The first volume devoted solely to autobiographical memory retrieval, The Act of Remembering serves as a primer of ideas, methodology, and central topics, and lays the groundwork for future research in the field. Contains new, forward-looking theories from leading international scholars Answers questions such as: Do we retrieve memories according to when and where we need them? How much conscious control do we have over what we remember? Why are some people more likely than others to have intrusive ‘flashbacks’ following a stressful event? Pays particular attention to voluntary and involuntary recall

The idea that our memories, in some sense, make us who we are, is a common one-and not at all implausible. After all, what could make us who we are if not the things we have experienced, thought, felt and desired on these idiosyncratic pathways through space and time that we call lives? And how can we retain these experiences, thoughts, feelings and desires if not through memory? On the other hand, most of what we have experienced has been forgotten. And there is now a considerable body of evidence that suggests that, even when we think we remember, our memories are likely to be distorted, sometimes beyond recognition. Imagine writing your autobiography, only to find that that most of it has been redacted, and much of the rest substantially rewritten. What would hold this book together? What would make it the unified and coherent account of a life? The answer, Mark Rowlands argues, lies, partially hidden, in a largely unrecognized form of memory-Rilkean memory. A Rilkean memory is produced when the content of a memory is lost but the act of remembering endures, in a new, mutated, form: a mood, a feeling, or a behavioral disposition. Rilkean memories play a significant role in holding the self together in the face of the poverty and inaccuracy of the contents of memory. But Rilkean memories are important not just because of what they are, but also because of what they were before they became such memories. Acts of remembering sculpt the contents of memories out of the slabs of remembered episodes. Our acts of remembering ensure that we are in the content of each of our memories-present in the way a sculptor is present in his creation-even when this content is lamentably sparse and endemically inaccurate.

Why does the Christian walk often feel like an ongoing struggle and why does God’s creation include imperfection, let alone forces that are intent on thwarting God’s creative work? In seeking a response to these questions, this book argues that the biblical accounts describe creation in terms of a progressive transformation process whereby the initially incomplete created order will reach perfection only in the fulfillment of new creation. The following discussion then outlines a comprehensive framework for the biblical theology of humanity’s struggles, centered on three key themes: corporeal temptation, deficient social structures, and the much-debated notion of spiritual warfare. The book presents an overarching canonical narrative that threads together a series of diverse biblical topics, from Job's temptation to the Atonement. The final part surveys biblical teaching on how human conduct can be aligned with God’s creative purpose, and discusses three “assignments” from Jesus to believers: to celebrate the Eucharist, to pray the Lord’s Prayer, and to fulfill the Great Commission.

David Hume’s philosophical work presents the reader with a perplexing mix of constructive accounts of empirically guided belief and destructive sceptical arguments against all belief. This book reconciles this conflict by showing that Hume intended his scepticism to be remedial. It immunizes us against the influence of “unphilosophical” causes of belief, determining us to proportion our beliefs to the evidence. In making this case, this book develops Humean positions on topics Hume did not discuss in detail but that are of interest to contemporary philosophers: consciousness and the unity of consciousness, temporal experience, visual spatial perception, the experience of colour and other qualia, objective experience, and spatially extended minds. It also challenges currently accepted interpretations of Hume’s views on the finite divisibility of space and time, vacuum, the duration of unchanging objects, and identity over time. It deals with criticisms of Hume that were raised by his contemporaries, notably by Thomas Reid, draws attention to earlier seventeenth‐ and eighteenth‐century work that has bearing on the interpretation of Hume’s thought, and compares Hume’s achievements with those of later nineteenth‐century psychologists and philosophers. Consciousness, Time, and Scepticism in Hume’s Thought will appeal to scholars and advanced students interested in Hume, history of philosophy, and early modern theories of perception, time, and consciousness.

Anglican eucharistic theology varies between the different philosophical assumptions of realism and nominalism. This book presents case studies from the 20th Century to the Present and avoids the hermeneutic idealism of particular church parties by critically examining the Anglican eucharistic tradition.

Memory and Community in Sixteenth-Century France demonstrates that memory and community interacted constantly in sixteenth-century France, producing conceptual frames that defined the conflicting groups to which individuals belonged, and from which they derived their identities. Focusing on the period’s continuous reformulations of the present as it was related to the past, these essays examine memory as one of the intellectual foundations of the late French Renaissance and its distinct communities.

The first full-length study of transgender representations in art, fiction, film, video, and music In his first book since the critically acclaimed Female Masculinity, J. Jack Halberstam examines the significance of the transgender body in a provocative collection of essays on queer time and space. He presents a series of case studies focused on the meanings of masculinity in its dominant and alternative forms’ especially female and trans-masculinities as they exist within subcultures, and are appropriated within mainstream culture. In a Queer Time and Place opens with a probing analysis of the life and death of Brandon Teena, a young transgender man who was brutally murdered in small-town Nebraska. After looking at mainstream representations of the transgender body as exhibited in the media frenzy surrounding this highly visible case and the Oscar-winning film based on Brandon's story, Boys Don’t Cry, Halberstam turns his attention to the cultural and artistic production of queers themselves. He examines the “transgender gaze,” as rendered in small art-house films like By Hook or By Crook, as well as figurations of ambiguous embodiment in the art of Del LaGrace Volcano, Jenny Saville, Eva Hesse, Shirin Neshat, and others. He then exposes the influence of lesbian drag king cultures upon hetero-male comic films, such as Austin Powers and The Full Monty, and, finally, points to dyke subcultures as one site for the development of queer counterpublics and queer temporalities. Considering the sudden visibility of the transgender body in the early twenty-first century against the backdrop of changing conceptions of space and time, In a Queer Time and Place is the first full-length study of transgender representations in art, fiction, film, video, and music. This pioneering book offers both a jumping off point for future analysis of transgenderism and an important new way to understand cultural constructions of time and place.