This wide-ranging interdisciplinary collection—the first of its kind—invites us to reconsider the politics and scope of the Roots phenomenon of the 1970s. Alex Haley’s 1976 book was a publishing sensation, selling over a million copies in its first year and winning a National Book Award and a special Pulitzer Prize. The 1977 television adaptation was more than a blockbuster miniseries—it was a galvanizing national event, drawing a record-shattering viewership, earning thirty-eight Emmy nominations, and changing overnight the discourse on race, civil rights, and slavery. These essays—from emerging and established scholars in history, sociology, film, and media studies—interrogate Roots, assessing the ways that the book and its dramatization recast representations of slavery, labor, and the black family; reflected on the promise of freedom and civil rights; and engaged discourses of race, gender, violence, and power in the United States and abroad. Taken together, the essays ask us to reconsider the limitations and possibilities of this work, which, although dogged by controversy, must be understood as one of the most extraordinary media events of the late twentieth century, a cultural touchstone of enduring significance. Contributors: Norvella P. Carter, Warren Chalklen, Elise Chatelain, Robert K. Chester, Clare Corbould, C. Richard King, David J. Leonard, Delia Mellis, Francesca Morgan, Tyler D. Parry, Martin Stollery, Dominic Meng-Hsuan Yang, Bhekuyise Zungu

When Alex HaleyÕs book Roots was published by Doubleday in 1976 it became an immediate bestseller. The television series, broadcast by ABC in 1977, became the most popular miniseries of all time, captivating over a hundred million Americans. For the first time, Americans saw slavery as an integral part of the nationÕs history. With a remake of the series in 2016 by A&E Networks, Roots has again entered the national conversation. In Making ÒRoots,Ó Matthew F. Delmont looks at the importance, contradictions, and limitations of mass culture and examines how Roots pushed the boundaries of history. Delmont investigates the decisions that led Alex Haley, Doubleday, and ABC to invest in the story of Kunta Kinte, uncovering how HaleyÕs original, modest book proposal developed into an unprecedented cultural phenomenon.

The inter-war period (1918–1939) is still remembered as a period of mass deprivation – the 'hungry thirties'. But how did this impression emerge? Thousands of conversations about life in the inter-war period – between parents and children around the dinner table; among workmates at the pub – shaped these understandings. In turn, these fed into popular politics. Stories about the embryonic welfare system in the early-twentieth century informed how people felt towards the National Health Service; memories of the Great Depression shaped arguments about state intervention in the economy. Challenging accounts of widespread political disengagement in the twentieth century, Politics of the Past shows how re-telling family stories about the inter-war period offered ordinary people an accessible way of engaging in politics. Drawing on six local case studies across Scotland and England, this book explains how stories about the inter-war working-class experience in industrial areas came to appear commonplace nationwide.

A groundbreaking collective biography narrating the history of emancipation through the life stories of women of African descent in the Americas.

Experiments in Cinema v13.6 yearbook edited by guest curator Greg DeCuir JR. This yearbook contains essays and artwork by artists participating in our African Diaspora focus from our 13th edition of Basement Films annual Experiments in Cinema festival.

Reconsidering the Life of Power examines Chinese perspectives on bodily self-cultivation and explores how these can be resources for working past the ritual scripts of everyday life. In recent decades, European and American thinkers like Michel Foucault and Judith Butler have called attention to the way that people live out ritual scripts in order to be recognized by other people such that they might survive. Philosophers in China, however, have a long history of considering ritual not just in terms of confining power structures but also in terms of empowering artistic self-cultivation. Out of this convergence, a response to Butler's The Psychic Life of Power becomes possible, along with fascinating implications for improving real-world experience. James Garrison looks at art and aesthetics as a way of responding positively to the vicissitudes of everyday life. This means reframing ritual practice in domains like meditation, yoga, tai chi chuan, dance, calisthenics, fashion, and beyond as a kind of work that delves into and unearths society's long-accruing unconscious habits in a way that makes conscious one's everyday speech, comportment, countenance, and presence. The everyday body thus becomes an artwork, speaking in novel ways to the everyday self by revealing an alternative to the programmed ritual scripts through which most of us tend to survive. Reconsidering the Life of Power offers a compelling contemporary intercultural perspective on body, art, self, and society that bridges theory and practice by providing an actionable yet deeply philosophical approach to enhancing life.

Reconsidering Johannine Christianity presents a full-scale application of social identity approach to the Johannine writings. This book reconsiders a widely held scholarly assumption that the writings commonly taken to represent Johannine Christianity – the Gospel of John and the First, Second and Third Epistles of John – reflect the situation of an introverted early Christian group. It claims that dualistic polarities appearing in these texts should be taken as attempts to construct a secure social identity, not as evidence of social isolation. While some scholars (most notably, Richard Bauckham) have argued that the New Testament gospels were not addressed to specific early Christian communities but to all Christians, this book proposes that we should take different branches of early Christianity, not as localized and closed groups, but as imagined communities that envision distinct early Christian identities. It also reassesses the scholarly consensus according to which the Johannine Epistles presuppose and build upon the finished version of the Fourth Gospel and argues that the Johannine tradition, already in its initial stages, was diverse.