“A unique and inherently fascinating history that brings a particular aspect of the role of women in law enforcement up out of obscurity.” —Midwest Book Review The 1857 Divorce Act paved the way for a new career for women: that of the private detective. To divorce, you needed proof of adultery—and men soon realized that women were adept at infiltrating households and befriending wives, learning secrets and finding evidence. Over the course of the next century, women became increasingly confident in gaining work as private detectives, moving from largely unrecognized helpers to the police and to male detectives, to becoming owners of their own detective agencies. In fiction, they were depicted as exciting creatures needing money and work; in fact, they were of varying ages, backgrounds and marital status, seeking adventure and independence as much as money. Former actresses found that detective work utilized their skills at adopting different roles and disguises; former spiritualists were drafted to denounce frauds and stayed to become successful private eyes; and several female detectives became keen supporters of the women’s suffrage movement, having seen for themselves how career-minded women faced obstacles in British society. Sister Sleuths seeks to shed light on the groundbreaking women who have worked over the past century and a half to uncover wrongdoing and solve crimes. “The book is well-researched and provides numerous examples of women who either dabbled in investigation or made it their life’s work.” —Historical Novel Society “Absolutely enthralling stuff.” —Books Monthly

"This collection of essays focuses on the girl sleuth, made famous by Nancy Drew but also characterized by other detectives like Cherry Ames, Trixie Belden, Linda Carlton, and, in today's world, by Veronica Mars and Hermione Granger. Solving mysteries is what each of the essayists strives to do, examining the conundrums these sleuths have left in their wake"--Provided by publisher.

Girls series books have been popular since the early 1840s, when books about Cousin Lucy, a young girl who learns about the world around her, first appeared. Since then, scores of series books have followed, several of them highly successful, and featuring some of the most enduring characters in fiction, such as Nancy Drew. In recent decades, series books like The Baby-Sitters Club and Sweet Valley High have become staples for young readers everywhere. In Sisters, Schoolgirls, and Sleuths: Girls' Series Books in America, Carolyn Carpan provides a social history of girls' series fiction published in America from the mid-19th century through the early 21st century. Carpan examines popular series, subgenres, themes, and characters found in approximately 100 series, noting how teenage girls are portrayed in girls' series fiction and how girls' series reflect or subvert the culture of the era in which they are produced. Her study also focuses on the creation, writing, and production of such books. This is the first study of American girls' series books to examine the entire genre from its beginnings in the 1840s to the present day, revealing facts about a sub-genre of children's and young adult literature that has rarely been studied. Appendixes in this volume include a listing of the girls' series covered in the book as well as important books about girls' series fiction.

Much has been written about the girl sleuth in fiction, a feminist figure embodying all the potential wit and drive of girlhood. Her male counterpart, however, has received much less critical attention despite his popularity in the wider culture. This collection of 11 essays examines the boy detective and his genre from a number of critical perspectives, addressing the issues of these young characters, heirs to the patriarchy yet still concerned with first crushes and soda shop romances. Series explored include the Hardy Boys, Tow Swift, the Three Investigators, Christopher Cool and Tim Murphy, as well as works by Astrid Lindgren, Mark Haddon and Joe Meno.

In this riveting mystery, an old photo found in a box of Nancy Drew books could be the key to unraveling a family secret—perfect for fans of Wendy Mass and Trenton Lee Stewart. Maizy always assumed she knew everything about her grandmother, Jacuzzi. So when a box full of vintage Nancy Drew books gets left at her mom’s thrift store, Maizy is surprised to find an old photo of her grandmother and two other women tucked beneath the collection. Stranger still, when Maizy shows the photo to Jacuzzi she feigns ignorance, insisting the woman is someone else. Determined to learn the truth — and inspired by the legacy of Nancy Drew — Maizy launches her own investigation with the help of new friends, Nell and Cam. What they discover not only points to the origins of the iconic series, but uncovers a truth from the past that will lead to self-discovery in the present, connecting three generations of women. This intergenerational mystery filled with literary history, friendship, and family secrets delivers a captivating tribute to the world’s most famous girl detective. An Indie Next Pick An Amazon Top 20 Children's Book of the Year A Barnes and Noble Most Anticipated Book A Common Sense Selection for Families "Sisterhood of Sleuths reminded me of everything I loved about the Nancy Drew books, and introduced me to a new heroine worth rooting for!" —Jennifer A. Nielsen, New York Times bestselling author of The False Prince

This book provides an introduction to 24 iconic figures, real and fictional, that have shaped the detective/mystery genre of popular literature. Icons of Mystery and Crime Detection: From Sleuths to Superheroes is an insightful look at one of our most popular and diverse fictional genres, providing a guided tour of mystery and crime writing by focusing on two dozen of the field's most enduring creations and creators. Icons of Mystery and Crime Detection spans the history of the detective story with series of critical entries on the field's most evocative names, from the originator of the form, Edgar Allan Poe, to its first popular running character, Sherlock Holmes; from the Golden Age of Sam Spade, Philip Marlowe, and Charlie Chan—in fiction and films—to small screen heroes, such as Columbo and Jessica Fletcher. Also included are other accomplished practitioners of the craft of mystery/crime storytelling, including Agatha Christie, Tony Hillerman, and Alfred Hitchcock.

A lively exploration of the struggles faced by women in law enforcement and mystery fiction for the past 175 years In 1910, Alice Wells took the oath to join the all-male Los Angeles Police Department. She wore no uniform, carried no weapon, and kept her badge stuffed in her pocketbook. She wasn’t the first or only policewoman, but she became the movement’s most visible voice. Police work from its very beginning was considered a male domain, far too dangerous and rough for a respectable woman to even contemplate doing, much less take on as a profession. A policewoman worked outside the home, walking dangerous city streets late at night to confront burglars, drunks, scam artists, and prostitutes. To solve crimes, she observed, collected evidence, and used reason and logic—traits typically associated with men. And most controversially of all, she had a purpose separate from her husband, children, and home. Women who donned the badge faced harassment and discrimination. It would take more than seventy years for women to enter the force as full-fledged officers. Yet within the covers of popular fiction, women not only wrote mysteries but also created female characters that handily solved crimes. Smart, independent, and courageous, these nineteenth- and early twentieth-century female sleuths (including a healthy number created by male writers) set the stage for Agatha Christie’s Miss Marple, Sara Paretsky’s V. I. Warshawski, Patricia Cornwell’s Kay Scarpetta, and Sue Grafton’s Kinsey Millhone, as well as TV detectives such as Prime Suspect’s Jane Tennison and Law and Order’s Olivia Benson. The authors were not amateurs dabbling in detection but professional writers who helped define the genre and competed with men, often to greater success. Pistols and Petticoats tells the story of women’s very early place in crime fiction and their public crusade to transform policing. Whether real or fictional, investigating women were nearly always at odds with society. Most women refused to let that stop them, paving the way to a modern professional life for women on the force and in popular culture.

Disjointed Perspectives on Motherhood seeks to reevaluate the concept of unconditional maternal love and the global emancipation of motherhood as recorded from 17th century onward and as analyzed in various genres: cinema, poetry, novel, drama, and mystery fiction series. By using unprecedented comparative critical approaches such as phenomenological, medical, feminist, and re-enchantment theories, and by analyzing works from literature, cinema, and visual arts, this collection attempts to reestablish and redefine a canonical concept with the intention to revitalize an otherwise taken-for-granted image and role.

Girls' Series Fiction and American Popular Culture examines the ways in which young female heroines in American series fiction have undergone dramatic changes in the past 150 years, changes which have both reflected and modeled standards of behavior for America’s tweens and teen girls. Though series books are often derided for lacking in imagination and literary potency, that the majority of American girls have been exposed to girls’ series in some form, whether through books, television, or other media, suggests that this genre needs to be studied further and that the development of the heroines that girls read about have created an impact that is worthy of a fresh critical lens. Thus, this collection explores how series books have influenced and shaped popular American culture and, in doing so, girls’ everyday experiences from the mid nineteenth century until now. The collection interrogates the cultural work that is performed through the series genre, contemplating the messages these books relay about subjects including race, class, gender, education, family, romance, and friendship, and it examines the trajectory of girl fiction within such contexts as material culture, geopolitics, socioeconomics, and feminism.

A revelatory history of the women who brought Victorian criminals to account—and how they became a cultural sensation From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realise that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine who got the better of love rats, burglars, and murderers alike. How did the morally ambiguous work of real women detectives, sometimes paid to betray their fellow women, compare with the exploits of their fictional counterparts, who always save the day? Lodge’s book takes us into the murky underworld of Victorian society on both sides of the Atlantic, revealing the female detective as both an unacknowledged labourer and a feminist icon.