The Spanish-American War marked the emergence of the United States as an imperial power. It was when the United States first landed troops overseas and established governments of occupation in the Philippines, Cuba, and other formerly Spanish colonies. But such actions to extend U.S. sovereignty abroad, argues Katharine Bjork, had a precedent in earlier relations with Native nations at home. In Prairie Imperialists, Bjork traces the arc of American expansion by showing how the Army's conquests of what its soldiers called "Indian Country" generated a repertoire of actions and understandings that structured encounters with the racial others of America's new island territories following the War of 1898. Prairie Imperialists follows the colonial careers of three Army officers from the domestic frontier to overseas posts in Cuba and the Philippines. The men profiled—Hugh Lenox Scott, Robert Lee Bullard, and John J. Pershing—internalized ways of behaving in Indian Country that shaped their approach to later colonial appointments abroad. Scott's ethnographic knowledge and experience with Native Americans were valorized as an asset for colonial service; Bullard and Pershing, who had commanded African American troops, were regarded as particularly suited for roles in the pacification and administration of colonial peoples overseas. After returning to the mainland, these three men played prominent roles in the "Punitive Expedition" President Woodrow Wilson sent across the southern border in 1916, during which Mexico figured as the next iteration of "Indian Country." With rich biographical detail and ambitious historical scope, Prairie Imperialists makes fundamental connections between American colonialism and the racial dimensions of domestic political and social life—during peacetime and while at war. Ultimately, Bjork contends, the concept of "Indian Country" has served as the guiding force of American imperial expansion and nation building for the past two and a half centuries and endures to this day.

A newly minted second lieutenant fresh from West Point, Hugh Lenox Scott arrived on the northern Great Plains in the wake of the Little Bighorn debacle. The Seventh Cavalry was seeking to subdue the Plains tribes and confine them to reservations, and Scott adopted the role of negotiator and advocate for the Indian “adversaries.” He thus embarked on a career unique in the history of the U.S. military and the western frontier. Hugh Lenox Scott, 1853–1934: Reluctant Warrior is the first book to tell the full story of this unlikely, self-avowed “soldier of peace,” whose career, stretching from Little Bighorn until after World War I, reflected profound historical changes. The taste for adventure that drew Scott to the military also piqued his interest in the tenacity of Native cultures in an environment rife with danger and uncertainty. Armand S. La Potin describes how Scott embraced the lifeways of the Northern Plains peoples, making a study of their cultures, their symbols, and most notably, their use of an intertribal sign language to facilitate trade. Negotiating with dissident bands of Indians whose lands were threatened by Anglo settlers and commercial interests, he increasingly found himself advocating federal responsibility for tribal welfare and assuming the role of “Indian reformer.” La Potin makes clear that “reform” was understood within the context of Scott’s own culture, which scaled “civilization” to the so-called Anglo race. Accordingly, Scott promoted the “civilization” of Native Americans through assimilation into Anglo-American society—an approach he continued in his later interactions with the Moro Muslims of the southern Philippines, where he served as a military governor. Although he eventually rose to the rank of army chief of staff, over time Scott the peacemaker and Indian reformer saw his career stall as Native tribes ceased to be seen as a military threat and military merit was increasingly defined by battlefield experience. From these pages the picture emerges of an uncommon figure in American military history, at once at odds with and defined by his times.

A new history of Rotary International shows how the organization reinforced capitalist values and cultural practices at home and tried to remake the world in the idealized image of Main Street America. Rotary International was born in Chicago in 1905. By the time World War II was over, the organization had made good on its promise to Ògirdle the globe.Ó Rotary International and the Selling of American Capitalism explores the meteoric rise of a local service club that brought missionary zeal to the spread of American-style economics and civic ideals. Brendan Goff traces RotaryÕs ideological roots to the business progressivism and cultural internationalism of the United States in the early twentieth century. The key idea was that community service was intrinsic to a capitalist way of life. The tone of Òservice above selfÓ was often religious, but, as Rotary looked abroad, it embraced Woodrow WilsonÕs secular message of collective security and international cooperation: civic internationalism was the businessmanÕs version of the Christian imperial civilizing mission, performed outside the state apparatus. The target of this mission was both domestic and global. The Rotarian, the organizationÕs publication, encouraged Americans to see the world as friendly to Main Street values, and Rotary worked with US corporations to export those values. Case studies of Rotary activities in Tokyo and Havana show the group paving the way for encroachments of US powerÑeconomic, political, and culturalÑduring the interwar years. RotaryÕs evangelism on behalf of market-friendly philanthropy and volunteerism reflected a genuine belief in peacemaking through the worldÕs Òparliament of businessmen.Ó But, as Goff makes clear, Rotary also reinforced American power and interests, demonstrating the tension at the core of US-led internationalism.

Focusing on Bernarr Macfadden, a bodybuilder turned publishing mogul, Shanon Fitzpatrick charts the rise and export of US mass media and consumer culture. Macfadden’s magazines—featuring fitness tips, celebrity gossip, and sensational “true” stories—created an enduring editorial template and powered worldwide demand for interactive American media.

Counterinsurgency, the violent suppression of armed insurrection, is among the dominant kinds of war in contemporary world politics. Often linked to protecting populations and reconstructing legitimate political orders, it has appeared in other times and places in very different forms – and has taken on a range of politics in doing so. How did it arrive at its present form, and what generated these others, along the way? Spanning several centuries and four detailed case studies, The Counterinsurgent Imagination unpacks and explores this intellectual history through counterinsurgency manuals. These military theoretical and instructional texts, and the practitioners who produced them, made counterinsurgency possible in practice. By interrogating these processes, this book explains how counter-insurrectionary war eventually took on its late twentieth and early twenty-first century forms. It shows how and why counterinsurgent ideas persist, despite recurring failures.

After ten years of selecting great books from writers, new and established, Prairie Schooner celebrates the first decade of its Book Prize series by offering this collection of excerpts from each year's winners in fiction and poetry. Writers such as Brock Clarke, Anne Finger, Rynn Williams, and Paul Guest open windows to ordinary and fantastic experience showcasing the liveliness and power of contemporary literature. Greg Hrbek's darkly comic, genre-bending tales stand alongside Ted Gilley's stories about achieving bliss through pain and John Keeble's reflections on community and the difficulty of love. Here Shane Book's poems serve as an elegiac witness to suffering, while Kathleen Flenniken's poems consider ordinary women constructing their own significance, and Kara Candito's explore sex, loss, and human passions. Whether the topic is fantastic or quotidian, childbirth or monsters, South American airplane disaster or suburban Wisconsin, this writing carries us to the furthest reaches of human experience.

How the Civil War endures in American life through literature and culture. Recipient of the Eric Hoffer Award's Montaigne Medal The American Civil War lives on in our collective imagination like few other events. The story of the war has been retold in countless films, novels, poems, memoirs, plays, sculptures, and monuments. Often remembered as an emancipatory struggle, as an attempt to destroy slavery in America now and forever, it is also memorialized as a fight for Southern independence; as a fratricide that divided the national family; and as a dark, cruel conflict defined by its brutality. What do these stories, myths, and rumors have in common, and what do they teach us about modern America? In this fascinating book, Cody Marrs reveals how these narratives evolved over time and why they acquired such lasting power. Marrs addresses an eclectic range of texts, traditions, and creators, from Walt Whitman, Abram Ryan, and Abraham Lincoln to Margaret Mitchell, D. W. Griffith, and W. E. B. Du Bois. He also identifies several basic plots about the Civil War that anchor public memory and continually compete for cultural primacy. In other words, from the perspective of American cultural memory, there is no single Civil War. Whether they fill us with elation or terror; whether they side with the North or the South; whether they come from the 1860s, the 1960s, or today, these stories all make one thing vividly clear: the Civil War is an ongoing conflict, persisting not merely as a cultural touchstone but as an unresolved struggle through which Americans inevitably define themselves. A timely, evocative, and beautifully written book, Not Even Past is essential reading for anyone interested in the Civil War and its role in American history.

Prehistories of the War on Terror examines the longstanding American project of classifying enemies who challenge U.S. power abroad as terrorists. To do so, the volume brings disparate episodes of U.S. military empire-building into dialogue across time and space. From settler colonial wars in the nineteenth-century American West to twentieth-century wars of conquest in Asia and the Pacific, the collection’s essays argue that the United States has drawn both materially and ideologically on older systems of empire in the conflicts through which it has waged the present-day War on Terror. Attending to the local histories from which these conflicts emerged and examining the effects of U.S. intervention in these sites, contributors analyze the cultural frameworks for understanding and remembering past conflicts that confirm, challenge, or refigure the logics of the War on Terror. This volume reveals how contestations over sovereignty, extraction, and inequality must be suppressed and flattened in public discourse to maintain a coherent vision of a totalizing War on Terror. Together, the contributors illustrate that there was no single road that led to 9/11 or the War on Terror. Rather, they argue that we must follow multiple paths into the past to fully understand our present and to fight for a more just future. Contributors: Moustafa Bayoumi, Joo Ok Kim, Janne Lahti, A. J. Yumi Lee, Naveed Mansoori, Karen R. Miller, Kalyan Nadiminti, Tim Roberts, Colleen Woods.

This four-volume encyclopedia chronicles the historical roots of the United States' current military dominance, documenting its growth from continental expansionism to hemispheric hegemony to global empire. This groundbreaking four-volume encyclopedia offers sweeping coverage of a subject central to American history and of urgent importance today as the nation wrestles with a global imperial posture and the long-term viability of the largest military establishment in human history. The work features more than 650 entries encompassing the full scope of American expansionism and imperialism from the colonial era through the 21st-century "War on Terror." Readers will learn about U.S.-Native American conflicts; 19th-century land laws; early forays overseas, for example, the opening of Japan; and America's imperial conflicts in Cuba and the Philippines. U.S. interests in Latin America are explored, as are the often-forgotten ambitions that lay behind the nation's involvement in the World Wars. The work also offers extensive coverage of the Cold War and today's ongoing conflicts in Iraq, Afghanistan, Africa, and the Middle East as they relate to U.S. national interests. Notable individuals, including American statesmen, military commanders, influential public figures, and anti-imperialists are covered as well. The inclusion of cultural elements of American expansionism and imperialism—for example, Hollywood films and protest music—helps distinguish this set from other more limited works.

Outraged by the Vietnam War and racism in America, a group of young American radicals announced their intention to "bring the war home." The Weather Underground waged a low-level war against the U.S. government through much of the 1970s, bombing the Capitol building, breaking Timothy Leary out of prison, and evading one of the largest FBI manhunts in history. Sing a Battle Song brings together the three complete and unedited publications produced by the Weathermen during their most active period underground, 1970 to 1974: The Weather Eye: Communiqués from the Weather Underground; Prairie Fire: The Politics of Revolutionary Anti-Imperialism; and Sing a Battle Song: Poems by Women in the Weather Underground Organization. Sing a Battle Song is introduced and annotated by three of the Weather Underground’s original organizers—Bill Ayers, Bernardine Dohrn, and Jeff Jones—all of whom are all still actively engaged in social justice movement work. Idealistic, inspired, pissed-off, and often way-over-the-top, the writings of the Weather Underground epitomize the sexual, psychedelic, anti-war counterculture of the American 1960s and 1970s.