The Romanian Revolution of 1989 ended 42 years of Communist rule. It was the bloodiest revolution in a Warsaw Pact country, culminating in the overthrow and execution of Nicolae Ceaușescu. However, there was no major democratic reform and power remained in the hands of key figures from the old regime. This has led many theorists to question the authenticity of the entire revolution. Performative Contradiction and the Romanian Revolution focuses-in on the circumstances which led to these accusations. It argues that the notion of an authentic revolution, as a conceptual paradigm, is neither a sufficient, appropriate, nor useful tool for an analysis of the events in Romania. Engaging with the work of theorists including Stieglar, Agamben, Baudrillard, Badiou, Spinoza and Derrida it argues that performative contradiction is a more useful theoretical model for exploring this event. Applying the concept to specific cases within the revolution, the book demonstrates the power of performative contradiction as an analytic tool.

This edited book fills a void in the existing research concerning anti-communist movements in Central and Eastern Europe, outlining the linguistic implications of the cultural, social and political metamorphoses brought about by the (change of) regime. The authors included in this volume approach the topic from a variety of perspectives, but, ultimately, focus on language seen as a fundamental tool for simultaneously subjugating and liberating, concealing and revealing truth, discouraging dissidence and fostering revolt. Readers are invited to discover the linguistic implications of the many shapes and forms that the 1989 anti-communist revolutions took. Equally interesting are the investigations of the revolution aftermath, in the first years of transition to democracy. Perceived as a whole throughout the Cold War (1947-1991), the so-called "Eastern Bloc" managed to reveal its heterogeneity, the singularity of each of its comprising states and the multitude of its internal contrasts, most vividly perhaps, in the manifold manifestations of the 1989 anti-communist fight. This book will be of interest to academics and researchers from various fields, including history, (socio)linguistics, political studies, and conflict studies.

Communism has cast a long shadow over Romania. The passage of little over a quarter of a century since the overthrow in December 1989 of Romania’s last Communist leader, Nicolae Ceaușescu, offers a symbolic standpoint from which to penetrate that shadow and to throw light upon the entire period of Communist rule in the country. An appropriate point of departure is the observation that Romania’s trajectory as a Communist state within the Soviet bloc was unlike that of any other. That trajectory has its origins in the social structures, attitudes and policies in the pre-Communist period. The course of that trajectory is the subject of this inquiry.

The biannual, peer-reviewed Journal of Romanian Studies, jointly developed by The Society for Romanian Studies and ibidem Press, examines critical issues in Romanian studies, linking work in that field to wider theoretical debates and issues of current relevance, and serving as a forum for junior and senior scholars. The journal also presents articles that connect Romania and Moldova comparatively with other states and their ethnic majorities and minorities, and with other groups by investigating the challenges of migration and globalization and the impact of the European Union. Issue No. 6 is a Special Issue on Communication, guest-edited by Raluca Radu and Ioana Coman. It contains contributions by Radu Silaghi-Dumitrescu, Lucian-Vasile Szabo, Alla Rosca, Marius Dragomir, Dumitrița Holdiș, Cristina Lupu, Manuela Preoteasa, Marian Voicu, Antonio Momoc, Onoriu Colăcel, Tibori Szabo Zoltan, Andrei Richter, Paolo Mancini, Anca Șincan, Roland Clark, Dana Domsodi, R. Chris Davis.

Is it possible to think of a counter-hegemonic, progressive nostalgia that celebrates and helps sustain the marginalised? What might such a nostalgia look like, and what political importance might it have? Homemaking: Radical Nostalgia and the Construction of a South Asian Diaspora examines diasporic life in south Asian communities in Europe, North America and Australia, to map the ways in which members of these communities use nostalgia to construct distinctive identities. Using a series of examples from literature, cinema, visual art, music, computer games, mainstream media, physical and virtual spaces and many other cultural objects, this book argues that it is possible, and necessary, to read this nostalgia as helping to create a powerful notion of home that can help to transcend international relations of empire and capital, and create instead a pan-national space of belonging. This homemaking represents the persistent search for somewhere to belong on one’s own terms. Constructed through word, image and music, preserved through dreams and imagination, the home provides sustenance in the continuing struggle to change the present and the future for the better.

The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.

Contested Borders broadens understandings of dissident sexualities in Africa through examining new representations of same-sex desire emerging in recent francophone autofictional writing from the Maghreb, where long-established traditions pertaining to gender and sexuality are brought into contact with new forms of gender and sexual dissidence, resulting from the inflection of globally circulating discourses and embodiments of queerness in North Africa, and from the experience of emigration and settlement by the writers concerned in France. The book analyses specifically how Franco-Maghrebi writers Rachid O., Abdellah Taïa, Eyet-Chékib Djaziri, and Nina Bouraoui foreground translation and narrative reflexivity around incommensurable spaces of queerness in order to index their crossings and negotiations of multiple languages, histories and cultures. By writing in French, Spurlin demonstrates that the writers are not merely mimicking the language of their former coloniser but inflecting a European language with discursive turns of phrase indigenous to North Africa, thus creating new possibilities of meaning and expression to name their lived experiences of gender and sexual alterity—a form of (queer) translational praxis that destabilises received gender/sexual categories both within the Maghreb and in Europe.

Inspired by the philosophical framework of Deleuze and Guattari in relation to affect, Affective Connections disavows the dominant oppositional discourse around representation to offer an affirmative approach to perception, cognition and experience. It advances a new materialist concept of synaesthetic perception, where synaesthesia is understood as a union of senses. This idea offers a new figuration for thinking about our cognition, exploring the role of embodied experience and the agency of matter in the production of knowledge. Looking at a number of memorials, memory sites and artworks relating to the Holocaust the book uses this idea of synaesthetic perception to explore trauma, memory and the production of art in relation to painful memories. In doing so, it demonstrates that modes of interacting with the past and encountering the lived experience of trauma can trigger a deeper understanding of these events and produce more complex forms of affective connections. It proposes a shift away from empathy towards sympathy (understood in new materialist terms), not just as a sentimental response to trauma but as an affective notion that allows for a more comprehensive grasp of experiences of discrimination, exclusion, suffering, or pain.

Money facilitates the rites and rituals we perform in everyday life. More than a mere medium of exchange or a measure of value, it is the primary means by which we manifest a faith unique to our secular age. But what happens when individual belief (credo, ‘I’ believe) and the systems into which it is bound (credit, ‘it’ believes) enter into crisis? Where did the sacredness of money come from, and does it have a future? Why do we talk about debt and repayment in overtly moral terms? How should a theological critique of capitalism proceed today? With the effects of the 2008 economic crises continuing to be felt across the world, this volume brings together some of the most important contemporary voices in philosophy, literature, theology, and critical and cultural theory together in one volume to assert the need to interrogate and broaden the terms of the theological critique of capitalism.