Please note: This is a companion version & not the original book. Sample Book Insights: #1 In 1948, the communists laid siege to Changchun, a city in the middle of the Manchurian plain north of the Great Wall of China. They starved the city into surrender, and turned it into a city of death. #2 The city of Changchun, China, was besieged by communist troops in 1948. The anti-aircraft artillery of the communists forced the nationalists to fly at an altitude of 3,000 meters. The airdrops landed outside the area controlled by the nationalists. #3 The situation inside the city was little better than outside it. Besides the airdrops for the garrison, some 330 tonnes of grain were required daily to feed the civilians, but at best 84 tonnes were delivered by four or five planes. Everything was requisitioned in the defense of Changchun. #4 The fall of Changchun was hailed in China’s history books as a decisive victory in the battle of Manchuria, but it came at a huge cost, as an estimated 160,000 civilians were starved to death inside the area besieged by the communists.

"'The Chinese Communist party refers to its victory in 1949 as a "liberation." In China the story of liberation and the revolution that followed is not one of peace, liberty, and justice. It is first and foremost a story of calculated terror and systematic violence.' So begins Frank Dikötter's stunning and revelatory chronicle of Mao Zedong's ascension and campaign to transform the Chinese into what the party called New People. Following the defeat of Chiang Kai-shek in 1949, after a bloody civil war, Mao hoisted the red flag over Beijing's Forbidden City, and the world watched as the Communist revolution began to wash away the old order. Due to the secrecy surrounding the country's records, little has been known before now about the eight years that followed, preceding the massive famine and Great Leap Forward. Drawing on hundreds of previously classified documents, secret police reports, unexpurgated versions of leadership speeches, eyewitness accounts of those who survived, and more, The Tragedy of Liberation bears witness to a shocking, largely untold history. Interweaving stories of ordinary citizens with tales of the brutal politics of Mao's court, Frank Dikötter illuminates those who shaped the 'liberation' and the horrific policies they implemented in the name of progress. People of all walks of life were caught up in the tragedy that unfolded, and whether or not they supported the revolution, all of them were asked to write confessions, denounce their friends, and answer queries about their political reliability. One victim of thought reform called it a 'carefully cultivated Auschwitz of the mind.' Told with great narrative sweep, The Tragedy of Liberation is a powerful and important document giving voice at last to the millions who were lost, and casting new light on the foundations of one of the most powerful regimes of the twenty-first century"--

"The power of Frank Dikötter's ground-breaking work on the disaster that followed China's attempted 'Great Leap Forwar©d'; lies not in the detail of his evidence (though that shows that Mao's fumbled attempt at rapid industrialization probably cost 45 million Chinese lives). It stems from the exceptional reasoning skills that allowed Dikötter to turn years of researching in obscure Chinese archives into a compelling narrative of disaster, and above all to link two subjects that had been treated as distinct by most of his predecessors: the extent of the crisis in the countryside, and the actions (hence the responsibility) of the senior Chinese leadership. In Dikötter's view, ultimate responsibility for the catastrophe lies at the door of Mao Zedong himself; the Chairman conceived and ordered the policies that led to the famine, and he did nothing to reverse them or limit the damage that was being wrought when evidence for their disastrous impact reached him. Dikötter's ability to persuade his readers of the fundamental truth of these arguments--despite his admission that his access to sources was necessarily limited and incomplete--together with the clear structure of his presentation combine to produce a work that has had enormous influence on perceptions of Mao and of the Great Leap Forward itself."--Provided by publisher

The second installment in 'The People's Trilogy', the groundbreaking series from Samuel Johnson Prize-winning author Frank Dikötter 'For anyone who wants to understand the current Beijing regime, this is essential background reading' Anne Applebaum 'Essential reading for all who want to understand the darkness that lies at the heart of one of the world's most important revolutions' Guardian 'Dikötter performs here a tremendous service by making legible the hugely controversial origins of the present Chinese political order' Timothy Snyder In 1949 Mao Zedong hoisted the red flag over Beijing's Forbidden City. Instead of liberating the country, the communists destroyed the old order and replaced it with a repressive system that would dominate every aspect of Chinese life. In an epic of revolution and violence which draws on newly opened party archives, interviews and memoirs, Frank Dikötter interweaves the stories of millions of ordinary people with the brutal politics of Mao's court. A gripping account of how people from all walks of life were caught up in a tragedy that sent at least five million civilians to their deaths.

The power of Frank Dikötter's ground-breaking work on the disaster that followed China's attempted ‘Great Leap Forward’ lies not in the detail of his evidence (though that shows that Mao's fumbled attempt at rapid industrialization probably cost 45 million Chinese lives). It stems from the exceptional reasoning skills that allowed Dikötter to turn years of researching in obscure Chinese archives into a compelling narrative of disaster, and above all to link two subjects that had been treated as distinct by most of his predecessors: the extent of the crisis in the countryside, and the actions (hence the responsibility) of the senior Chinese leadership. In Dikötter's view, ultimate responsibility for the catastrophe lies at the door of Mao Zedong himself; the Chairman conceived and ordered the policies that led to the famine, and he did nothing to reverse them or limit the damage that was being wrought when evidence for their disastrous impact reached him. Dikötter's ability to persuade his readers of the fundamental truth of these arguments – despite his admission that his access to sources was necessarily limited and incomplete – together with the clear structure of his presentation combine to produce a work that has had enormous influence on perceptions of Mao and of the Great Leap Forward itself.

'Brilliant' NEW STATESMAN, BOOKS OF THE YEAR 'Enlightening and a good read' SPECTATOR 'Moving and perceptive' NEW STATESMAN Mussolini, Hitler, Stalin, Mao Zedong, Kim Il-sung, Ceausescu, Mengistu of Ethiopia and Duvalier of Haiti. No dictator can rule through fear and violence alone. Naked power can be grabbed and held temporarily, but it never suffices in the long term. A tyrant who can compel his own people to acclaim him will last longer. The paradox of the modern dictator is that he must create the illusion of popular support. Throughout the twentieth century, hundreds of millions of people were condemned to enthusiasm, obliged to hail their leaders even as they were herded down the road to serfdom. In How to Be a Dictator, Frank Dikötter returns to eight of the most chillingly effective personality cults of the twentieth century. From carefully choreographed parades to the deliberate cultivation of a shroud of mystery through iron censorship, these dictators ceaselessly worked on their own image and encouraged the population at large to glorify them. At a time when democracy is in retreat, are we seeing a revival of the same techniques among some of today's world leaders? This timely study, told with great narrative verve, examines how a cult takes hold, grows, and sustains itself. It places the cult of personality where it belongs, at the very heart of tyranny.

Three decades since the Soviet Union’s collapse prompted Francis Fukuyama to proclaim the ‘End of History’, things look different. Russia may no longer be Communist, but Stalin is more admired there than at any time since his death in 1953. The United States has bled power and prestige in uncanny parallel with China’s rise in economic strength and global influence—not least in the US itself. Liberal democratic capitalism seems moribund, while Chinese Communism assimilates the world. How and why did this happen? In his sweeping history, Sean McMeekin investigates the evolution of Communism from the seductive ideal of a classless society into the ruling doctrine of tyrannical regimes. From Marx’s writings to the global resurgence of Communism in the twenty-first century, McMeekin argues that, despite the endurance of this political system, it remains deeply unpopular. Where it has arisen, it has always arisen by force. Blending narrative with cutting-edge scholarship, To Overthrow the World revolutionises our understanding of Communism—an idea that seemingly cannot die.

A prize-winning historian reveals how Stalin—not Hitler—was the animating force of World War II in this major new history. World War II endures in the popular imagination as a heroic struggle between good and evil, with villainous Hitler driving its events. But Hitler was not in power when the conflict erupted in Asia—and he was certainly dead before it ended. His armies did not fight in multiple theaters, his empire did not span the Eurasian continent, and he did not inherit any of the spoils of war. That central role belonged to Joseph Stalin. The Second World War was not Hitler’s war; it was Stalin’s war. Drawing on ambitious new research in Soviet, European, and US archives, Stalin’s War revolutionizes our understanding of this global conflict by moving its epicenter to the east. Hitler’s genocidal ambition may have helped unleash Armageddon, but as McMeekin shows, the war which emerged in Europe in September 1939 was the one Stalin wanted, not Hitler. So, too, did the Pacific war of 1941–1945 fulfill Stalin’s goal of unleashing a devastating war of attrition between Japan and the “Anglo-Saxon” capitalist powers he viewed as his ultimate adversary. McMeekin also reveals the extent to which Soviet Communism was rescued by the US and Britain’s self-defeating strategic moves, beginning with Lend-Lease aid, as American and British supply boards agreed almost blindly to every Soviet demand. Stalin’s war machine, McMeekin shows, was substantially reliant on American materiél from warplanes, tanks, trucks, jeeps, motorcycles, fuel, ammunition, and explosives, to industrial inputs and technology transfer, to the foodstuffs which fed the Red Army. This unreciprocated American generosity gave Stalin’s armies the mobile striking power to conquer most of Eurasia, from Berlin to Beijing, for Communism. A groundbreaking reassessment of the Second World War, Stalin’s War is essential reading for anyone looking to understand the current world order.

A New Statesman, Financial Times and Economist Book of the Year 'Brilliant' NEW STATESMAN, BOOKS OF THE YEAR 'Enlightening and a good read' SPECTATOR 'Moving and perceptive' NEW STATESMAN Mussolini, Hitler, Stalin, Mao Zedong, Kim Il-sung, Ceausescu, Mengistu of Ethiopia and Duvalier of Haiti. No dictator can rule through fear and violence alone. Naked power can be grabbed and held temporarily, but it never suffices in the long term. A tyrant who can compel his own people to acclaim him will last longer. The paradox of the modern dictator is that he must create the illusion of popular support. Throughout the twentieth century, hundreds of millions of people were condemned to enthusiasm, obliged to hail their leaders even as they were herded down the road to serfdom. In Dictators, Frank Dikötter returns to eight of the most chillingly effective personality cults of the twentieth century. From carefully choreographed parades to the deliberate cultivation of a shroud of mystery through iron censorship, these dictators ceaselessly worked on their own image and encouraged the population at large to glorify them. At a time when democracy is in retreat, are we seeing a revival of the same techniques among some of today's world leaders? This timely study, told with great narrative verve, examines how a cult takes hold, grows, and sustains itself. It places the cult of personality where it belongs, at the very heart of tyranny.

"Feeding Ghosts reminds us how much the personal is political . . . an audacious, awe-inspiring feat. For me, it was an essential read." —Ling Ma, author of Bliss Montage An astonishing, deeply moving graphic memoir about three generations of Chinese women, exploring love, grief, exile, and identity. In her evocative, genre-defying graphic memoir, Tessa Hulls tells the story of three generations of women in her family: her Chinese grandmother, Sun Yi; her mother, Rose; and herself. Sun Yi was a Shanghai journalist caught in the political crosshairs of the 1949 Communist victory. After eight years of government harassment, she fled to Hong Kong with her daughter. Upon arrival, Sun Yi wrote a bestselling memoir about her persecution and survival, used the proceeds to put Rose in an elite boarding school—and promptly had a breakdown that left her committed to a mental institution. Rose eventually came to the United States on a scholarship and brought Sun Yi to live with her. Tessa watched her mother care for Sun Yi, both of them struggling under the weight of Sun Yi's unexamined trauma and mental illness. Vowing to escape her mother’s smothering fear, Tessa left home and traveled to the farthest-flung corners of the globe (Antarctica). But at the age of thirty, it starts to feel less like freedom and more like running away, and she returns home to face the history that shaped her family. Extensively researched and gorgeously rendered, Feeding Ghosts is Hulls’s homecoming, a vivid journey into the beating heart of one family, set against the dark backdrop of Chinese history. By turns fascinating and heartbreaking, inventive and poignant, Feeding Ghosts exposes the fear and trauma that haunt generations, and the love that holds them together.