Summer Henley is sick of playing it safe. Safe career path (accounting,) safe place to live (with her parents,) and a safe best friend (Mark.) In her dreams she was a screenwriter with a home in a Malibu and a hot actor boyfriend, but that was saved in her someday file. For the moment, she’d play the part of a good worker, good daughter, and good friend. Even though her heart longed for something more, especially with Mark. It wouldn’t be so hard to stay just friends if Mark would quit being so amazing to her. Knowing her dream, he’s secured her a spot as an extra in Korean television show⸺placing her directly in the path of the handsome lead actor. Now, two incredible men are vying for her attention and she has to decided if her dreams are really what she wants, or if her reality is better than she could ever imagine.

When true love conquers all, what is a djinn to do? Johnny is a djinn, and he has a hard life. His master, Rahul, is a massive Bollywood star who's run off to England to avoid an arranged marriage, a marriage Johnny has to make happen. It's his job. Rahul further complicates matters by falling for a British Bollywood fan, Laura, whom he meets at a film premiere. How can Johnny get his master back to Mumbai to marry the woman to whom he is pledged and away from the English hussy who is steadily taking more and more of his attention? Johnny will use revenge and jealousy, but how will he cope when true love is thrown into the mix?

The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and historical context for the current state of psychoanalytic studies of films. The book is organised into four clear sections - Set and Stage, Working Through Trauma, Horror Perspectives and Documenting Internal Worlds - which form the basis for engaging chapters including: easily readable and jargon-free film reviews. essays on specific subjects such as perspectives on the horror film genre and adolescent development. transcripts of live debates among film directors including Bernardo Bertolucci, actors, critics and psychoanalysts discussing films. The cultural richness of the material presented, combined with the originality of multidisciplinary dialogues on European cinema, makes this book appealing not only to film buffs, but also to professionals, academics and students interested in the application of psychoanalytic ideas to the arts.

Illustrating the cultural significance of film and its power as a vehicle for social change, this book reveals the intricacies of the cultural movement and explores its connections to other art forms such as photography, drama, and literature.

Savior on the Silver Screen examines nine movies about the life of Jesus - ranging from the traditional to the provocativeand explores how the image of Jesus in each reflects the time and culture in which the film was produced. The selections encompass silent, foreign, epic, and musical films. Both entertaining and insightful, Savior on the Silver Screen is structured for easy use in classroom, small group, and individual settings and includes rental information and practical tips for using the book. For each film there is an introduction, pre-viewing and post-viewing questions, and a discussion of its major features. -- Provided by publisher.

In 1897 only two years after the invention of film the first feature film about Jesus appeared. This and other films about Jesus became examples for and an inspiration for films on other important religious figures like Rama, Buddha and Muhammad. Although religious leaders did not always approve of these films, they did find a ready audience among believers. This book explores these films and looks at how these films dealt with the fundamental question of portraying an individual thought to have either divine status or a very special and unique status among human beings. This book will thus benefit not only students of religious film but also those studying the portrayal of central religious figures in the contemporary world.

This book hopes to capture some of the magic created by the famous stars –heroes, heroines, villains, comedians, character actors- as well as playback singers and music directors and of course, directors of the golden era of Hindi cinema that spanned the 1960s and 1970s.This magic still lives on and I hope this book will play a role in keeping it alive and passing it on to the coming generations. The genius of these towering personalities does not end with them- it provides a peep into a time that had a romance and artistic feel all of its own. I was fortunate to have been part of it since my childhood, when the love affair with Hindi cinema started. My parents simply loved to watch films and my brother and I always went with them. So we were initiated into this magical world quite early in life And it stayed with us alongwith lingering memories of songs and stars on cinema screens in theatres now long vanished. This magic, those memories, that fascination is now pushing me to put on paper my love for Hindi cinema’s most beautiful era. Through my personal fondness and emotional connection with the films and stars of this era, I hope to bring a warm touch to their profiles. With this nostalgic lens, I hope to bring out the features no longer visible in present-day films, their themes or characters. This book takes one back into a world where emotions, romance, melody and a very different set of moral values prevailed in our cinema. Charisma too was a dominant force on the silver screen and my book highlights its various ineffable aspects. Chetan Anand ‘s fine directorial skill, Raj Kapoor’s showmanship, Dilip Kumar’s perfection as the king of tragedy, Madhubala’s ethereal beauty and vibrancy or Dev Anand;s

Maureen Howard deepens her inquiry into the meeting place of history and family in this stunning and accessible novel. Isabel Murphy renounced silent-film stardom to raise a family in Rhode Island. Now she is dead at 90 and her children are trying to break free of the lives she has dealt them. Joe, a Jesuit priest, has failed at love and the healing of souls. Stodgy Rita has found late happiness with a gangster who has turned state’s evidence. And Gemma, Isabel’s honorary child, has grown up to experience a strange celebrity as a photographer. A darkly comic story of guilt, love, and forgiveness, The Silver Screen is luminous in its intelligence and empathy.

Indian Silver Screen Television in India has been a medium of entertainment as well as social and economic awareness. It was started under government control as a medium of social awareness, but now this medium has become an industry. There was a time when Doordarshan was the only channel on television in India, but today, hundreds of channels broadcast programs day and night. In India today, there are many channels based on sports, news, film, documentary, and music. There was a time when television programs could be viewed only through television sets, but today, through devices such as computers, laptops, and mobiles, viewers can watch their favorite programs at their convenient location, and time. The main objective of this book written on Indian television is to make students aware of the history and status of Indian television. The book begins with the story of the introduction of television in various countries. It describes the development of television in Britain, America, Australia, China, Africa, and other countries of the continent of Asia. After this, the early experiments, projects, and history and current status of television in India are told. Many of the chapters in the book are about the major television business groups in India that have deep penetration into the Indian television industry. The book also introduces programs that have become famous in India, which have proved to be milestones in Indian television history and reached heights of popularity. Apart from this, the book describes the laws of India which have been implemented to control the television industry. A chapter in the book is written about various television broadcasting techniques practiced in the country. Apart from this, there is a chapter about Direct to Home, which tells the story of the development of DTH in India. Television rating points determine the popularity of television channels and programs. The book introduces various agencies and institutions that determine TRP in India. In addition to this, the history of television journalism in India has also been discussed. A chapter about television journalism in various languages ​​of India such as Hindi, Punjabi, Gujarati, Marathi, Tamil, Telugu, Kannada, Malayalam, Bengali, and Assamese is described in detail. The last chapter of the book discusses various international television channels that are broadcasting in India.

Welcome to a realm where the glitz and allure of Hollywood's golden age entwine seamlessly with the raw, unfiltered emotions of two passionate souls. In "Love on the Silver Screen," embark on a captivating journey that explores the complexities of love, the intoxicating allure of fame, and the inexorable pull of destiny. Meet Bonnie, a tenacious and aspiring actress with dreams as big as the silver screen itself. The throbbing pulse of Tinseltown courses through her veins, driving her relentless pursuit of stardom. But destiny has other plans when she's cast as the female lead opposite the enigmatic Kannon Dario, a brooding actor whose heart bears the scars of past romances. As the dazzling lights of the film industry cast their brilliance, Bonnie's life takes an unexpected turn. Guided by the invisible hand of fate, she finds herself sharing the screen with Kannon in a blockbuster destined to reshape their lives forever. As their characters come to life, they unearth uncanny parallels between the script's love story and their own personal journeys. The boundary between fiction and reality blurs, and an irresistible on-screen romance transcends into the realm of the tangible. But beneath the glimmering surface of Hollywood's façade lies a world fraught with gossip, rumors, and relentless media scrutiny. As their fame rockets to stratospheric heights, Bonnie and Kannon stand at the crossroads of their emotions, questioning whether the love they feel is genuine or a mere byproduct of the roles they've been cast in. Can they endure the unrelenting pressure of the spotlight, or will they seize the opportunity to craft a genuine love story of their own? Embark on a rollercoaster journey through the heady highs and heart-wrenching lows of love and stardom. Bonnie and Kannon's tale is a symphony of emotion, a dance between desire and uncertainty. Witness the all-encompassing power of passion, the profound weight of past regrets, and the enchanting magic of cinema that possesses the potential to alter lives irrevocably. Prepare to be swept away as "Love on the Silver Screen" beckons you into a world where love and destiny collide, leaving an indelible mark on both the characters and the readers who accompany them on this unforgettable odyssey. With its intoxicating blend of drama, heartwarming moments, and larger-than-life dreams, this story stands as a testament to the enduring allure of love found in the most mesmerizing of ways. So buckle up, for an extraordinary adventure awaits, one that will leave you spellbound and believing in the magical power of love.