As USA TODAY, The Nation’s No. 1 Newspaper, puts it, “The Beatles have never lost their standing as the world's most influential and popular band. They've sold more records than any act in U.S. history.” But in the beginning, few people knew their names. The Beatles—John Lennon, Paul McCartney, George Harrison, and Ringo Starr—began as an ambitious band out of Liverpool, England, that wanted to play rock ‘n’ roll music in the American style. Often rejected by music producers, they honed their sound in the grimy clubs of Hamburg, Germany, and in small venues throughout Britain. In 1962, their single “Love Me Do” became their first hit, and by 1964 The Beatles were musically on top of the world. The group’s look, sound, and musical approach influenced a generation and brought fame beyond the band’s wildest dreams. But the stress of their fame and their individual career desires eventually broke up The Beatles in 1970. Yet, the band’s popularity remained strong for decades and still shows no sign of waning.

A Fun and Fascinating Look at When The Beatles Came to America. Yeah, Yeah, Yeah! “I think one of the cheekiest things we ever did was to say to Brian Epstein, ‘We’re not going to America until we’ve got a Number One record.’” – Paul McCartney On February 7, 1964, Pan Am Yankee Clipper flight 101 from London landed at John F. Kennedy International Airport in New York City—and The Beatles had arrived in America. Just six days earlier, ‘I Want To Hold Your Hand’ had become the Number 1 song in the country, having already sold more than a million copies nationwide. Two days later a record-breaking 73 million Americans tuned in to watch The Beatles perform on The Ed Sullivan Show. The Fab Four would follow that up by electrifying a crowd in Washington, DC with their first concert in the United States. Beatlemania truly had arrived, and it would only get bigger. In August 1964, The Beatles would make a triumphant return for their first North American concert tour. In just 33 days, The Beatles would sell an unprecedented number of tickets, earn more than any musical performers had before them, and establish their place in music history. THE BEATLES In America 1964 is a magical mystery tour filled with fascinating stories, first-hand accounts, and in-depth coverage of John, Paul, George, and Ringo throughout their 1964 visits to America. Take a step back through the mists of time and experience The Beatles in America like you never have before.

The Beatles produced five films during their time together: A Hard Day’s Night, Help!, Magical Mystery Tour, Yellow Submarine, and Let It Be. Some were cinematic successes, and some were not, but—along with subsequent reissues, bonus material, and Peter Jackson’s The Beatles: Get Back, a documentary companion to Let It Be—they comprise an endlessly fascinating document of key phases in the group’s career. In this comprehensive deep-dive into the band’s movies, author and longtime music journalist Steve Matteo follows the origins, filming, and often frenzied fan reception of projects from the 1964 premiere of A Hard Day’s Night through 1970’s Let It Be to the release of Get Back in 2022. Matteo explores the production process, original theatrical film releases, subsequent VHS, DVD, and Blu-ray releases, and bonus materials, along with the US and UK soundtracks. In addition to copious anecdotes and behind-the-scenes details, he also places these films in their larger context, a period of unprecedented artistic and commercial innovation in British and world cinema. Filled with stories and insights that will satisfy collectors, buffs, and casual fans alike, this is the definitive account of an underappreciated part of the Beatles’ creative output.

The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events. Upon their arrival in the U.S., the Beatles wore sharply tailored suits and cast themselves as adorable, accessible teen heartthrobs. By the end of the decade, they had absorbed the fashion and consciousness of the burgeoning counterculture and were using their interviews, media events, and music to comment on issues such as the Vietnam War, drug culture, and civil rights. Frontani traces the steps that led to this change and comments on how the band's mantra of essential optimism never wavered despite the evolution of its media profile.

The cottage industry of Beatles publications is more prolific now than it ever was. As the band recedes into the mystic fog of 20th century history we get more and more documentation about their music, their love lives, their personalities, and their finances. I wanted to try to make sense of it by reviewing the best and the worst of the Beatles tomes as they stand side by side in bookstores everywhere. I spent 40 years reading about them knowing that one day I would share my accumulated knowledge with the fans in Pepperland. Having read the book, I'd love to turn you on.

By the spring of 1964, Toronto had the largest and most organized Beatles fan base in North America. The Beatles in Canada: The Origins of Beatlemania! finally tells the true story of how The Beatles’ music and popularity began in Canada a full year before they landed in the U.S.A. Piers Hemmingsen provides a concise look at how radio stations, newspapers and television networks in Canada covered the phenomenon that was Beatlemania, and this digital edition is packed with full-colour images of the band, their travels, those they inspired, and an immense hoard of memorabilia gathered along the way. ’After all these years, I still cannot comprehend where Piers gets his energy supply from. He has written four previous books about The Beatles and discovered an appreciative readership for all of them. However, to me this book, the one you are holding, is his breakthrough. Where it could have been an easy exercise with new information about the Fab Four, Piers has taken one large step forward. He is also able to incorporate the beginnings of the Canadian music industry. Through mainly focusing on one record company he has been able to capture the excitement of a young industry finding its way, competing with the giants in the United States.' – Paul White, Capitol Records of Canada, 1957-1978

This condensed paperback encyclopedia documents the enduring cultural impact and musical legacy of the Beatles, providing readers with a one-stop resource to the Fab Four's compelling story and breadth of achievements. Legendary in music and popular culture, the Beatles were one of the most successful bands of all time. The collective achievements of the Fab Four affect a broad demographic that includes today's children, Millennials, Gen Xers, and Baby Boomers. This one-volume condensed paperback edition of The Beatles Encyclopedia brings the Beatles' dramatic story alive, highlighting the humanity of the quartet of artists that has made them an enduring artistic and social phenomenon. The entries in this condensed encyclopedia provide in-depth biographical information about the Beatles and their circle as well as fascinating historical background and key details about their most important works, giving readers broad coverage that addresses the major aspects of the band's and its individual members' phenomenal achievement. The easy-to-use A–Z resource also includes a biographical chronology and a discography as well as a bibliography that directs readers to excellent sources of additional information in print and online.

The Beatles Solo on Apple Records" is the companion piece to Bruce Spizers critically acclaimed "The Beatles on Apple Records." This book details the solo records released by John, Paul, George and Ringo on theirown Apple label in America, starting with the December, 1968, release of Georges "Wonderwall Music" album and ending with the December, 1975, release of Georges single "This Guitar (Cant Keep From Crying)." All solo projects are covered, including all of the albums and singles released by John & Yoko and Paul McCartney & Wings, as well as classic albums such as "Imagine," "Band On The Run," "All Things Must Pass" and "Ringo." The book provides comple te session and chart information and shows all picture sleeves, album covers and label variations, along with many of the promotional posters, displays and trade magazine ads. The bookis hard cover and printed on heavy weight glossy paper. It has over 900 images (all in full color or original black & white) spread throughout the the books 358 pages.