A brilliant new study guide to perhaps the finest English poet of the 20th Century, by a distinguished critic and scholar. This book opens with a section on Hughes's life, including an authoritative treatment of the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work, including his openness to mythology and the poets of Eastern Europe. The body of the study guide offers an approach to reading New Selected Poems (1995), taking in turn each of the remarkable and remarkably varied works from which the poems were selected—The Hawk in the Rain, Lupercal, Wodwo, Crow, Cave Birds, Season Songs, Gaudete, Remains of Elmet, Moortown Diary, River and Wolfwatching. It concludes with a review of Hughes's reception, and a six-page bibliography.

A brilliant new study of one of the great English poets of the 20th Century, by a distinguished critic and scholar.This book opens with a section on Hughes's life, including the relationship with Sylvia Plath and the effect of her suicide on his poetry and reputation, followed by a review of Hughes's artistic strategies, his poetic language, and influences on his work. including the poets of Eastern Europe. The body of the book offers an approach to reading New Selected Poems (1995), taking in turn each of the remarkable and remarkably varied works from which the poems were selected - The Hawk in the Rain, Lupercal, Wodwo, Crow, Cave Birds, Season Songs, Gaudete, Remains of Elmet, Moortown Diary, River and Wolfwatching. It concludes with a review of Hughes's reception, and a six-page bibliography. Professor Roberts's books include Ted Hughes: A Critical Study (with Terry Gifford, Faber, 1981), D. H. Lawrence, Travel and Cultural Difference (Palgrave, 2004), and Ted Hughes: A Literary Life (Palgrave, 2006.

For the first time, the vast canon of the poetry of Ted Hughes - winner of the Whitbread and Forward Prizes and former Poet Laureate - together in a single e-book. The Collected Poems spans fifty years of work, from Hawk in the Rain to the best-selling Birthday Letters. It also includes the complete texts of such seminal publications as Crow and Tales from Ovid as well as those children's poems that Hughes felt crossed over into adult poetry. Most significantly it also includes small press publications and editions that, until now, remain uncollected and have never before been available to a general readership. 'A guardian spirit of the land and language.' Seamus Heaney

This is the first collection of essays to be published since the poet's death. Continuing a tradition of more than thirty years of Ted Hughes studies, it gathers contributions by most of the major international Hughes scholars, voicing their critical preoccupations at the turn of the century. Over the years, academic criticism on the poetry of Ted Hughes has established some well-trodden paths, which this collection still strongly reflects, however, the productions of the latter Hughes, in poetry as well as in criticism, demand a revisiting of the critical discourse on his work. The biographical dimension, for instance, has gradually gathered momentum, and it is no longer possible to study the work of Ted Hughes without due reference to the life and work of Sylvia Plath. This book is, nonetheless, also motivated by the wish to bring some fresh blood to the Hughes studies by politely rocking the boat of a rather comfortably established critical reception that has prided itself on being the mouthpiece of the poet's own ideological discourse. For this reason, some of the chapters in this collection belong to a continental European tradition that is resolutely foreign to the former partisanships. For all that, Ted Hughes: Alternative Horizons suggests that steering clear of the polemical ruts dug by fans and detractors alike can only benefit the future of scholarly studies devoted to a great poet.

Ted Hughes is one of the greatest English poets of this century, yet his life was dogged by tragedy and controversy. His marriage to the American poet Sylvia Plath marked his whole life and he never entirely recovered from her suicide in 1963, though he chose to remain silent on the subject for more than 30 years. Many people, including his friend Al Alvarez, have held Hughes's adultery responsible for Plath's death. Elaine Feinstein first met Hughes in 1969, and she was a good friend of his and his sister Olwyn's, both of whom guarded the Plath estate. She knows many of the European and America poets who so influenced Hughes - Seamus Heaney, Thom Gunn, Miroslav Holub, and knows the world in which both he and Plath moved.

This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.

Including a previously unpublished poem by Ted Hughes, as well as new essays from Seamus Heaney and Simon Armitage, Ted Hughes: From Cambridge to Collected offers fresh readings and newly available archival research, challenging established views about Hughes's speaking voice, study at Cambridge and the influence of other poets on Hughes's work.

This Reader's Guide charts the reception history of Ted Hughes' poetry from his first to last published collection, culminating in posthumous tributes and assessments of his lifetime achievement. Sandie Byrne explores the criticism relating to key issues such as nature, myth, the Laureateship, and Hughes' relationship with Sylvia Plath.

Explores the life, work and literary significance of the late Poet Laureate.