“The book emphasizes a rich combination of factors . . . for a musical performer to succeed in a lifelong career.” —Peter Schoenbach, Ph.D Peppered with tips, helpful hints, and personal anecdotes to illustrate real-life application, this performance guide is essential for any wind player interested in taking his or her virtuosity to the next level. Internationally renowned bassoonist Kim Walker has compiled into one book the teachings and exercises that have made her known as an expert on bassoon performance, practice, and instruction. From basics like posture, breathing techniques, and articulation to a survey of the performance practices of key woodwind and brass masters, Walker includes an analysis of each technique along with images and exercises that present the mechanics of each method.

This volume provides an eloquent review of the anatomy and physiology of phonation, the work-up of patients with voice disorders, basic evaluation of wind instrument performance and dysfunction, and a full description of the most common skeletal and non-skeletal dentofacial anomalies, including their means of diagnosis and treatment. This is followed by a comprehensive review of literature on the vocal and acoustic features of affected patients, as well as the special considerations in wind instrumentalists. The effect of orthodontic therapy/ orthognathic surgery on voice, associated upper airway changes, and wind instruments performance is emphasized. The information provided in this book will heighten the patients’, therapists’, teachers’ and physicians’ awareness of the vocal characteristics and wind instrumentalists concerns often associated with these conditions. Dentofacial Anomalies: Implications for Voice and Wind Instrument Performance is addressed to otolaryngologists, laryngologists, speech-language pathologists, voice teachers, professional voice users, wind instrumentalists, instrument teachers, arts medicine physicians, physical therapists, orthodontists and other dentists, as well as members of the general public who are concerned about their voices and or wind instrument playing.

Octavia Hill was a key figure in the open spaces and housing movement and one of the founders of the National Trust. Her legacy continues today in the form of many active bodies such as the modern National Trust, the Open Spaces Society and the Family Welfare Association. First published in 1928, this work is a collection of Octavia Hill’s early letters, edited by her sister Emily Southwood Maurice. The letters throw considerable light on the difficulties she encountered in the tenements and how she first realised the principles on which she would later act. This book will be of interest to those studying the history of social welfare and poverty.

This set of 25 volumes, originally published between 1805 and 1992, amalgamates original nineteenth-century material and more recent research and analysis on the development of social welfare in Britain and Europe. From Elizabethan poor relief, through the Poor Laws of the nineteenth-century, to the establishment of the British National Health Service in the mid twentieth-century, this set provides a comprehensive overview of the germination and establishment of modern social welfare. Although the set mainly focuses on social welfare in Britain, it also contains some work on welfare in Europe. This set will be of keen interest to those studying the history of social welfare, social policy, poverty and class.

“For too long the Holy Spirit has tended to be either disregarded or the object of fanatical exclamation in the life of the church, especially in western Christianity,” writes general editor Robert Boak Slocum in his introduction to this stimulating collection of eighteen essays from a broad spectrum of noted authors. “The essays in this collection give attention to many ways of the Spirit’s life and activity—for salvation and healing, for making Christ present in our lives and in the church, for empowering our prayers and liturgies, for our inspiration and gifting, for transformation of the way we live, for the redemption of the world and the ultimate coming of God’s kingdom, for the unity of our relationships with each other and God. . . . As we recognize the Spirit’s activity in our traditions and doctrines, our prayers and liturgies, and in all aspects of the life we live, we may be better attuned to the leading of the Spirit into the future of faith and our life in God.” Engaging the Spirit was first published as a special Summer 2001 edition of the Anglican Theological Review, and is dedicated to the late Charles P. Price, theologian and professor at Virginia Seminary. A posthumously published essay by Dr. Price is a fitting and unique addition to the collection.

Percy Bysshe Shelley (1792–1822) was one of the major Romantic poets and wrote what is critically recognised as some of the finest lyric poetry in the English Language. In this volume, the editors have selected the most popular, significant and frequently taught poems from the six-volume Longman Annotated edition of Shelley’s poems. Each poem is fully annotated, explained and contextualised, along with a comprehensive list of abbreviations, an inclusive bibliography of material relating to the text and interpretation of Shelley’s poetry, plus an extensive chronology of Shelley’s life and works. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary for an informed reading of Shelley’s richly varied and densely allusive verse, making this an ideal anthology for students, classroom use, and anyone approaching Shelley’s poetry for the first time; however the level and extent of commentary and annotation will also be of great value for researchers and critics.

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the third volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were composed between autumn 1819 and autumn 1820. The poems written in response to the political crisis in England following the ‘Peterloo’ massacre in August 1819 feature largely, among them The Mask of Anarchy and 'An Ode (Arise, arise, arise!)'. The popular songs, which Shelley intended to gather into a volume to inspire reformers from the labouring classes, several accompanied by significantly new textual material recovered from draft manuscripts, are included, as are the important political works 'Ode to Liberty', 'Ode to Naples' and Oedipus Tyrannus, Shelley's burlesque Greek tragedy on the Queen Caroline affair. Other major poems featured include 'The Sensitive-Plant', 'Ode to the West Wind', 'Letter to Maria Gisborne', an exuberant translation from the ancient Greek of the Homeric 'Hymn to Mercury', and the brilliantly inventive 'The Witch of Atlas'. In addition to accompanying commentaries, there are extensive bibliographies, a chronology of Shelley’s life, and indexes to titles and first lines. Leigh Hunt's informative Preface of 1832 to The Mask of Anarchy is also included as an Appendix. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.

Der Kliene Lump contains a series of true anecdotes about the winsome ways of a boy who experienced rare freedoms and "extravagances" in a harsh era defined by The Great Depression and World War II. The boy's family of seven was unique in heritage, faith, lifestyle, character, and appearance. Less than an acre of land, a primitive house, an outhouse, and five dinky buildings, which sheltered a menagerie of animals, defined their habitat. His mother wore a prayer covering and plain dress that belied her fiery temperament. She referred to her son as Der Kleine Lump (The Little Rascal; at times, The Scoundrel). When the author, John Paugstat, viewed the anecdotes as a composite picture, he saw a boy who, when nurtured by faith, family, and society, rose above the Woes of Poverty and enjoyed the Wows of Privilege and Adventure. The author would like to have been that boy, and so he was--resulting in anecdotes true to the limits of his memory. John Paugstat has degrees from the Universities of California and Cincinnati. He wrote articles on various subjects; he taught and spoke at conventions, corporate, and church-related functions. He has five patents, two published books, and three in development.