Interested in journalism and creative writing and want to write a book? Read inspiring stories and practical advice from America’s most respected journalists. The country’s most prominent journalists and nonfiction authors gather each year at Harvard’s Nieman Conference on Narrative Journalism. Telling True Stories presents their best advice—covering everything from finding a good topic, to structuring narrative stories, to writing and selling your first book. More than fifty well-known writers offer their most powerful tips, including: • Tom Wolfe on the emotional core of the story • Gay Talese on writing about private lives • Malcolm Gladwell on the limits of profiles • Nora Ephron on narrative writing and screenwriters • Alma Guillermoprieto on telling the story and telling the truth • Dozens of Pulitzer Prize–winning journalists from the Atlantic Monthly, New Yorker, New York Times, Los Angeles Times, Washington Post and more . . . The essays contain important counsel for new and career journalists, as well as for freelance writers, radio producers, and memoirists. Packed with refreshingly candid and insightful recommendations, Telling True Stories will show anyone fascinated by the art of writing nonfiction how to bring people, scenes, and ideas to life on the page.

A practical manual for anyone who wants to turn scientific facts into gripping science stories, this book provides an overview of story elements and structure, guidance on where to locate them in scientific papers and a step-by-step guide to applying storytelling techniques to writing about science. In this book, Martin W. Angler outlines basic storytelling elements to show how and where fledgling science storytellers can find them in scientific output. Journalistic techniques like selection through news values and narrative interviews are covered in dedicated chapters. A variety of writing techniques and approaches are presented as a way of framing science stories in ways that are informative and compelling in different media – from short films to news articles. Practical examples, selected interviews and case studies complement each chapter, with exercises and experimentation suggestions included for deeper understanding. Review questions at the end of each chapter cement the newly gained knowledge to make sure readers absorb it, with links to articles and online tools inviting further reading. A valuable resource for students of journalism and science communication as well as professional journalists, scientists and scientists-in-training who want to engage with the public or simply improve their journal papers. This book is a one-stop shop on science storytelling with a clear focus on providing practical techniques and advice on how to thrive as science writers and communicate science in all of its complexity.

Telling Startup Stories: Keep the End in Mind is Will Keyser's first ebook. The second, No Surprises: Essential Numbers for Entrepreneurs is in preparation. Will has also been writing fiction and non-fiction for many years. His passion is entrepreneurship. This is expressed through his blog and website, StartUp Owl; and as a professor teaching strategy and entrepreneurship on the MBA in Managing for Sustainability at Marlboro College Graduate and Professional Studies. He is a consultant to StartUps in many fields, both in the US and Europe over the last 20 years. His StartUp consulting practice is Venture Founders LLC, where his work concentrates on issues of business planning and development. With a partner, he started, built and sold (for a symbolic £1 Sterling) his own business, and some others, as well as having tried and failed to start yet more. He has also served on the Board of a regional venture capital company, on the boards of many non-profits and a $16 million food retailing cooperative. He advises students on establishing their own StartUps, both while studying and following graduation. He has lived and worked in the UK and France and have been in the US for many years, splitting his time between Vermont and Texas. Will can be contacted at will@startupowl.com on anything read in the book.

Creative nonfiction is the literary equivalent of jazz: it’s a rich mix of flavors, ideas, voices, and techniques—some newly invented, and others as old as writing itself. This collection of 20 gripping, beautifully-written nonfiction narratives is as diverse as the genre Creative Nonfiction magazine has helped popularize. Contributions by Phillip Lopate, Brenda Miller, Carolyn Forche, Toi Derricotte, Lauren Slater and others draw inspiration from everything from healthcare to history, and from monarch butterflies to motherhood. Their stories shed light on how we live.

Do you know what makes a story great? All the best stories have a few things in common. First, we need the voice of a narrator or a storyteller. Then, add interesting characters, throw them into a risky setting, and get ready for a good dose of conflict. Give those characters a purpose or goal, and that's then the real action begins. Story is our calling. It is also the next generation’s best chance of identifying with the Church and changing the world. As we become storytellers, we learn to see the world in terms of stories being lived and told. We discover deeper insights into God, ourselves, and others. God’s story is happening. We are right in the middle of a page-turner—and God is in it with us. Start seeing your life as a part of God’s story and make some great adventures happen right now!

"Over the five years that we talked octogenarian Zhang Shenfu] became the underbelly of China's history for me. . . . Zhang was like a broken mirror through which I glimpsed the fragmented reality of China in revolution."--Vera Schwarcz Zhang Shenfu, a founder of the Chinese Communist party, participated in all the major political events in China for four decades following the Revolution of 1919. Yet Zhang had become a forgotten figure in China and the West--a victim of Mao's determined efforts to place himself at the center of China's revolution--until Vera Schwarcz began to meet with him in his home on Wang Fu Cang Lane in Beijing. Now Schwarcz brings Zhang to life through her poignant account of five years of conversations with him, a narrative that is interwoven with translations of his writings and testimony of his friends. Moving circuitously, Schwarcz reveals fragments of the often contradictory layers of Zhang's character: at once a champion of feminism and an ardent womanizer, a follower of the Bertrand Russell who also admired Confucius, and a philosophically inclined political pragmatist. Schwarcz also meditates on the tension between historical events and personal memory, on the public amnesia enforced by governments and the "forgetfulness" of those who find remembrance too painful. Her book is not only a portrait of a remarkable personality but a corrective to received accounts and to the silences that abound in the official annals of the Chinese revolution.

An epic story of a Bedouin family’s survival and legacy amid their changing world in the unforgiving Sahara Desert. Ahmed is a camel herder, as his father was before him and as his young son Abdullahi will be after him. The days of Ahmed and the other families in their nomadic freeg are ruled by the rhythms of changing seasons, the needs of his beloved camel herd, and the rich legends and stories that link his life to centuries of tradition. But Ahmed’s world is threatened—by the French colonizers just beyond the horizon, the urbanization of the modern world, and a drought more deadly than any his people have known. At first, Ahmed attempts to ignore these forces by concentrating on the ancient routines of herding life. But these routines are broken when a precious camel named Zarga goes missing. Saddling his trusted Laamesh, praying at the appointed hours, and singing the songs of his fathers for strength, Ahmed sets off to recover Zarga on a perilous journey that will bring him face to face with the best and the worst of humanity and test every facet of his Bedouin desert survival skills.

Journalism in the twentieth century was marked by the rise of literary journalism. Sims traces more than a century of its history, examining the cultural connections, competing journalistic schools of thought, and innovative writers that have given literary journalism its power. Seminal exmples of the genre provide ample context and background for the study of this style of journalism.

Narrative forms of mental representation and their influence on comprehension, communication and judgment, have rapidly become one of the main foci of research and theory in not only psychology but also other disciplines, including linguistics, sociology, and anthropology. No one has been more responsible for the awakening of interest in this area than Roger Schank and Bob Abelson. In their target article, they argue that narrative forms of mental representation, or "stories," are the basic ingredients of social knowledge that play a fundamental role in the comprehension of information conveyed in a social context, the storage of this information in memory, and the later communication of it to others. After explicating the cognitive processes that underlie the construction of narratives and their use in comprehension, memory and communication, the chapter authors consider the influence of stories on a number of more specific phenomena, including political judgment, marital relations and memory distortions that underlie errors in eyewitness testimony. The provocativeness of the target chapter is matched by that of the companion articles, each of which not only provides an important commentary on Schank and Abelson's conceptualization, but also makes an important contribution to knowledge in its own right. The diversity of perspectives reflected in these articles, whose authors include researchers in linguistics, memory and comprehension, social inference, cognitive development, social judgment, close relationships, and social ecology, testifies to the breadth of theoretical and empirical issues to which the target chapter is potentially relevant. This volume is a timely and important contribution to research and theory not only in social cognition but in many other areas as well.

Witnessing the Disaster examines how histories, films, stories and novels, memorials and museums, and survivor testimonies involve problems of witnessing: how do those who survived, and those who lived long after the Holocaust, make clear to us what happened? How can we distinguish between more and less authentic accounts? Are histories more adequate descriptors of the horror than narrative? Does the susceptibility of survivor accounts to faulty memory and the vestiges of trauma make them any more or less useful as instruments of witness? And how do we authenticate their accuracy without giving those who deny the Holocaust a small but dangerous foothold? These essayists aim to move past the notion that the Holocaust as an event defies representation. They look at specific cases of Holocaust representation and consider their effect, their structure, their authenticity, and the kind of knowledge they produce. Taken together they consider the tension between history and memory, the vexed problem of eyewitness testimony and its status as evidence, and the ethical imperatives of Holocaust representation.