Jesuit priest Gerard Manley Hopkins created verse that combined material sensuousness with asceticism. This anthology features all of his mature work, including the well-known elegy, "The Wreck of the Deutschland."

the book offers a detailed commentary on the poetry of Hopkins, exploring the significance of contemporary cultural issues and the poet's life as Catholic convert and Jesuit priest. Part 1 traces Hopkins's life from his early schooldays, his undergraduate years at Oxford and conversion to Catholicism, to his work as a Jesuit scholar and poet-priest. Part 2, explains the core principles of Hopkins's innovative and challenging poetry, including sections on inscape, instress and sprung rhythm. Part 3, provides a detailed critical commentary on most of the major poems, including The Wreck of the Deutschland, God's Grandeur, The Windhover, Pied Beauty, The Caged Skylark, Hurrahing in Harvest, Felix Randal, Spring and Fall, Inversnaid, the six 'Terrible Sonnets', and That Nature is a Heraclitean Fire. Part 4, explores the history of Hopkins criticism from that of his own contemporaries to twentieth century and current critical approaches. John Gilroy is also the author of Reading Philip Larkin: Selected Poms

The larger part of this classic symposium on the poetry of Gerard Manley Hopkins was originally assembled as a special number of The Kenyon Review to celebrate in 1944 the centenary of the poet's birth, and then published in the New Directions 'Makers of Modern Literature' series.

Jesuit priest Gerard Manley Hopkins created verse that combined his awareness of material sensuousness with the asceticism of religious devotion. His collected poems, published posthumously in 1918, exercised a profound influence on modern poetry. This volume features all of his mature work, including "The Wreck of the Deutschland," "God's Grandeur" and "Hurrahing in Harvest."

Dr. Walhout writes of his first series of Hopkins paraphrases that it contained twenty of his most difficult poems. This second series includes all of the remaining early poetry and unfinished poetry from Hopkin's major poetic period. It is designed to reduce the difficulty in understanding the poems by offering complete paraphrases. The purpose is somewhat similar to that of giving a modern version of the Bible compared with, say, the King James Version. My first series of Hopkins paraphrases contains twenty of the most difficult poems. This second series includes all of the remaining poems from Hopkins's major poetic period beginning with The Wreck of the Deutschland in 1875, which was a turning point both in his decision to write poetry and in his distinctive style. The occasional poems, though not ranking high in Hopkins's own estimation, are included here because they reflect the distinctive style. Hopkins produced other poetical work, which is usually classified into early poetry and unfinished poetry. The early poetry seems less urgent for paraphrasing. As for the unfinished poems, it may seem presumptuous to paraphrase poems which Hopkins himself did not perfect. Neverthe

Planting the Seeds of Imagination Holly Ordway has established herself as one of the preeminent voices in the field of cultural apologetics. Her ability to engage with the imagination is clearly demonstrated through her own scholarly work, most recently the paradigm-shifting Tolkien's Modern Reading, but her influence was critical in the founding of An Unexpected Journal as well. This collection of essays, poetry, and stories demonstrates her wide-ranging impact that is truly bearing a fruitful harvest. Contributors "Maps," My Map by Jesse W. Baker on the importance of poetry. "Contrary Winds: Tolkien's Priority of Faith and Family" by Donald W. Catchings, Jr. on Tolkien's personal values, and "The Call" on the teacher's call. A review of Tolkien's Modern Reading by Annie Crawford "Drawing the Drawing Out of Me" by Virginia de la Lastra on a pleasant surprise. "Ordway's Myth-Busting Research: Tolkien's Modern Reading (A Review)" by Ryan Grube on a paradigm shift. "Poetry as Prayer, Imagination the Spark to Worship and Service: Ordway's Review of Gerard Manley Hopkins in Word on Fire's Ignatian Collection" by Seth Myers on contemplation, poetry, and missionizing. "A Passage to Something Better" by Annie Nardone on Tolkien's approach to virtue. An interview with Holly Ordway "Middle-earth and the Middle Ages" by Joseph Pearceon the influence of Beowulf. "Dr. Ordway's Visual Guide to Paragraph Structure" by Josiah Peterson on creating meaning. "Lost and Found" by Theresa Pihl on changing perspective; "Learning Writing at Writespace" by Jamie Danielle Portwood on the importance of community. "Gandalf: The Prophetic Mentor" by Zak Schmoll on the Defeat of Sauron. "A Case of Mistaken Identity" by Jason M. Smith on our great misconception. "Peak Middle-earth: Why Mount Doom is not the Climax of The Lord of the Rings" by Michael Ward "Echo and Narcissus" by Clark Weidner on the goodness of reality. "Some Real Magic: Taliessin Lectureth in the School of the Poets" and "The Challenge of 'The Republic'" by Donald T. Williams on poetic imagination. "Unveiling Reality Through the Imagination" by Jared Zimmerer on a strategy to fight meaninglessness. Cover Illustration by Virginia de la Lastra Advent 2021, Volume 4, Issue 4 270 pages

This book attends to four poets – John Clare, Gerard Manley Hopkins, Edward Thomas, and Ivor Gurney – whose poems are remarkable for their personal directness and distinctiveness. It shows how their writing conveys a potently individual quality of feeling, perception, and experience: each poet responds with unusual commitment to the Romantic idea of art as personal expression. The book looks closely at the vitality and intricacy of the poets’ language, the personal candour of their subject matter, and their sense, obdurate but persuasive, of their own strangeness. As it traces the tact and imagination with which each of the four writers realises the possibilities of individualism in lyric, it affirms the vibrancy of their contributions to nineteenth and twentieth-century poetry.

In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing? While form meant a great deal to Hopkins, it was never mere form. Maria Lichtmann demonstrates that the poet, a student of Scripture all his life, adopted Scripture's predominant form--parallelism--as his own major poetic strategy. Hopkins saw that parallelism struck deep into the heart and soul, tapping into unconscious rhythms and bringing about a healing response that he identified as contemplation. Parallelism was to him the perfect statement of the integrity of outward form and inner meaning. Other critics have seen the parallelism in Hopkins's poems only on the auditory level of alliterations and assonances. Lichtmann, however, builds on the views held by Hopkins himself, who spoke of a parallelism of words and of thought engendered by the parallelism of sound. She distinguishes the integrating Parmenidean parallelisms of resemblance from the disintegrating Heraclitean parallelisms of antithesis. The tension between Parmenidean unity and Heraclitean variety is resolved only in the wordless communion of contemplation. This emphasis on contemplation offers a corrective to the overly emphasized Ignatian interpretation of Hopkins's poetry as meditative poetry. The book also makes clear that Hopkins's preference for contemplation sharply differentiates him from his Romantic predecessors as well as from the structuralists who now claim him. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.