The stranger-than-fiction story of the now-notorious Lowcountry clan, in all its Southern Gothic intensity—by an author with unparalleled access to and knowledge of the players, the history, and the place. The most famous man in South Carolina lives in prison. He stands convicted of a staggering amount of wrongdoing—more than 100 crimes and counting. Once a high-flying, smooth-talking, pedigreed Southern lawyer, Alex Murdaugh is now disbarred and disgraced. For more than a decade, prosecutors asserted that Alex was secretly a fraud, a thief, a drug trafficker, and an all-around phony. On the night of June 7, 2021, they claimed, he also became a killer, shooting dead his wife and son in a desperate bid to escape accountability. The many crimes of Alex Murdaugh, exposed piecemeal over the last two years, have appalled the general public. Yet his implosion—the spectacular manner in which he has turned his vaunted family name to mud—has also proved mesmerizing. With every revelation, Alex Murdaugh has been shown to be a man without bottom, though he insists he never harmed his family. Remarkably, all of his misdeeds have precedent. In Swamp Kings, Jason Ryan reveals Alex’s evil actions are only the tip of the iceberg. When it comes to the Murdaugh family of Hampton County, history has a way of repeating itself. For every alleged, headline-grabbing crime associated with Alex Murdaugh, mirror-image incidents have played out within his family’s past, including parallel instances of fraud, theft, illicit trafficking of babies and booze, calamitous boat crashes, and even alleged murder. There were some crimes committed by Alex’s kin that even he would not dare mimic. Covering a century of depravity in an impoverished and isolated stretch of the Deep South, Swamp Kings weaves together the jaw-dropping narratives of generations of Murdaughs before culminating in the telling of a murder trial for the ages. Page after page the family’s legacy is laid bare as a spotlight is finally trained on the Murdaugh men who have long lorded over the South Carolina Lowcountry.

For centuries, the sunny Kalamar Forest and the dismal swamps to its west lived in peace. But as Pirosha, King of Kalamar, approaches his nineteenth year, trouble consumes his realm. Vanishings and rebellions are reported. Word of ravenous wolves reaches his ear. And rumors begin to spread that he is not sovereign, that the true king of both the forest and the swamp is about to reveal himself. Volume 3 of Enchanted Forest.

Thirty of Hans Christian Andersen's most cherished stories in single volumes Illustrator various artists. Known all over the world, these fairytales hold stories of great value and are a source of inspiration for both young and old.

King Darrow sends Aidan Errolson on an impossible quest, hoping he will never return, and although Aidan has enough friends to succeed on the journey, even he might not be able to defeat the powerful enemy that awaits him at its end.

One of the strangest and, sadly, least known tales by Hans Christian Andersen, The Daughter of the Swamp King is complex and comprehensive. It covers great distances, long spans of time, transitions between real and imaginary worlds, and a variety of challenges and conflicts. The author relentlessly exposes his characters to the crises of perception, faith, conviction, and inner strength. How they venture through these tribulations and whether they stand all these trials successfully is for the reader to discover and decide.

The Handbook of Cultural Studies in Education brings together interdisciplinary voices to ask critical questions about the meanings of diverse forms of cultural studies and the ways in which it can enrich both education scholarship and practice. Examining multiple forms, mechanisms, and actors of resistance in cultural studies, it seeks to bridge the gap between theory and practice by examining the theme of resistance in multiple fields and contested spaces from a holistic multi-dimensional perspective converging insights from leading scholars, practitioners, and community activists. Particular focus is paid to the practical role and impact of these converging fields in challenging, rupturing, subverting, and changing the dominant socio-economic, political, and cultural forces that work to maintain injustice and inequity in various educational contexts. With contributions from international scholars, this handbook serves as a key transdisciplinary resource for scholars and students interested in how and in what forms Cultural Studies can be applied to education.

American Horror Show describes the last weeks of the 2016 election, Trump’s victory, his transition and construction of a scandal-ridden cabinet and administration, to his inaugural speech and the first 30 days of his presidency. The text uses a multidimensional analysis to explain Trump’s victory, including his mobilization of an authoritarian populist movement, the use of fake news to attack Hillary Clinton, the intervention of FBI Director James Comey 11 days before the election, claiming that another investigation of Clinton’s emails was underway, and the intervention of Russian hacking of Democratic Party email and the use of this email against Clinton. Questions are raised concerning relationships between the Russian hacking and attacks against Clinton and members of Trump’s campaign. The remarkable positive remarks from Trump concerning Putin, followed by putting pro-Putin Republicans in key posts of his administration, raise questions about Trump administration relations and connections to Russia. Finally, the first 30 days of Trump’s administration show that he is a rightwing billionaire and militarist who has carried out an extreme rightwing Republican agenda and is not a populist concerned about the working class.

"Comprising all the decisions of the Supreme Courts of California, Kansas, Oregon, Washington, Colorado, Montana, Arizona, Nevada, Idaho, Wyoming, Utah, New Mexico, Oklahoma, District Courts of Appeal and Appellate Department of the Superior Court of California and Criminal Court of Appeals of Oklahoma." (varies)