts Research Center of the School of American Research. Jill Leslie Furst takes an ethnohistorical approach here, drawing on written literature about the tribe that ranges from seventeenth-century Spanish documents to ethnographic accounts from the 1970s.The stories of the Mojaves-along with descriptions of family life, gender roles, subsistence activities, clothing and personal adornment, shamanism, and the afterlife-form the context for Furst's exploration of the Mojave ceramic tradition.

When this book first appeared in 1996, it was “Pottery 101,” a basic introduction to the subject. It served as an art book, a history book, and a reference book, but also fun to read, beautiful to look at, and filled with good humor and good sense. After twenty years of faithful service, it’s been expanded and brought up-to-date with photographs of more than 1,600 pots from more than 1,600 years. It shows every pottery-producing group in the Southwest, complete with maps that show where each group lives. Now updated, rewritten, and re-photographed, it's a comprehensive study as well as a basic introduction to the art.

The Colorado River region looms large in the history of the American West, vitally important in the designs and dreams of Euro-Americans since the first Spanish journey up the river in the sixteenth century. But as Natale A. Zappia argues in this expansive study, the Colorado River basin must be understood first as home to a complex Indigenous world. Through 300 years of western colonial settlement, Spaniards, Mexicans, and Americans all encountered vast Indigenous borderlands peopled by Mojaves, Quechans, Southern Paiutes, Utes, Yokuts, and others, bound together by political, economic, and social networks. Examining a vast cultural geography including southern California, Nevada, Utah, Arizona, Sonora, Baja California, and New Mexico, Zappia shows how this interior world pulsated throughout the centuries before and after Spanish contact, solidifying to create an autonomous, interethnic Indigenous space that expanded and adapted to an ever-encroaching global market economy. Situating the Colorado River basin firmly within our understanding of Indian country, Traders and Raiders investigates the borders and borderlands created during this period, connecting the coastlines of the Atlantic and Pacific worlds with a vast Indigenous continent.

Native American pottery of the U.S. southwest has long been considered collectible and today can fetch many thousands of dollars per piece. Authors, collectors, and dealers Carol and Allen Hayes provide readers with a concise overview of the pottery of the southwest, from its origins in the Bastketmaker period (around 400 AD) to the Spanish entrada (1540 AD-1879 AD) to today's new masters. Readers will find dozens of color images depicting pottery from the Zuni, Hopi, Anasazi, and many other peoples. Maps help readers identify where these master potters and their peoples lived (i.e. the Pueblo a tribal group or area). Pottery of the Southwest will serve as a useful introduction as well as a lovely guide for enthusiasts.

Through sweeping entries, focused biographies, community histories, economic enterprise analysis, and demographic studies, this Encyclopedia presents the tapestry of the West and its population during various periods of migration. Examines the settling of the West and includes coverage of movements of American Indians, African Americans, and the often-forgotten role of women in the West's development.

From the author of How the World Moves: A revelatory new look at the hallowed, diverse, and threatened landscapes of the American Indian For thousands of years , Native Americans have told stories about the powers of revered landscapes and sought spiritual direction at mysterious places in their homelands. In this important book, respected scholar and anthropologist Peter Nabokov writes of a wide range of sacred places in Native America. From the “high country” of California to Tennessee’s Tellico Valley, from the Black Hills of South Dakota to Rainbow Canyon in Arizona, each chapter delves into the relationship between Indian cultures and their environments and describes the myths and legends, practices, and rituals that sustained them.

"Based on historical records, including the letters and diaries of Oatman's friends and relatives, The Blue Tattoo is the first book to examine her life from her childhood in Illinois including the massacre, her captivity, and her return to white society - to her later years as a wealthy banker's wife in Texas."--BOOK JACKET.

Widely considered to be the most comprehensive introduction to ceramics available, this book contains numerous step-by-step illustrations of various ceramic techniques to guide the beginner as well as inspirational ceramic pieces from contemporary potters from around the world. For the more experienced ceramist, there is a wealth of technical detail on things like glaze formulas and temperature conversions which make the book an ideal reference. To quote one review: ...I am a studio potter and would not be without it. The fourth edition has been updated to include profiles of key ceramists who have influenced the field, new material on marketing ceramics including using the internet, more on the use of computers, added coverage of paperclays, using gold and alternative glazes.

Captivity was endemic in Arizona from the end of the Mexican-American War through its statehood in 1912. The practice crossed cultures: Native Americans, Mexican Americans, Mexicans, and whites kidnapped and held one another captive. Victoria Smith's narrative history of the practice of taking captives in early Arizona shows how this phenomenon held Arizonans of all races in uneasy bondage that chafed social relations during the era. It also maps the social complex that accompanied captivity, a complex that included orphans, childlessness, acculturation, racial constructions, redemption, reintegration, intermarriage, and issues of heredity and environment. ø This in-depth work offers an absorbing account of decades of seizure and kidnapping and of the different ?captivity systems? operating within Arizona.øBy focusing on the stories of those taken captive?young women, children, the elderly, and the disabled, all of whom are often missing from southwestern history?Captive Arizona, 1851?1900 complicates and enriches the early social history of Arizona and of the American West.