The first full-length study on T. S. Eliot and the mother, this book responds to a shortfall in understanding the true importance of Eliot’s poet-mother, Charlotte Champe Stearns, to his life and works. In doing so, it radically rethinks Eliot’s ambivalence towards women. In a context of mother–son ambivalence (simultaneous feelings of love and hate), it shows how his search for belief and love converged with a developing maternal poetics. Importantly, the chapters combine standard literary critical methods and extensive archival research with innovative feminist, maternal and psychoanalytic theorisations of mother–child relationships, such as those developed by Julia Kristeva, Luce Irigaray, Jessica Benjamin, Jan Campbell and Rozsika Parker. These maternal thinkers emphasise the vital importance and benefit of recognising the pre-Oedipal mother and maternal subjectivity, contrary to traditional, repressive Oedipal models of masculinity. Through this interdisciplinary approach, the chapters look at Eliot’s changing representations and articulations of the mother/ mother–child relationship from his very earliest writings through to the later plays. Focus is given to decisive mid-career works: Ash-Wednesday (1930), ‘Marina’ (1930), ‘Coriolan’ (1931–32) and The Family Reunion (1939), as well as to canonical works The Waste Land (1922) and Four Quartets (1943). Notably, the study draws heavily on the wide range of Eliot materials now available, including the new editions of the complete poems, the complete prose and the volumes of letters, which are transforming our perception of the poet and challenging critical attitudes. The book also gives unprecedented attention to Charlotte Eliot’s life and writings and brings her individual female experience and subjectivity to the fore. Significantly, it establishes Charlotte’s death in 1929 as a decisive juncture, marking both Eliot’s New Life and the apotheosis of the feminine symbolised in Ash-Wednesday. Central to this proposition is Geary’s new formulation for recognising and examining a maternal poetics, which also compels a new concept of maternal allegory as a modern mode of literary epiphany. T. S. Eliot and the Mother reveals the role of the mother and the dynamics of mother–son ambivalence to be far more complicated, enduring, changeable and essential to Eliot’s personal, religious and poetic development than previously acknowledged.

Based upon manuscript sources and the uncollected prose writings, as well as the published works, this is a profound exploration of Eliot's life-long preoccupation with mysticism. The author advances new readings of the familiar poems and essays through attention to Eliot's concern in poetry and prose with his roles as mystic, son and lover.

This is a critical handbook on T. S. Eliot’s poetical works and verse dramas with their text and critical interpretation for students of Asian and African countries. An exhaustive discussion is made through critical analysis of Eliot’s literary personality as a poet and theorist. Eliot exercised a strong influence on Anglo-American culture from the 1920s until late in the century. His experiments in diction, style, and versification revitalized English poetry, and in a series of critical essays, he shattered old orthodoxies and erected new ones. The publication of Four Quartets led to his recognition as the greatest living English poet and man of letters, and in 1948 he was awarded both the Order of Merit and the Nobel Prize for Literature. Eliot was to pursue four careers: editor, dramatist, literary critic, and philosophical poet. He was probably the most erudite poet of his time in the English language. His undergraduate poems were “literary” and conventional. His first important publication, and the first masterpiece of Modernism in English, was “The Love Song of J. Alfred Prufrock”. The poem “The Waste Land” is known for its obscure nature—its slippage between satire and prophecy; its abrupt changes of speaker, location, and time. Eliot’s concern with faith and doubt, chaos and calamity and decline in the sensibility of the modern people is reflected through his poems and plays. Modernity and the sense for the modernist make him unparalleled and the most popular modern poet. His great musical sense in his poetry reminds of his use of rhymes, metre and rhythm. This rimming of poetry with music brings meaningful beauty and concept.

T.S. Elliot (1888-1965). Writings include: Prufrock and other Observations, Poems, Old Possum's Book of Practical Cats.

Biographical writing about Eliot is in a more confused and contested state than is the case with any other major twentieth-century writer. No major biography has been released since the publication of his early poems, Inventions of the March Hare, in 1996, which radically altered the reading public's perception of Eliot. There have been attempts to turn the American woman Emily Hale into the beloved woman of Eliot's middle years; and Eliot has also been blamed for the instability of his first wife and declared a closet homosexual. This biography frees Eliot from such distortions, as well as from his cold and unemotional image. It offers a sympathetic study of his first marriage which does not attempt to blame, but to understand; it shows how Eliot's poetry can be read for its revelations about his inner world. Eliot once wrote that every poem was an epitaph, meaning that it was the inscription on the tombstone of the experience which it commemorated. His poetry shows, however, that the deepest experiences of his life would not lie down and die, and that he felt condemned to write about them.John Worthen is the acclaimed author of D. H. Lawrence: The Life of an Outsider.

What makes one poem better than another? Do Christians have an obligation to strive for excellence in the arts? While orthodox Christians are generally quick to affirm the existence of absolute truth and absolute goodness, even many within the church fall prey to the postmodern delusion that "beauty is in the eye of the beholder." This book argues that Christian doctrine in fact gives us a solid basis on which to make aesthetic judgments about poetry in particular and about the arts more generally. The faith once and for all delivered unto the saints is remarkable in its combined emphasis on embodied particularity and meaningful transcendence. This unique combination makes it the perfect starting place for art that speaks to who we are as creatures made for eternity.

The Greatest Classics of All Time is an unprecedented compilation that traverses boundaries, epochs, and geographies to present a tapestry of human thought and narrative brilliance. Encompassing a vast range of literary styles from the pre-eminent figures of Western and Eastern literature, this anthology affords readers an exceptional view into the diversity of human experience and expression. Among the collection are seminal works that have shaped the course of literary and philosophical thought, revealing the depth of human emotion, the complexities of societal structures, and the eternal questions that have engaged humanity. Every piece, carefully selected for its enduring impact and relevance, contributes to a dialogue spanning centuries, from ancient wisdom to modern existential reflections. The contributing authors and editors are giants in their own right, drawn from the pantheon of world literature across ages. From the critical realism of Dickens and Balzac to the existential musings of Dostoyevsky; from the transcendental optimism of Whitman to the sharp political insights of Machiavelli; and the mystical depths of Tagore, this collection represents a confluence of literary movements and cultural epochs. Each author's unique background, perspective, and historical context enriches the anthology, offering readers a panoramic view of humanity's intellectual heritage. This assembly elucidates the interconnectedness of literature with history, culture, and philosophy, embodying the diverse expressions of human civilization. The Greatest Classics of All Time is not merely a collection of texts; it is an invitation to embark on a journey through the epochs of human thought and feeling. It offers readers an unparalleled opportunity to engage with the masterworks of literature that have withstood the test of time, encouraging a deeper appreciation for the nuances of human experience. For scholars, students, and lovers of literature, this anthology promises a comprehensive educational experience, fostering a greater understanding of the world's literary and cultural traditions. It is a testament to the power of literature to cross boundaries, to challenge, and to enlighten, making it an essential addition to any collection.

90 Masterpieces of World Literature (Vol.I) is an expansive anthology that traverses the landscape of global literary achievement, offering readers a comprehensive survey of seminal works that have shaped the ethos of world literature. This collection is marked by an incredible diversity of genres, styles, and themes, reflecting the wide-ranging experiences and historical contexts of its authors. From the existential questions pursued by Dostoevsky and the introspective journey of Proust, to the pioneering adventures penned by Verne and the critical social commentary of Dickens, this anthology showcases the multifaceted nature of human thought and expression. Standout pieces within the volume capture the essence of their time while also speaking to universal themes of love, struggle, freedom, and morality, making the anthology a vibrant tapestry of human experience. The contributors to this volume represent a whos who of historical literary giants, each bringing their unique voice to the collective table. Authors such as Jane Austen and Charlotte Brontë offer keen insights into the gender dynamics of their time, while the visionary science fiction of H.G. Wells and the dark romanticism of Edgar Allan Poe present radical departures from the realist tradition, challenging readers to explore new psychological and societal frontiers. The anthology, thereby, not only aligns with various historical, cultural, and literary movements but also weaves a dialogue between these movements, highlighting the evolution of narrative and thought across ages and geographies. These varied voices together enrich the readers understanding of the broad spectrum of human expression and the complexity of the human condition. 90 Masterpieces of World Literature (Vol.I) is an essential volume for anyone seeking to explore the depth and breadth of literary genius across the ages. It offers a unique opportunity to delve into the works that have not only defined but also continuously reshaped the landscape of world literature. Readers are encouraged to immerse themselves in the richness of this collection, discovering within its pages a world of ideas, stories, and perspectives that are at once enlightening, provocative, and boundlessly imaginative. This anthology serves as both a gateway and a guide for those eager to embark on a comprehensive literary journey, making it an invaluable addition to any personal library.

Using the concept of otherness as an entry point into a discussion of poetry, Jonathan Hart's study explores the role of history and theory in relation to literature and culture. Chapters range from trauma in Shakespeare to Bartolomé de Las Casas' representation of the Americas to the trench poets to voices from the Holocaust.

This is Volume 10 of a collection of ten of the selected works of I.A. This volume presents a selection of contemporary criticism discussing those of Richards’ works published between 1919 and 1938.