This book is a collection of selected poems of Henry Howard, the Earl of Surrey, who is revealed as subtle and graceful poet and a translator whose vigorous and faithful versions of the Aeneid continue to enrich the literary tradition.

This book is a collection of selected poems of Henry Howard, the Earl of Surrey, who is revealed as subtle and graceful poet and a translator whose vigorous and faithful versions of the Aeneid continue to enrich the literary tradition.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Immensely influential in literary history for his development of blank verse and the Petrarchian sonnet form in English, and as the first modern translator of Virgil, this selection reveals the Earl of Surrey to be a subtle and graceful poet and translator whose vigorous and faithful versions of the Aeneid continue to enrich the literary tradition. Reflecting an idealized world of aristocratic virtues of chivalry and honor, these poems have both a rich language and formal sophistication.

Focusing on the lively debate of memory, this book maps how radical cultural and political changes shaped early modern England.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

In this biography of Henry Howard, the Poet Earl of Surrey, the author assesses his role in Tudor society and examines his image of the Renaissance courtier, his representation of nobility and his poetic work and creation of poetic forms.

Some of the most important authors in British poetry left their mark onliterature before 1600, including Geoffrey Chaucer, Edmund Spenser, and, of course, William Shakespeare. "The Facts On File Companion to British Poetry before 1600"is an encyclopedic guide to British poetry from the beginnings to theyear 1600, featuring approximately 600 entries ranging in length from300 to 2,500 words.

Hope Mirrlees (1887-1978) has long been regarded as the lost modernist. Her extraordinary long poem Paris (1920), a journey through a day in post First World War Paris, was considered by Virginia Woolf obscure, indecent, and brilliant'. Read today, the poem retains its exhilarating daring. Mirrlees's experimentalism looks forward to The Waste Land; her writing is integral to the twentieth-century canon. And yet, after Paris, Mirrlees published no more poetry for almost half a century, and her later poems appear to have little in common with the avant garde spirit of Paris. In this first edition to gather the full span of Mirrlees's poetry, Sandeep Parmar explores the paradoxes of Mirrlees's development as a poet and the complexities of her life. Sandeep Parmar was the first scholar to gain access to the Mirrlees Archive at Newnham College, Cambridge, and her edition includes many previously unpublished poems discovered there in draft form. The text is supported by detailed notes, including a commentary on Paris by Julia Briggs, and a selection of Mirrlees's essays. The generous introduction provides the most accurate biographical account of Mirrlees's life available. Mirrlees's Collected Poems is an indispensible addition to a reading of modernism.