In this biography of Henry Howard, the Poet Earl of Surrey, the author assesses his role in Tudor society and examines his image of the Renaissance courtier, his representation of nobility and his poetic work and creation of poetic forms.

This book is a collection of selected poems of Henry Howard, the Earl of Surrey, who is revealed as subtle and graceful poet and a translator whose vigorous and faithful versions of the Aeneid continue to enrich the literary tradition.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

The Oxford History of Classical Reception in English Literature (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This first volume, and fourth to appear in the series, covers the years c.800-1558, and surveys the reception and transformation of classical literary culture in England from the Anglo-Saxon period up to the Henrician era. Chapters on the classics in the medieval curriculum, the trivium and quadrivium, medieval libraries, and medieval mythography provide context for medieval reception. The reception of specific classical authors and traditions is represented in chapters on Virgil, Ovid, Lucan, Statius, the matter of Troy, Boethius, moral philosophy, historiography, biblical epics, English learning in the twelfth century, and the role of antiquity in medieval alliterative poetry. The medieval section includes coverage of Chaucer, Gower, and Lydgate, while the part of the volume dedicated to the later period explores early English humanism, humanist education, and libraries in the Henrician era, and includes chapters that focus on the classicism of Skelton, Douglas, Wyatt, and Surrey.

A detailed examination of the relationship between the discourses and practices of authority and diplomacy in the late medieval and early modern periods, Authority and Diplomacy from Dante to Shakespeare interrogates the persistent duality of the roles of author and ambassador. The volume approaches its subject from a literary-historical perspective, drawing upon late medieval and early modern ideas and discourses of diplomacy and authority, and examining how they are manifested within different forms of writing: drama, poetry, diplomatic correspondence, peace treaties, and household accounts. Contributors focus on major literary figures from different cultures, including Dante, Petrarch, and Tasso from Italy; and from England, Chaucer, Wyatt, Sidney, Spenser, and Shakespeare. In addition, the book moves between and across literary-historical periods, tracing the development of concepts and discourses of authority and diplomacy from the late medieval to the early modern period. Taken together, these essays forge a broader argument for the centrality of diplomacy and diplomatic concepts in the literature and culture of late medieval and early modern England, and for the importance of diplomacy in current studies of English literature before 1603.

Henry Howard, Earl of Surrey, was one of the most flamboyant and controversial characters of Henry VIII's reign. A pioneering poet, whose verse had a profound impact on Shakespeare, Surrey was nevertheless branded by one contemporary as 'the most foolish proud boy that is in England'. He was the heir of England's premier nobleman, first cousin to two of Henry VIII's wives - Anne Boleyn and Catherine Howard - and best friend and brother-in-law to the King's illegitimate son, Henry Fitzroy. Celebrated for his chivalrous deeds both on and off the battlefield, Surrey became, at only twenty-eight, the King's Lieutenant General in France. But his confident exterior masked insecurity and loneliness. A man of intriguing contradictions, Surrey was both law enforcer and law breaker, political conservative and religious reformer and his life, replete with drunken escapades, battlefield heroics, conspiracy and courtroom drama, sheds new light on the opulence and artifice of a dazzling, but deadly, age.