In the middle of the night, New York policeman Scott Dewitt answers a desperate phone call from his sister Larissa, who is living in Paris. Her boyfriend Claude has abruptly disappeared, and she can convince no one that foul play may be involved. Scott rushes to her and discovers the couple has become involved in a sinister conspiracy dating back centuries. Scott learns that the story of the Man in the Iron Mask is more than just a classic novel. It is a long-unsolved mystery at the center of a blackmail plot threatening the oldest, richest and most powerful families of Western Europe. Scott and Larissa must unveil the identity of the famous anonymous prisoner to find the missing man and save their own lives. They chase down a trail of clues, hidden messages and enigmatic symbols across France, England, Monaco, Italy, Switzerland and the Vatican, all the while pursued by a band of shadowy assassins. They discover shocking revelations about the crowned heads of Europe while fighting to survive. Inspired by true events, and based on extensive historical and scholarly research, the Black Prince of France takes the reader on a thrilling quest from the halls of 17th century palaces to the midst of a modern secret society. It is a plot deeper than the Da Vinci Code and darker than the Lost Symbol. It is the actual solution to the mystery of the Man in the Iron MaskLearn the lengths to which the elite will go in order to ensure that their secrets, no matter how ancient, will remain secret!

This study of Medieval military leadership offers a critical comparison of two great rivals of the Hundred Year War. Known to history as The Black Prince, Edward of Woodstock led the English army to victory at the Battle of Poitiers against the French King Jean II. With an illuminating analysis of these fourteenth century commanders, historian Peter Hoskins examines the importance of leadership, strategic vision, and tactical skill in medieval warfare. Paying close attention to their strengths and weaknesses as soldiers, both on campaign and on the battlefield, Hoskins also considers their contrasting characters and backgrounds as well as the military traditions of their time. The Black Prince was one of the most admired generals of his generation: a charismatic leader, decisive commander, and shrewd tactician and strategist. In contrast King Jean was impulsive, driven more by pride than by strategic priorities. When he was put to the ultimate test at Poitiers, Jean lost control of his army. Meanwhile, the Black Prince took the initiative personally to secure victory against the odds. Peter Hoskins analyses the leadership qualities of the prince and the king according to the principles of war enunciated by Sun Tzu and Vegetius as well as the modern principles of war of the United Kingdom armed forces. He gives readers a fascinating insight into the nature of command and the conduct of war in the Middle Ages.

The Life and Campaigns of the Black Prince is an invaluable collection of contemporary source material, seen through the eyes of the men involved.

A close study of clothes worn by aristocratic families and their households at the time of the Black Prince - and of Chaucer - showing Europe-wide influences. 1340 to 1363 were years remarkable for dramatic developments in fashion and for extravagant spending on costume, foreshadowing the later luxury of Richard II's court. Stella Mary Newton broke new ground with this detailed study, which discusses fourteenth-century costume in detail. She draws on surviving accounts from the Royal courts, the evidence of chronicles and poetry (often from unpublished manuscripts), and representations in painting, sculpture andmanuscript illumination. Her exploration of aspects of chivalry, particularly the choice of mottoes and devices worn at tournaments, and of the exchange of gifts of clothing between reigning monarchs, offers new insights into thesocial history of the times, and she has much to say that is relevant to the study of illuminated manuscripts of the fourteenth century. STELLA MARY NEWTON's lifelong interest in costume has been the mainspring of her work, from early days as a stage and costume designer (including designing the costumes for the first production of T.S. Eliot's Murder in the Cathedral) to her later work at the National Gallery advising on the implications ofcostume for the purpose of dating, and at the Courtauld Institute where she set up the department for the study of the history of dress.

This “taut narrative” of the fourteenth-century conflict between England and France offers “a detailed, climactic account of a legendary battle” (Publishers Weekly). The epic fourteenth-century Battle of Poitiers marked a major turn in the Hundred Years’ War between England and France. Prince Edward, known to all as the Black Prince, not only won a surprising victory in his first campaign as commander, but managed the nearly impossible feat of taking the French monarch, King Jean II, prisoner. In the summer of 1356, Prince Edward drove toward the Loire Valley, deep in French territory. There, he met the full French army led by King Jean and a number of French nobles, including veterans of the defeat at Crécy ten years before. Outnumbered, the Prince fell back, but in September, he turned near the city of Poitiers to make a stand. Historians Witzel and Livingstone provide a day-by-day description of the campaign of July to September 1356, climaxing with a vivid description of the Battle of Poitiers itself. The detailed account and analysis of the battle and the campaigns that led up to it has a strong focus on the people involved in the campaign: ordinary men-at-arms and noncombatants, as well as princes and nobles.

Providing the chronological setting for many of Shakespeare's plays, various swashbuckling novels from Sir Walter Scott's to Robert Louis Stevenson's, and such Hollywood films as Braveheart, late Medieval England is superficially well known. Yet its true complexity remains elusive, locked in the covers of specialized monographs and journal articles. In over 300 entries written by 80 scholars, this book makes the factual information and historical interpretations of the era readily available. Covering political, military, religious, and constitutional subjects as well as social and economic topics, the volume is easy to use, comprehensive, and authoritative. It provides a useful resource for undergraduate and graduate students, scholars, and educated laymen. Rightly characterized as an age of crisis, the 14th century saw the Hundred Years War, the Black Death, the Peasants' Revolt of 1381, the Avignon Papacy, and the Great Schism of the Western Church. All placed great stresses on English society, aggravating old problems and creating new ones. In the late Middle Ages, parliament became an important element in English government; Cambridge and Oxford universities attained European-wide reputations; and general literacy increased. The Church remained a paramount religious, political, and social institution, but its independence and intellectual monopoly slipped. The entries in this book synthesize recent scholarship on these and other historical events. While emphasizing political, religious, constitutional and military topics, the book also provides brief introductions to social, economic, cultural, and intellectual topics. It is a valuable guide for those wishing to understand this complex, tumultuous, and until recently, poorly understood era.