For the first time in history, humans sit unchallenged at the top of the food chain. As we encroach on the wild and a vast wave of extinctions gathers force, how has our relationship with animals changed? In this dazzling essay, Anna Krien investigates the world we have made and the complexity of the choices we face. From pets to the live cattle trade, from apex predators to scientific experiments, Krien shows how we should – and do – treat our fellow creatures. As she delves deeper, she finds that animals can trigger primal emotions in us, which we are often unwilling to acknowledge. This is a clear-eyed meditation on humanity and animality, us and them, that brings out the importance of animals in an unforgettable way. “I am not weighing up whether our treatment of animals is just, because it isn’t. That age-old debate is a farce – deep down we all know it. The real question is, just how much of this injustice are we prepared to live with?” —Anna Krien, Us and Them

Sustainability education has typically centered the human-focusing on the changes and paradigm shifts needed to ensure a sustainable future for humans. Yet nonhuman beings, specifically plants and animals, are and have always been central to our lives, prompting wonder, curiosity, sensitivity and awe, as well as being important in their own right. In Multispecies Thinking in the Classroom and Beyond: Teaching for a Sustainable Future the contributors discuss the importance of seeking a more inclusive, more just, and ultimately a more hopeful future. They consider how everyday, entanglements with plants and animals can challenge us and expand our worldview. The contributors consider the importance of reciprocal relationships with plants and animals and provide practical strategies, approaches, and examples of how that looks in practice in all types of educational settings.

Something Special, Something Rare presents outstanding short fiction by Australia’s finest female writers. These are tales of love, secrets, doubt and torment, the everyday and the extraordinary. A sleepy town is gripped by delusory grief after the movie being filmed there wraps and leaves. A lingering heartbreak is replayed on Facebook. An ordinary family walks a shaky line between hopelessness and redemption. Brilliant, shocking and profound, these tales will leave you reeling in ways that only a great short story can. Kate Grenville * Mandy Sayer * Penni Russon * Favel Parrett * Tegan Bennett Daylight * Sonya Hartnett * Isabelle Li * Gillian Essex * Brenda Walker * Gillian Mears * Fiona MacFarlane * Joan London * Karen Hitchcock * Charlotte Wood * Tara June Winch * Cate Kennedy * Alice Pung * Anna Krien * Delia Falconer * Rebekah Clarkson ‘This collection is a fantastic line-up of some of Australia’s best writers who simply happen to be women ... the themes explored are as wide-ranging and eclectic as the writers.’ —Sunday Age ‘All the stories here justify that use of “out-standing” in the collection’s subtitle. If pushed to choose one standout, for me it is Favel Parrett’s ‘Lebanon’, which in its three pages manages to convey more emotion than some stories do in 300 ... This beautiful meditation on loss and belonging evokes the Australian tyranny of distance and is a fine example what the short-story form can achieve.’ —The Australian ‘Perfect fodder for a Sunday arvo on the couch, these charming, funny, touching short stories from well-known Australian female writers are what winter was made for.’ —Cosmopolitan ‘A wonderful selection ... the strength of the collection is that it doesn’t define the Australian woman writer as a particular situation and includes writers from various social and cultural backgrounds.’ —Artshub

America is fading, and China will soon be the dominant power in our region. What does this mean for Australia’s future? In this controversial and urgent essay, Hugh White shows that the contest between America and China is classic power politics of the harshest kind. He argues that we are heading for an unprecedented future, one without an English-speaking great and powerful friend to keep us secure and protect our interests. White sketches what the new Asia will look like, and how China could use its power. He also examines what has happened to the United States globally, under both Barack Obama and Donald Trump – a series of setbacks which Trump’s bluster on North Korea cannot disguise. White notes that we have got into the habit of seeing the world through Washington’s eyes, and argues that unless this changes, we will fail to navigate the biggest shift in Australia’s international circumstances since European settlement. The signs of failure are already clear, as we risk sliding straight from complacency to panic. ‘For almost a decade now, the world’s two most powerful countries have been competing. America has been trying to remain East Asia’s primary power, and China has been trying to replace it. How the contest will proceed – whether peacefully or violently, quickly or slowly – is still uncertain, but the most likely outcome is now becoming clear. America will lose, and China will win.’ —Hugh White, Without America ‘This important essay clarifies China’s brinkmanship in Asia and confronts the hard facts of what it means for Australia’ —Fiona Capp, The Sydney Morning Herald ‘In ... Without America: Australia in the New Asia, Hugh White has given us possibly his best piece of writing, and on a subject of the first importance.’ —Weekend Australian ‘Just when the foreign-policy orthodoxy seemed to be catching up with him, White [has] upend[ed] it again.’ —The Interpreter

What is true political leadership, and how do we get it? What qualities should we wish for in our leaders? And why is it killing season for prime ministers? In this wise and timely essay, Laura Tingle argues that democratic leaders build a consensus for change, rather than bludgeon the system or turn politics into a popularity contest. They mobilise and guide, more than impose a vision. Tingle offers acute portraits – profiles in courage and cunning – of leaders ranging from Merkel and Howard to Macron and Obama. She discusses the rise of the strongman, including Donald Trump, for whom there is no map, only sentiment and power. And she analyses what has gone wrong with politics in Australia, arguing that successful leaders know what they want to do, and create the space and time to do it. After the Liberal Party’s recent episode of political madness, where does this leave the nation’s new prime minister, Scott Morrison? “The Liberal Party has been ripped apart and our polity is the worse off for having one of its major political parties rendered largely ungovernable ... Malcolm Turnbull’s fate came down to a series of judgements made not just by him, but by his colleagues, who spent much of his prime ministership failing to follow the leader and also failing in their own collective responsibility for leadership.” —Laura Tingle, Follow the Leader

‘The art of the story is mostly about the journey, and the economy of means with which the writers here carry us a great distance is at times breathtaking.’ – Amanda Lohrey In The Best Australian Stories 2014, Patrick White Award–winning author Amanda Lohrey selects the outstanding short fiction of the year. Sometimes fantastical, sometimes raw, and always a ‘shot of adrenaline to the mind and heart’, this collection features exciting new voices alongside the established and admired. The edges of reality blur in a corporate lawyer’s tale of working in a 1200-storey glass tower. A prized coffee table becomes the focus of a father’s anxieties and frustrations. Tense and fractured lines of communication shape the life of an interpreter on Christmas Island. Imaginative, remarkable, intimate – this unmissable anthology celebrates the art of consummate storytelling. Julienne Van Loon • Shaun Prescott • Lucy Neave • Anthony Panegyres • Nicola Redhouse • Edwina Shaw • Claire Corbett • Fiona Place • Kate Elkington • Arabella Edge • Claire Aman • Angela Meyer • J.Y.L. Koh • Rebekah Clarkson • Ryan O'Neill • Mark Smith • Anna Krien • David Brooks • Leah Swann • Kirsten Tranter • Lisa Jacobson • Melanie Joosten

Man is the Cruelest Animal features four main themes and essays on the human-animal link: History, Cruelty, Activism and Perspectives. Each theme is comprised of four peer-reviewed essays. In History, the centuries-old animal protection societies that preceded the modern animal rights movement of the 1970s are described. Cruelty highlights what drives animal activist campaigns, especially practices involving the (ab)use of animals in food production, research, entertainment and hunting. Activism analyses the strategies—persuasion, protest, non-cooperation and interference—and the associated tactics of animal activists in the USA, the UK and Australia. Perspectives identifies some of the conflicts involving counter movements against the theory and practice of animal rights and the prospect of achieving common cause in resolving the worst features of human-animal interactions. The concluding section of the book is in two parts: Part 1 focuses on Pandemics and Life Chances, a topic that is of obvious relevance in the current era, while Part 2 features an annotated guide to recommended reading on the four main themes covered in the book.

Last year was a “blood year” in the Middle East – massacres and beheadings, fallen cities, collapsed and collapsing states, the unravelling of a decade of Western strategy. We saw the rise of ISIS, the splintering of government in Iraq, and foreign fighters – many from Europe, Australia and Africa – flowing into Syria at a rate ten times that during the height of the Iraq War. What went wrong? In Blood Year, David Kilcullen calls on twenty-five years’ experience to answer that question. This is a vivid, urgent account of the War on Terror by someone who helped shape its strategy, as well as witnessing its evolution on the ground. Kilcullen looks to strategy and history to make sense of the crisis. What are the roots and causes of the global jihad movement? What is ISIS? What threats does it pose to Australia? What does its rise say about the effectiveness of the War on Terror since 9/11, and what does a coherent strategy look like after a disastrous year? “As things stand in mid-2015, Western countries . . . face a larger, more unified, capable, experienced and savage enemy, in a less stable, more fragmented region. It isn’t just ISIS – al-Qaeda has emerged from its eclipse and is back in the game in Afghanistan, Pakistan, India, Syria and Yemen. We’re dealing with not one, but two global terrorist organisations, each with its own regional branches, plus a vastly larger radicalised population at home and a massive flow of foreign fighters.” —David Kilcullen, Blood Year Winner of the 2015 Walkley Award for best long feature writing.

Going to war may be the gravest decision a nation and its leaders make. At the moment, Australia is at war with the Islamic State. We also live in a region that has become much more volatile, as China asserts itself and America seeks to hold the line. What is it like to go to war? How do we decide to go to war? Where might we go to war in the future? Will we get that decision right? In this vivid, urgent essay, James Brown looks to history, strategy and his own experience to explore these questions. He examines the legacy of the Iraq War and argues that it has prevented a clear view of Australia’s future conflicts. He looks at how we plug into the US war machine, now that American troops are based in Darwin. And he sheds fascinating light on the extraordinary concentration of war powers in the hands of the Prime Minister – and how this might go wrong. This powerful essay argues that we have not yet begun to think through the choices that may confront us in years ahead. ‘When you live in a country like ours, the dirty business of war is a stranger. That is the blessed legacy of a place where soldiers are rarely seen, and then only on parade. Where war means Anzac Day, and Anzac Days are all the same. There are few moments in modern Australia when you might pause to ask the most consequential of questions . . . What is it that we are willing to fight for?’ —James Brown, Firing Line ‘[James Brown] is a fine writer, clear and persuasive and capable of adroit tactical moves.’ —Weekend Australian ‘Brown’s survey of this complicated landscape yields some striking phrases and arresting moments. He is a natural and precise writer with a vivid sense of place.’ —Australian Book Review