When confronting twentieth-century political oppression and violence, writers and artists in Portugal and South America have often emphasized the complex relationship between freedom and tyranny. In Seeing Politics Otherwise, Patricia Vieira uses an interdisciplinary approach to explore the interrelation of politics and representations of vision and blindness in Latin American and Iberian literature, film, and art. Vieira's discussion focuses on three literary works: Graciliano Ramos's Memoirs of Prison, Ariel Dorfman's Death and the Maiden, and José Saramago's Blindness, with supplemental analyses of sculpture and film by Ana Maria Pacheco, Bruno Barreto, and Marco Bechis. These artists use metaphors of blindness to denounce the totalizing gaze of dictatorial regimes. Rather than equating blindness with deprivation, Vieira argues that shadows, blindfolds, and blindness are necessary elements for re-imagining the political world and re-acquiring a political voice. Seeing Politics Otherwise offers a compelling analysis of vision and its forcible deprivation in the context of art and political protest.

Examining democracies from a comparative perspective helps us better understand why politics—or, as Harold Lasswell famously said, "who gets what, when, and how"—differ among democracies. American Difference: A Guide to American Politics in Comparative Perspective takes the reader through different aspects of democracy—political culture, institutions, interest groups, political parties, and elections—and, unlike other works, explores how the United States is both different from and similar to other democracies. The fully updated Second Edition has been expanded to include several new chapters and discussion on civil liberties and civil rights, constitutional arrangements, elections and electoral institutions, and electoral behavior. This edition also includes data around the 2016 general election and 2018 midterm election.

From the female soldiers of Abu Ghraib prison to Palestinian women suicide bombers, women and their bodies have been "powerful weapons" in the Afghanistan and Iraq wars. Kelly Oliver reveals how the media and the George W. Bush administration used metaphors of weaponry to describe women and female sexuality and forge a link between vulnerability and violence. Oliver analyzes the discourse surrounding women, sex, and gender and the use of women to justify America's decision to go to war. She also considers the cultural meaning, or lack of meaning, that lead female soldiers at Abu Ghraib to abuse prisoners "just for fun," and the commitment to death made by women suicide bombers. She examines the pleasure taken in violence and the passion for death and what kind of contexts creates them. Oliver concludes with a diagnosis of our fascination with sex, violence, and death and its relationship with live news coverage and embedded reporting, which naturalizes horrific events and stymies critical reflection.

Seeing Differently offers a history and theory of ideas about identity in relation to visual arts discourses and practices in Euro-American culture, from early modern beliefs that art is an expression of an individual, the painted image a "world picture" expressing a comprehensive and coherent point of view, to the rise of identity politics after WWII in the art world and beyond. The book is both a history of these ideas (for example, tracing the dominance of a binary model of self and other from Hegel through classic 1970s identity politics) and a political response to the common claim in art and popular political discourse that we are "beyond" or "post-" identity. In challenging this latter claim, Seeing Differently critically examines how and why we "identify" works of art with an expressive subjectivity, noting the impossibility of claiming we are "post-identity" given the persistence of beliefs in art discourse and broader visual culture about who the subject "is," and offers a new theory of how to think this kind of identification in a more thoughtful and self-reflexive way. Ultimately, Seeing Differently offers a mode of thinking identification as a "queer feminist durational" process that can never be fully resolved but must be accounted for in thinking about art and visual culture. Queer feminist durationality is a mode of relational interpretation that affects both "art" and "interpreter," potentially making us more aware of how we evaluate and give value to art and other kinds of visual culture.

Political philosophy asks questions of great importance to our lives, both as individuals and members of political communities: What is justice? What does the state owe to its citizens? Under which conditions are different forms of government likely to be stable? The relevance of empirical research to such questions, however, has been largely underexplored. Introducing experimental political philosophy as a burgeoning field of inquiry, this volume brings together leading scholars using empirical methods to shed light on questions of justice and politics, and encourages them to reflect on the relationship of their methodologies to less empirically-focused approaches. Chapters cover traditional topics including distributive justice, egalitarianism, property rights, and healthcare justice, as well as outlining new directions and applications, such as the problem of misogynistic extremist movements, the public justification of immigration enforcement, and the relationship between gender norms and support for care labor organizing. The result is a unique collection that paves the way for further debates in the field and meaningful reflection on what it means for political philosophy to be empirically informed.

The Internet, Politics, and Inequality in Contemporary Brazil: Peripheral Media offers a new understanding of the digital media produced from the favelas, urban occupations, and in the countryside of Brazil, focusing on the discourse of this broad periphery in the late 2010s. After a decade of political stabilization and economic growth, the contemporary periphery has the ability to employ digital media to politicize old demands for social justice and better public services, and to denaturalize inequality overall. The Internet, Politics, and Inequality in Contemporary Brazil presents interviews conducted with producers acting in the cities’ outskirts, in favelas, and in the countryside, showing how a myriad of websites and social media pages can launch specific challenges against hegemonic mass media outlets, the state, and society. A vast body of research reveals producers’ strategies to garner publicity for marginalized neighborhoods and individuals, providing an essential background for scholars of Latin American studies, journalism, and communication.

The High Middle Ages were remarkable for their coherent sense of 'Christendom': of people who belonged to a homogeneous Christian society marked by uniform rituals of birth and death and worship. That uniformity, which came under increasing strain as national European characteristics became more pronounced, achieved perhaps its most perfect intellectual expression in the thought of the western Christian thinkers who are sometimes called 'scholastic theologians'. These philosophers produced (during roughly the period 1050-1350 CE) a cohesive body of work from their practice of theology as an academic discipline in the university faculties of their day. Richard Cross' elegant and stylish textbook - designed specifically for modern-day undergraduate use on medieval theology and philosophy courses - offers the first focused introduction to these thinkers based on the individuals themselves and their central preoccupations. The book discusses influential figures like Abelard, Peter Lombard and Hugh of St Victor; the use made by Aquinas of Aristotle; the mystical theology of Bonaventure; Robert Grosseteste's and Roger Bacon's interest in optics; the complex metaphysics of Duns Scotus; and the political thought of Marsilius of Padua and William of Ockham. Key themes of medieval theology, including famous axioms like 'Ockham's Razor', are here made fully intelligible and transparent.

While Spain is now a well-established democracy closely integrated into the European Union, it has suffered from a number of severe internal problems such as corruption, discord between state and regional nationalism, and separatist terrorism. The Politics of Contemporary Spain charts the trajectory of Spanish politics from the transition to democracy through to the present day, including the aftermath of the Madrid bombings of March 2004 and the elections that followed three days later. It offers new insights on the main political parties and the political system, on the monarchy, corruption, terrorism, regional and conservative nationalism, and on Spain's policies in the Mediterranean and the EU. It challenges many existing assumptions about politics in Spain, reaching beyond systems and practices to look at identities, political cultures and mentalities. It brings to bear on the analysis the latest empirical data and theoretical perspectives.

With a view that behavioralism has distorted perceptions of black political activity, Hanes Walton, Jr., here reformulates the assumptions of behavioralism to arrive at a more realistic understanding of the political actions of black Americans. Considering the cultural and historical events that have shaped black lives, Walton examines voting patterns, socialization, and the development of political opinion. his analysis of leadership includes not only legislative and judicial leaders, but also leaders of those organizations so influential in black political culture: civil rights, churches, and grassroots organizations. Whether he looks at how local politics have changed through the years of civil rights action or how blacks' ideas on foreign policy have developed, Walton provides a long-needed reassessment of the role of black participation in American politics.

The powerful Thai politician Banharn Silpa-archa has been disparaged as a corrupt operator who for years channeled excessive state funds into developing his own rural province. This book reinterprets Banharm's career and offers a detailed portrait of the voters who support him. Relying on extensive interviews, the author shows how Banharm's constituents have developed a strong provincial identity based on their pride in his advancement of their province, Suphanburi, which many now call "Banharm-buri," the place of Banharm. Yoshinori Nishizaki's analysis challenges simplistic perceptions of rural Thai voters and raises vital questions about contemporary democracy in Thailand. Yoshinori Nishizaki's close and thorough examination of the numerous public construction projects sponsored and even personally funded by Banharn clearly illustrates this politician’s canny abilities and tireless, meticulous oversight of his domain. Banharn’s constituents are aware that Suphanburi was long considered a "backward" province by other Thais—notably the Bangkok elite. Suphanburians hold the neglectful central government responsible for their province’s former sorry condition and humiliating reputation. Banharn has successfully identified himself as the antithesis to the inefficient central state by promoting rapid "development" and advertising his own role in that development through well-publicized donations, public ceremonies, and visits to the sites of new buildings and highways. Much standard literature on rural politics and society in Thailand and other democratizing countries in Southeast Asia would categorize this politician as a typical "strongman," the boss of a semiviolent patronage network that squeezes votes out of the people. That standard analysis would utterly fail to recognize and understand the grassroots realities of Suphanburi that Nishizaki has captured in his study. This compassionate, well-grounded analysis challenges simplistic perceptions of rural Thai voters and raises vital questions about contemporary democracy in Thailand.