In 1950 the poet Charles Olson published his influential essay "Projective Verse" in which he proposed a poetry of "open field" composition-to replace traditional closed poetic forms with improvised forms that would reflect exactly the content of the poem. The poets and poetry that have followed in the wake of the "projectivist" movement-the Black Mountain group, the New York School, the San Francisco Renaissance, and the Language poets-have since been studied at length. But more often than not they have been studied through the lens of continental theory with the effect that these high.

First published in 1993. Radical Sensibility provides a detailed account of the interrelations of literature, ideas and history in the eighteenth century’s Revolutionary decade. The book traces a continuity of ideas from Shaftesbury to Godwin and Wollstonecraft, and sets it beside a conservative tradition established in the work of Hume and Adam Smith. As a guide to the transformations of ‘sensibility’ as a concept, Jones examines the trajectories of three writers who work spans the decade: Charlotte Smith, Helen Maria Williams, and the early Wordsworth. A mixture of literary textual analysis and historical and political documentation, Radical Sensibility will be important reading for students and teachers of poetry, ideas and the novel.

In exploring the nature of excess relative to a phenomenology of the limit, Testing the Limit claims that phenomenology itself is an exploration of excess. What does it mean that "the self" is "given"? Should we see it as originary; or rather, in what way is the self engendered from textual practices that transgress—or hover around and therefore within—the threshold of phenomenologial discourse? This is the first book to include Michel Henry in a triangulation with Derrida and Levinas and the first to critique Levinas on the basis of his interpolation of philosophy and religion. Sebbah claims that the textual origins of phenomenology determine, in their temporal rhythms, the nature of the subjectivation on which they focus. He situates these considerations within the broader picture of the state of contemporary French phenomenology (chiefly the legacy of Merleau-Ponty), in order to show that these three thinkers share a certain "family resemblance," the identification of which reveals something about the traces of other phenomenological families. It is by testing the limit within the context of traditional phenomenological concerns about the appearance of subjectivity and ipseity that Derrida, Henry, and Levinas radically reconsider phenomenology and that French phenomenology assumes its present form.

Illustrated with over sixty woodcuts by Hone's frequent collaborator, George Cruikshank, this book reveals the writer's commitment to such issues as parliamentary reform, religious liberty, reform of asylums, and freedom of the press, while conveying the many dimensions of his humane personality.".

This groundbreaking study offers fresh insight into the relationship between radical theology and gender radicalism in the seventeenth-century English Revolution. Examining published works and previously unexplored archival material, Sarah Apetrei shows the transformative role that women played in religious reform during the period.