The great Rackham is at his most radiant in this beguiling collection of more than 80 otherworldly illustrations from magazines, periodicals, and novels such as Milton's Comus and Hawthorne's Wonder Book.

A unique collection of traditional stories about faeries, elves and goblins. Faeries, elves, goblins, leprechauns, brownies, spriggans and many other supernatural beings leap vividly off the page in this collection of haunting stories. Included are 25 stories drawing on folklore from the rich narrative heritage of Britain and Ireland. Marvel over ancient spells to summon faeries to your house, tremble at the shapeshifting powers of dangerous faery queens, lose yourself amongst the illusions of Faeryland and learn how to protect family members from the terrors of faery abduction. Interspersed with facts on faery folklore, these tales cover faery morals, elvish misdemeanours, the spells cast by goblins and the sightings of the creatures, as well as their dealings with mortals. With charming illustrations from favourite illustrators throughout, including Arthur Rackham, this book reminds us of the enduring appeal of folklore and mystery for all generations.

This fun book shows readers how to make standalone fantasy character figures with polymer clay. Readers will learn about materials, special precautions and quick, simple techniques; then they will get 3 step-by-step demonstrations including an Elf, Ogre and Goblin. Each demonstration shows how to make accurate figures, from beginning supports to sculpting the head (including eyes, chins, noses, brows, lips, cheeks, mouths, ears, makeup and hair) bodies, baking and costuming.

This book investigates the relationship between Dino Buzzati’s fiction and Anglo-American culture by focusing on his re-use of visual texts (Arthur Rackham’s illustrations), narrative sources (Joseph Conrad’s novels), and topoi belonging to such genres as the seafaring tale, the ghost story and the Christmas story. Tracing Buzzati’s recurring theme of the loss of imagination, Dino Buzzati and Anglo-American Culture shows that, far from being a mere imitator, he carries on an original and conscious reworking of pre-existing literary motifs. Especially through the adoption of intertextual strategies, Buzzati laments the lack of an imaginative urge in contemporary society and attempts a recovery of the fantastic imagery of his models. Alongside a reconsideration of Buzzati’s intertextuality, this book offers new insights into Buzzati’s fantastic fiction, by highlighting its playful and ironic component as opposed to the more overtly pervading sense of gloominess and nostalgia. Furthermore, while filling a gap in the critical study of Buzzati in the English-speaking world, the book contributes towards a general reassessment of an author who, although regarded as minor for many years, can rightly be ranked among the masters of twentieth-century fantastic literature.

The Allies’ Fairy Book contains a selection of traditional fairy tales from the participants of World War One – compiled and edited by Edmund Gosse in 1916. It includes the tales of: ‘Jack the Giant Killer’ (English); ‘The Battle of the Birds’ (Scottish); ‘Lludd and Llevelys’ (Welsh); ‘The Sleeping Beauty (French); ‘Cesarino and the Dragon’ (Italian); ‘What came of picking flowers’ (Portuguese); ‘The Tongue-Cut Sparrow’ (Japanese); ‘Frost’ (Russian); ‘The Golden Apple-Tree and the Nine Peahens’ (Serbian), and many more. The book further contains a series of dazzling colour and black-and-white illustrations – by a master of the craft; Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text of the ‘Allied Fairy Book’, his illustrations further refine and elucidate Gosse’s carefully compiled anthology. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.

The first major biography of Arthur Rackham, this 1960 profile contains hard-to-find concept sketches and developmental work, early line illustrations, and over 30 color plates that span his entire career.

The last thirty years have witnessed one of the most fertile periods in the history of children's books. A fascinating reference guide to the world of children's literature, this volume covers every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns

The evolution of New Zealand's national art collection is closely linked with the story of Aotearoa New Zealand itself--its places, its people, and its developing sense of identity. Art at Te Papa spans the Museum's collection from superb early European prints to exciting contemporary acquisitions. Te Papa's curators have selected more than 400 artworks, each one beautifully reproduced and accompanied by an engaging mini essay. Works by international artists--from Rembrandt to Mapplethorpe--feature alongside iconic New Zealand art by Charles Goldie, Rita Angus, Bill Hammond, and many more. Lesser-known artworks will also surprise and delight. This special deluxe edition of Art at Te Papa is a treasure to inform, inspire, and delight all New Zealanders and lovers of art.