This study is divided into four sections, whose general topics trace various manifestations of misogyny in nineteenthand twentieth-century drama. Recent attempts to dismantle and expose relations between gender and spectacle receive attention in a volume that suggests exciting possibilities for a revision of theater.

Rage Against The Machine changed the shape of music with their rampant self-titled debut album in 1992. Here was a politically charged troupe that took advantage of major label backing yet spoke out on issues that few stars in the spotlight dared to - never afraid to insist their message was just as important as the music. The sales came in the millions and critical acclaim besieged them ... until De La Rocha left the band in 2000. Instead of attempting to replace the inimitable orator, Morello and Co. threw a curveball and hired ex-Soundgarden throat Chris Cornell to create a new band named Audioslave. Yet there was always the genius of Rage Against The Machine in the background and in 2007 the band reformed with De La Rocha included. Millions have waited a long time to see the spectacle unfold once again.This is the story of how a Harvard graduate and a poetical activist welded together, along with several capable cohorts, to create a bastion of youth revival and change through the medium of their striking, innovative material - a glutton of musical riches which continues to amaze and inspire today. It is also the story about the power and durability of protest music as well as a glimpse into the future of one of the greatest bands of all-time. UNOFFICIAL & UNAUTHORISED

Based on over 20 years' prodigious research, Graham takes the reader on a compelling tour of human history & links alcohol addiction with the destructive behavior of a range of public figures, including tyrants, murderers, politicians & writers. Drawing on the case of famous characters such as Alexander the Great, Joseph Stalin, Joe McCarthy & Ernest Hemingway, this book presents a convincing assessment of how this disorder can adversely affect the behavior of powerful individuals with devastating consequences.

The fear of abandonment is one of our most primal fears, and deservedly so. Its pain is often overwhelming, and can leave its mark on the rest of your life. In the midst of the hurt, it’s hard to see an end to your feelings of rejection, shame, and betrayal. In this updated edition of the groundbreaking book, Susan Anderson, a therapist who has specialized in helping people with loss, heartbreak, and abandonment for more than thirty years, shares recent discoveries in neuroscience that help put your pain in perspective. It is designed to help all victims of emotional breakups—whether you are suffering from a recent loss, or a lingering wound from the past; whether you are caught up in patterns that sabotage your own relationships, or you’re in a relationship in which you no longer feel loved. From the first stunning blow to starting over, it provides a complete program for abandonment recovery. Going beyond comforting words to promote real change, this healing process will help you work through the five universal stages of abandonment—shattering, withdrawal, internalizing, rage, lifting—by understanding their biochemical and behavioral origins and implications. New hands-on exercises for improving your life will teach you how to manage the inevitable pain, then go on to build a whole new concept of self, increase your capacity for love, and find new love on a deeper and richer level than ever before.

Provides practical solutions for parents and teachers on properly handling the challenging behavior associated with Asperger's syndrome including homework, tantrums, and other day-to-day issues.

This book examines a series of contemporary plays where writers put theatre itself on stage. The texts examined variously dramatize how theatre falls short in response to the demands of violence, expose its implication in structures of violence—including racism and gender-based violence—and illustrate how it might effectively resist violence through reconfiguring representation. Case studies, which include Jackie Sibblies Drury’s We Are Proud to Present and Fairview, Ella Hickson’s The Writer and Tim Crouch’s The Author, provide a range of practice-based perspectives on the question of whether theatre is capable of accounting for and expressing the complexities of structural and interpersonal violence as both lived in the body and borne out in society. The book will appeal to scholars and artists working in the areas of violence, theatre and ethics, witnessing, memory and trauma, spectatorship and contemporary dramaturgy, as well as to those interested in both the doubts and dreams we have about the role of theatre in the twenty-first century.