“Intelligent but accessible, and often poignant . . . [by] the biggest talents on the essay and blog beat.” —Publishers Weekly (on Vol. 2) Anyone still asking, “What is creative nonfiction?” will find the answer in this collection of artfully crafted, true stories. Selected by Lee Gutkind, the “godfather behind creative nonfiction,” and the staff of Creative Nonfiction, these stories—ranging from immersion journalism to intensely personal essays—illustrate the genre’s power and potential. Edwidge Danticat recalls her Uncle Moise’s love of a certain four-letter word and finds in his abandonment of the word near the end of his life the true meaning of exile. In “Literary Murder,” Julianna Baggott traces her roots as a novelist to her family’s “strange, desperate (sometimes conniving and glorious) past” and writes about her decision, in The Madam, to kill off a character based on her grandfather. And Sean Rowe explains why, if you must get arrested, Selma, Alabama, is the place to do it. This exciting and expansive array of works and voices is sure to impress and delight.

“As wise as it is well written. . . . A sustaining work of art.” —Linda Elisabeth Beattie, Courier-Journal In this inspired anthology, doctors relate true stories from their professional lives, capturing disillusionments and triumphs encountered along the way. Essays by such distinguished writers as Peter D. Kramer, Kay Redfield Jamison, Danielle Ofri, Robert Coles, Lauren Slater, Sandeep Jauhar, and Perri Klass create a vivid mural of the medical world, from a student’s uneasy first encounter with a cadaver to a veteran doctor’s memories of the emotionally charged days and nights of residency.

Kathy Rhodes writes about grief and fear and denial and painand she does it well. She crafts scenes that make us feel like were in the room with her. Highly recommended. Neil White, author of In the Sanctuary of Outcasts. At some point life boils whats in your crucible down to the salt of you. Everything she had depended on her husbandjob, income, identity, companionship, future hopes and dreams, even her houseand then, suddenly, he died. Kathy Rhodes staggers onto the grief road and navigates her way through the fog of disorientation, decisions, death duties, the dreaded firsts, and basic daily survival. She lands a new job, loses it when the company fails, gets another job, loses her mother and her childhood home, then sells her own house and buys a smaller one. Five years down the road, she realizes she has journeyed from our to my. She has built a whole new life. Her journey parallels the metamorphosis of the dragonfly. Dragonflies start out in the water, submerged in the dark, then gradually, in time, find their way to the skies. Rhodes survives the darkest time of her life and makes her way onward and upward. She finds the well place in her heart.

"Graeme Harper is quite possibly the best person in the country to edit this book" -Richard Kerridge, Bath Spa University College, UK The Creative Writing Guidebook is the key text for learning creative writing. Packed full of useful advice, exercises and readings, it sets out an informative and inspiring introduction to writing creatively. Taking a practical, workshop approach to creative writing, this comprehensive guidebook includes: introductions to genres of writing, including the novel, poetry, screenwriting, new media and non-fiction; workshop exercises suitable for each genre; a wide-range of examples and suggestions for further reading and discussions of cross-genre issues such as point of view, character, setting and voice. Written by internationally renowned experts, this is the definitive textbook on creative writing for students. Contributors include: Catherine Dent, Ken Dancyge, Adrianne Finlay, Graeme Harper, Gill James, Jeri Kroll, Oliver Mayer, Graham Mort, William S. Penn, Hazel Smith, and Silas Zobal

Griswold, alternately known by his pen name, Oronte Churm, offers pithy essays with a nuanced look at life, death, transience, toil, class, and family. A vital attempt at making sense of his life as a writer and now professor, his answers are both comic and profound.

Evening Street Review is centered on the belief that all men and women are created equal, that they have a natural claim to certain inalienable rights, and that among these are the rights to life, liberty, and the pursuit of happiness. With this center, and an emphasis on writing that has both clarity and depth, it practices the widest eclecticism. Evening Street Review reads submissions of poetry (free verse, formal verse, and prose poetry) and prose (short stories and creative nonfiction) year round. Submit 3-6 poems or 1-2 prose pieces at a time. Payment is one contributor?s copy. Copyright reverts to author upon publication. Response time is 3-6 months. Please address submissions to Editors, 7652 Sawmill Rd., #352, Dublin, OH 43016-9296. Email submissions are also acceptable, and may be sent to the following address as attached Microsoft Word or RTF files: editor@eveningstreetpress.com.

Popular nonfiction is widely read, and is increasingly prominent in the curriculum. This guide helps students, teachers, and librarians identify popular works of nonfiction related to particular themes. Included are alphabetically arranged entries on 50 themes, such as Animals, Exploration, Genocide, Immigrants, Poverty, and Race Relations. Each entry begins with a definition and discussion of the theme, followed by critical summaries of three or four works of nonfiction. The entries conclude with lists of additional nonfiction for further reading, and the Guide closes with lists of additional themes and related works, along with a bibliography of works on popular nonfiction.

Surviving the Holocaust is a compelling sociological account of two brothers who survived the Holocaust in Nazi-occupied Poland. One brother, the author’s father, endured several concentration camps, including the infamous camp at Auschwitz, as well as a horrific winter death march; while the other brother, the author’s uncle, survived outside the camps by passing as a Catholic among anti-Semitic Poles, including a group of anti-Nazi Polish Partisans, eventually becoming an officer in the Soviet army. As an exemplary "theorized life history," Surviving the Holocaust applies concepts from life course theory to interpret the trajectories of the brothers’ lives, enhancing this approach with insights from agency-structure and collective memory theory. Challenging the conventional wisdom that survival was simply a matter of luck, it highlights the prewar experiences, agentive decision-making and risk-taking, and collective networks that helped the brothers elude the death grip of the Nazi regime. Surviving the Holocaust also shows how one family’s memory of the Holocaust is commingled with the memories of larger collectivities, including nations-states and their institutions, and how the memories of individual survivors are infused with collective symbolic meaning.

Featuring a collection of twelve teaching-focused essays, this work includes an introduction to the subject of creative writing by Graeme Harper. Each chapter draws on key points about the nature of teaching and learning creative writing, and covers vario