When true love conquers all, what is a djinn to do? Johnny is a djinn, and he has a hard life. His master, Rahul, is a massive Bollywood star who's run off to England to avoid an arranged marriage, a marriage Johnny has to make happen. It's his job. Rahul further complicates matters by falling for a British Bollywood fan, Laura, whom he meets at a film premiere. How can Johnny get his master back to Mumbai to marry the woman to whom he is pledged and away from the English hussy who is steadily taking more and more of his attention? Johnny will use revenge and jealousy, but how will he cope when true love is thrown into the mix?

Summer Henley is sick of playing it safe. Safe career path (accounting,) safe place to live (with her parents,) and a safe best friend (Mark.) In her dreams she was a screenwriter with a home in a Malibu and a hot actor boyfriend, but that was saved in her someday file. For the moment, she’d play the part of a good worker, good daughter, and good friend. Even though her heart longed for something more, especially with Mark. It wouldn’t be so hard to stay just friends if Mark would quit being so amazing to her. Knowing her dream, he’s secured her a spot as an extra in Korean television show⸺placing her directly in the path of the handsome lead actor. Now, two incredible men are vying for her attention and she has to decided if her dreams are really what she wants, or if her reality is better than she could ever imagine.

Only book that focuses on psychoanalysis and European Cinema As well as more academic essays the book contains transcriptions of informal discussions between experts and live audiences

Shanghai in the early twentieth century was alive with art and culture. With the proliferation of popular genres such as the martial arts film, the contest among various modernist filmmakers, and the advent of sound, Chinese cinema was transforming urban life. But with the Japanese invasion in 1937, all of this came to a screeching halt. Until recently, the political establishment has discouraged comprehensive studies of the cultural phenomenon of early Chinese film, and this momentous chapter in China's history has remained largely unexamined. The first sustained historical study of the emergence of cinema in China, An Amorous History of the Silver Screen is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, An Amorous History of the Silver Screen reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China. The first volume in the new and groundbreaking series Cinema and Modernity, An Amorous History of the Silver Screen is an innovative—and well illustrated—look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.

Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.

How do contemporary films depict Buddhists and Buddhism? What aspects of the Buddhist tradition are these films keeping from our view? By repeatedly romanticizing the meditating monk, what kinds of Buddhisms and Buddhists are missing in these films and why? Silver Screen Buddha is the first book to explore the intersecting representations of Buddhism, race, and gender in contemporary films. Sharon A. Suh examines the cinematic encounter with Buddhism that has flourished in Asia and in the West in the past century – from images of Shangri-La in Frank Capra's 1937 Lost Horizon to Kim Ki-Duk's 2003 international box office success Spring, Summer, Fall, Winter...and Spring. The book helps readers see that representations of Buddhism in Asia and in the West are fraught with political, gendered, and racist undertones. Silver Screen Buddha draws significant attention to ordinary lay Buddhism, a form of the tradition given little play in popular film. By uncovering the differences between a fictionalized, commodified, and exoticized Buddhism, Silver Screen Buddha brings to light expressions of the tradition that highlight laity and women, on the one hand, and Asian and Asian Americans, on the other. Suh engages in a re-visioning of Buddhism that expands the popular understanding of the tradition, moving from the dominance of meditating monks to the everyday world of raced, gendered, and embodied lay Buddhists.

Maureen Howard deepens her inquiry into the meeting place of history and family in this stunning and accessible novel. Isabel Murphy renounced silent-film stardom to raise a family in Rhode Island. Now she is dead at 90 and her children are trying to break free of the lives she has dealt them. Joe, a Jesuit priest, has failed at love and the healing of souls. Stodgy Rita has found late happiness with a gangster who has turned state’s evidence. And Gemma, Isabel’s honorary child, has grown up to experience a strange celebrity as a photographer. A darkly comic story of guilt, love, and forgiveness, The Silver Screen is luminous in its intelligence and empathy.

This book hopes to capture some of the magic created by the famous stars –heroes, heroines, villains, comedians, character actors- as well as playback singers and music directors and of course, directors of the golden era of Hindi cinema that spanned the 1960s and 1970s.This magic still lives on and I hope this book will play a role in keeping it alive and passing it on to the coming generations. The genius of these towering personalities does not end with them- it provides a peep into a time that had a romance and artistic feel all of its own. I was fortunate to have been part of it since my childhood, when the love affair with Hindi cinema started. My parents simply loved to watch films and my brother and I always went with them. So we were initiated into this magical world quite early in life And it stayed with us alongwith lingering memories of songs and stars on cinema screens in theatres now long vanished. This magic, those memories, that fascination is now pushing me to put on paper my love for Hindi cinema’s most beautiful era. Through my personal fondness and emotional connection with the films and stars of this era, I hope to bring a warm touch to their profiles. With this nostalgic lens, I hope to bring out the features no longer visible in present-day films, their themes or characters. This book takes one back into a world where emotions, romance, melody and a very different set of moral values prevailed in our cinema. Charisma too was a dominant force on the silver screen and my book highlights its various ineffable aspects. Chetan Anand ‘s fine directorial skill, Raj Kapoor’s showmanship, Dilip Kumar’s perfection as the king of tragedy, Madhubala’s ethereal beauty and vibrancy or Dev Anand;s

"Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn't drugs, alcohol or sex: it was film. After moving to L.A., Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the New Beverly Cinema. Silver screen celluloid became Patton's life schoolbook, informing his notion of acting, writing, comedy, and relationships. Set in the nascent days of L.A.'s alternative comedy scene, Oswalt's memoir chronicles his journey from fledgling stand-up comedian to self-assured sitcom actor, with the colorful New Beverly collective and a cast of now-notable young comedians supporting him all along the way"--

You know their names, now read the stories behind the women whose classic movies influenced generations! Barbra Striesand and Liza Minneli sang their way to FAME, while Lucille Ball made us laugh. Marilyn Monroe’s haunting beauty endures, while Elizabeth Taylor’s powerful screen presence has yet to be matched. Silver Screen Legends: The Women of the Classic Movies collects the stories of these Hollywood legends in one volume.