"Pittsburgh: A Sketch of Its Early Social Life" by Charles W. Dahlinger is a compelling historical account that offers a vivid portrayal of the social dynamics and community life in early Pittsburgh. This insightful work delves into the city’s formative years, providing readers with a detailed snapshot of its cultural and social evolution. Dahlinger’s book explores the various aspects of Pittsburgh’s early society, including its social structures, customs, and daily life. Through engaging narratives and thorough research, he paints a picture of the city’s development, highlighting the challenges and triumphs of its early inhabitants. The book covers a range of topics, from social gatherings and community events to the influences that shaped Pittsburgh’s unique character during its early years. "Pittsburgh: A Sketch of Its Early Social Life" is notable for its rich historical detail and engaging storytelling. Dahlinger’s thorough examination of the city’s social fabric offers valuable insights into how Pittsburgh’s early residents lived, interacted, and contributed to the growth of their community. The book serves as an important resource for historians, researchers, and anyone interested in the social history of American cities. Critically appreciated for its depth and accuracy, "Pittsburgh: A Sketch of Its Early Social Life" provides a fascinating glimpse into the past and captures the essence of a city in its formative stages. It’s a must-read for those interested in the history of Pittsburgh and the broader context of American urban development. Discover the rich social tapestry of early Pittsburgh with "Pittsburgh: A Sketch of Its Early Social Life". Secure your copy today and explore the historical roots of one of America's great cities.

A fascinating look at life during pioneer times in western Pennsylvania. Describes the hardship, danger and drudgery of day-to-day life on the frontier. Topics include cabin raising, crop harvests, tanning, weaving, disease, religion, and superstition. Also follows the progression from pioneer life to industrial society.

The monumental American Guide Series, published by the Federal Writers’ Project, provided work to thousands of unemployed writers, editors, and researchers in the midst of the Great Depression. Funded by the Works Progress Administration and featuring books on states, cities, rivers, and ethnic groups, it also opened an unprecedented view into the lives of the American people during this time. Untold numbers of projects in progress were lost when the program was abruptly shut down by a hostile Congress in 1939. One of those, “The Negro in Pittsburgh,” lay dormant in the Pennsylvania State Library until it was microfilmed in 1970. The WPA History of the Negro in Pittsburgh marked the first publication of this rich body of information. This unique historical study of the city’s Black population, although never completed, features articles on civil rights, social class, lifestyle, culture, folklore, and institutions from colonial times through the 1930s. Editor Laurence A. Glasco’s introduction and robust bibliography contextualizes the articles and offers a history on the manuscript itself, guiding contemporary readers through this remarkable work.

Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.

The Pittsburgh region, while well known for steelmaking, was likewise an important glass manufacturing center in this country's history. This book provides detailed accounts of the region's glassmakers from the first factory dating to 1795 through 1910. Glassmaking started out modestly with small glasshouses in Pittsburgh and up the Monongahela River in New Geneva during the final few years of the 18th century. By the close of the 19th century, the Pittsburgh region was producing more than half of all domestic window glass and the lion's share of most other forms of glass in the United States. The original purpose of this manuscript was to assemble and record as accurately as possible the history of all of the glassworks and the glass manufacturers that operated them in Pittsburgh and the immediate surrounding region. This book was designed to be a reference guide for anyone who is interested in the history of glass in western Pennsylvania. The years companies were operating, where the glassworks were located, what types of glass and specific glass items did they make, and what marks did they use is just some of the information that can be found in this book. There are hundreds of individual companies and name changes listed in this volume. It contains as much information about each company that could practically be included. Even the most minor name or address change was recorded exactly as noted by contemporary sources. As much as possible, contemporary reference sources, such as city directories, early newspapers, maps, and journals were used to provide accurate and complete histories of the glasshouses. Generally, the better-known companies will have much more of their history available. However, every known glassmaker and glasshouse was included, regardless of how little information about them could be found. This book is intended to aid researchers in the determination of the age and the origin of marked pieces as well as narrowing down potential manufacturers of unmarked objects. The liberal reproduction of original advertisements and maps as well as the photographs of glass marks were included to complement and augment the narrative. The format of this book was established to facilitate its use as a reference guide.

Includes section "Book reviews and Book notices.".