'Living with the idea of bearing a death-force fundamentally directed at oneself is hardly easy to admit. It is less so in any case than the idea that we are all murderers, that we are ever ready to plead legitimate defence or the need to survive so as to strike out at another.' Andre Green, from the Foreword What drives men to kill and self-destruct? On the Death and Destruction Drives traces the introduction and development of the controversial concept of the "death drive", from the work of Freud (1920-1938) to the main contributions of classical and post-Freudian authors, including Ferenczi, Klein, Bion, Winnicott, and Lacan. Shedding light on non-neurotic phenomena and structures, such as anorexia, bulimia, depression, suicide, criminal behaviour, Andre Green offers a new perspective on the relationship between the life drive (Eros) and the death drive (Thanatos). Andre Green was a key figure in contemporary psychoanalysis, who embraced philosophy and an international outlook to enhance psychoanalytic theory. This book was one of his last works, originally published in French as Pourquoi les pulsions de destruction ou de mort? in 2012. Green's defence of one of Freud's most daring revisions of his drive theory remains relevant to psychoanalytic work today, and it is an honour to bring this excellent translation to the English-speaking world. To enhance its worth, the book includes an introduction from translator Steven Jaron to clarify certain technical terms and situate the book within Green's oeuvre. This book is an important contribution to the development of psychoanalytic theory and essential reading for all trainee and practising psychoanalysts.

'Living with the idea of bearing a death-force fundamentally directed at oneself is hardly easy to admit. It is less so in any case than the idea that we are all murderers, that we are ever ready to plead legitimate defence or the need to survive so as to strike out at another.' Andre Green, from the Foreword What drives men to kill and self-destruct? On the Death and Destruction Drives traces the introduction and development of the controversial concept of the "death drive", from the work of Freud (1920-1938) to the main contributions of classical and post-Freudian authors, including Ferenczi, Klein, Bion, Winnicott, and Lacan. Shedding light on non-neurotic phenomena and structures, such as anorexia, bulimia, depression, suicide, criminal behaviour, Andre Green offers a new perspective on the relationship between the life drive (Eros) and the death drive (Thanatos). Andre Green was a key figure in contemporary psychoanalysis, who embraced philosophy and an international outlook to enhance psychoanalytic theory. This book was one of his last works, originally published in French as Pourquoi les pulsions de destruction ou de mort? in 2012. Green's defence of one of Freud's most daring revisions of his drive theory remains relevant to psychoanalytic work today, and it is an honour to bring this excellent translation to the English-speaking world. To enhance its worth, the book includes an introduction from translator Steven Jaron to clarify certain technical terms and situate the book within Green's oeuvre. This book is an important contribution to the development of psychoanalytic theory and essential reading for all trainee and practising psychoanalysts.

Excess and Apocalypse in the World of the Chapman Brothers.

This timely book provides new insights into debates around the relationship between women and film by drawing on the work of philosopher Luce Irigaray. Arguing that female-directed cinema provides new ways to explore ideas of representation and spectatorship, it also examines the importance of contexts of production, direction and reception.

History-making can be used both to bolster and to contest the legitimacy of established institutions and canons. Excluded Ancestors, Inventible Traditions seeks to widen the anthropological past and, in doing so, to invigorate contemporary anthropological practice. In the past decade, anthropologists have become increasingly aware of the ways in which participation in professional anthropology has depended and continues to depend on categorical boundaries of race, class, gender, citizenship, institutional and disciplinary affiliation, and English-language proficiency. Historians of anthropology play a crucial role interrogating such boundaries; as they do, they make newly available the work of anthropologists who have been ignored. Excluded Ancestors, Inventible Traditions focuses on little-known scholars who contributed to the anthropological work of their time, such as John William Jackson, the members of the Hampton Folk-Lore Society, Charlotte Gower Chapman, and Lucie Varga. In addition, essays on Marius Barbeau and Sol Tax present figures who were centrally located in the anthropologies of their day. A final essay analyzes notions of "the canon" and considers the place of a classic ethnographic area, highland New Guinea, in anthropological canon-formation.

This is a comprehensive account of the psychology of death and bereavement, which places the subject within the contexts of the major world religions and their associated mourning and funeral customs. Clearly written, well referenced and carefully organized, the book examines the thinking of Freud and Jung and of modern psychiatrists, and also discusses those aspects of death - bereavement visions, euthanasia, grief for a pet and suicide - which are not covered elsewhere.The second edition has enabled the contents to be updated and enlarged. There are five new chapters, including one dealing with the scientific assessment of death: another looks at the psychological insights provided by Shakespeare, whilst a third deals with the beliefs and customs of minority groups - the Bahais, Jehovah's Witnesses, Mormons, Quakers, Spiritualists and Seventh-day Adventists. The text is highly accessible and uses case histories to bridge the gap between theory and experience in an novel and creative way.

This book synthesizes Nietzsche, Heidegger, and Derrida on interpretation and difference in order to provide a new theory of how interpretation functions in psychoanalysis.

"This book documents and extends the exhibition-project 'Interarchiv' of the Kunstraum der Universität Lüneburg in co-operation with Hans-Peter Feldmann and Hans Ulrich Obrist, 1997-2002"--Colophon.