David Glantz examines the Soviet study of war, the re-emergence of the operation level, the evolution of the Soviet theory of operations in depth before 1941, and its application in the European theatre and the Far East between 1941 and 1945.

David Glantz examines the Soviet study of war, the re-emergence of the operation level and its connection with deep battle, the evolution of the Soviet theory of operations in depth before 1941, and its refinement and application in the European theatre and the Far East between 1941 and 1945.

Soviet military-theoretical theories are revealed in the words of those who created them in peacetime and applied them in war. This collection of texts has been taken from formerly classified material in the official Red Army General staff journal

Soviet military-theoretical theories are revealed in the words of those who created them in peacetime and applied them in war. This collection of texts has been taken from formerly classified material in the official Red Army General staff journal

This collection of texts has been taken from formerly classified material in the official Red Army General Staff journal 'Military Thought'. The results are two volumes of great scope based on archival evidence. They stand as a compulsory reference point for anyone with an interest in the operational endeavours of the Soviet Army from the 1920's onward.

The Soviet military concept of operational art and the associated theories such as "war of annihilations", "deep battle", and "deep operations" have been observed by the West since World War II. The Soviet government hid their military-theoretical work behind a veil of secrecy. Here, the Soviet theories are revealed in the words of those who created them in peacetime and applied them in war.

In this first comprehensive treatment of the subject, Richard Harrison shows how this theory emerged and developed to become - despite radically different political settings and levels of technology - essential to the Red Army's victory over Germany in World War II.".

Renowned and respected military expert Dr. Harold S Orenstein is well known for his translations and analyses of Soviet military history and doctrine. In this volume he has collected a number of historical papers discussing topics such as Soviet tactics, deep battle, deep operation, successive operations and operational art. These papers were written by leading Soviet military leaders and theoreticians and shine a fascinating light on the tactics and strategy of the Red Army.

The Basic Principles of Operational Art and Tactics was translated and published under the auspices of the United States Air Force. The original Russian edition was published by the Military Publishing House of the Ministry of Defense in the USSR.The author, Colonel Vasiliy Yefisovich Savkin, has served on the faculty of the Frunze Military Academy. As a candidate of Military Science he has written several military affairs articles and authored at least two earlier books.According to Soviet military theorists, operational art and tactics are two of the three components of military art. The third is strategy. Operational art is the connecting link between strategy and tactics, and is called on to work out the theory and practice of preparing and conducting contemporary operations. This book, focusing on operational art and tactics, does not deal with either doctrine, which represents the official Soviet view of the nature of a future war, or strategy, since the most important aspect of strategy is policy. In U.S. terms the book treats operations, tactics, laws of war and laws of armed conflict.