The Black Washingtonians THE ANACOSTIA MUSEUM ILLUSTRATED CHRONOLOGY A history of African American life in our nation's capital, in words and pictures From the Smithsonian Institution's renowned Anacostia Museum and Center for African American History and Culture comes this elegantly illustrated, beautifully written, fact-filled history of the African Americans who have lived, worked, struggled, prospered, suffered, and built a vibrant community in Washington, D.C. This striking volume puts the resources of the world's finest museum of African American history at your fingertips. Its hundreds of photographs, period illustrations, and documents from the world-famous collections at the Anacostia and other Smithsonian museums take you on a fascinating journey through time from the early eighteenth century to the present. Featuring a thoughtful foreword by Eleanor Holmes Norton and an afterword by Howard University's E. Ethelbert Miller, The Black Washingtonians introduces you to a host of African American men and women who have made the city what it is today and explores their achievements in politics, business, education, religion, sports, entertainment, and the arts.

The Paper Bag Principle: Class, Colorism, and Rumor in the Case of Black Washington, D.C. considers the function of oral history in shaping community dynamics among African American residents of the nation's capitol. The only attempt to document rumor and legends relating to complexion in black communities, The Paper Bag Principle looks at the divide that has existed between the black elite and the black "folk." The Paper Bag Principle focuses on three objectives: to record lore related to the "paper bag principle" (the set of attitudes that granted blacks with light skin higher status in black communities); to investigate the impact that this "principle" has had on the development of black community consciousness; and to link this material to power that results from proximity to whiteness. The Paper Bag Principle is sure to appeal to scholars and historians interested in African American studies, cultural studies, oral history, folklore, and ethnic and urban studies.

"Before chain coffeeshops and luxury high-rises, before even the beginning of desegregation and the 1968 riots, Washington's Greater U Street was known as Black Broadway. From the early 1900s into the 1950s, African Americans plagued by Jim Crow laws in other parts of town were free to own businesses here and built what was often described as a "city within a city." Local author and journalist Briana A. Thomas narrates U Street's rich and unique history, from the early triumph of emancipation to the days of civil rights pioneer Mary Church Terrell and music giant Duke Ellington, through the recent struggle of gentrifiction" --

Nearly a century's worth of Scurlock photographs combine to form a searing portrait of black Washington in all its guises—its challenges and its victories, its dignity and its determination. Beginning in the early twentieth century and continuing into the 1990s, Addison Scurlock, followed by his sons, Robert and George, used their cameras to document and celebrate a community unique in the world, and a stronghold in the history and culture of the nation's capital. Through photographs of formal weddings, elegant cotillions, ballet studios, and quiet family life, the Scurlocks revealed a world in which the black middle class refused to be defined or held captive by discrimination. From its home on the vibrant U Street corridor, the Scurlock Studio gave us indelible images of leaders and luminaries, of high society and working class, of Washingtonians at work and at play. In photograph after photograph, the Scurlocks captured an optimism and resiliency seldom seen in mainstream depictions of segregated society. Luminaries such as Duke Ellington, Ralph Bunche, Mary McLeod Bethune, Alain Locke, Martin Luther King, Jr., and Lois Mailou Jones testify to the intellectual and cultural vibrancy that was unique to Washington and an inspiration to the nation. Photographs of a Peoples Drugstore protest and Marian Anderson's Easter morning concert at the Lincoln Memorial remind us that the struggle for equality in black Washington began long before the civil rights movement of the 1960s. Offering a rich lens into our past, The Scurlock Studio and Black Washington is a powerful trigger of personal and historical memory.

Founded in March 1912, DC branch of the NAACP quickly became the leading organization advocating for the city's Black community. President Woodrow Wilson's institution of Jim Crow segregation in the federal government in the spring of 1913 galvanized the African American community of DC and the NAACP launched a formidable crusade against Wilson's racist policies. As the preeminent civil rights organization of the nation's capital, it also developed a dual role as a watchdog body to prevent the passage of legislation in Congress that negatively affected African Americans. Archivist and historian Derek Gray chronicles and analyzes the work of the DC NAACP through the civil rights era to the achievement of Home Rule in the District.

In April 1917, Congress approved President Woodrow Wilson's request to declare war on the Central Powers, thrusting the United States into World War I with the rallying cry, "The world must be made safe for democracy." Two months later 1,250 African American men--college graduates, businessmen, doctors, lawyers, reverends and non-commissioned officers--volunteered to become the first blacks to receive officer training at Fort Des Moines, Iowa. Denied the full privileges and protections of democracy at home, they prepared to defend it abroad in hopes that their service would be rewarded with equal citizenship at war's end. This book tells the stories of these black American soldiers' lives during training, in combat and after their return home. The author addresses issues of national and international racism and equality and discusses the Army's use of African American troops, the creation of a segregated officer training camp, the war's implications for civil rights in America, and military duty as an obligation of citizenship.

Every American city had a small, self-aware, and active black elite, who felt it was their duty to set the standard for the less fortunate members of their race and to lead their communities by example. Professor Gatewood's study examines this class of African Americans by looking at the genealogies and occupations of specific families and individuals throughout the United States and their roles in their various communities. -- from publisher description.

In this provocative study, Robert Harrison provides new insight into grassroots reconstruction after the Civil War and into the lives of those most deeply affected, the newly emancipated African Americans. Harrison argues that the District of Columbia, far from being marginal to the Reconstruction story, was central to Republican efforts to reshape civil and political relations, with the capital a testing ground for Congressional policy makers. The study describes the ways in which federal agencies such as the Army and the Freedmen's Bureau attempted to assist Washington's freed population and shows how officials struggled to address the social problems resulting from large-scale African-American migration. It also sheds new light on the political processes that led to the abandonment of Reconstruction and the onset of black disfranchisement.

The additions and revisions incorporated into the latest edition illuminate broader demographic and physical changes in the city, including the emergence of new neighborhoods and the redevelopment of once-neglected areas.

An important companion volume to Louis R. Harlan's prize-winning biography of Booker T. Washington that collects Harlan's essays on the life and career of the celebrated black leader