This book presents a collection of teachings given by Venerable Lama Thamthog Rinpoche in several teachings and retreats held at Ghe Pel Ling Institute of Tibetan Buddhist Studies in Milan, Italy. The lessons and this consequent book are the traditionally taught subjects found in the Lam rim (The Lamp for the Path to Enlightenment), written by the Indian scholar and practitioner Atisha in Tibet in the 11th Century and commentated on, amongst many other Tibetan teachers, by Lama Tsong Khapa in the second half of the 14th Century. It includes the entire body of the original teachings of Buddha Śākyamuni, arranged in such an order as to lead the meditator to progressively refine their mind, overcome the afflicted emotions and wrong views and attain the achievement of enlightenment.

A treasury of teachings, stories, and sayings in the words of the Buddha himself. In their essence, the Buddha’s teachings are concerned with a clear-eyed understanding of the reality of our suffering and pointing the way to freedom from that suffering. Here in all their power, as memorized word-for-word by his disciples and written down a millennium and a half ago, are the core teachings of the Buddha in his own words. These selections deal with the search for truth, the way of contemplation, life and death, living in community, and many other topics, serving as an excellent introduction to the Buddhist path. Clear, uplifting, and potent, the Buddha’s teachings are as freshly relevant today as they were when first presented. This book is part of the Shambhala Pocket Library series. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.

Insightful commentary on a beloved ancient philosopher of Zen by a beloved contemporary master of Zen. Famously insightful and famously complex, Eihei Dogen’s writings have been studied and puzzled over for hundreds of years. In Deepest Practice, Deepest Wisdom, Kosho Uchiyama, beloved twentieth-century Zen teacher addresses himself head-on to unpacking Dogen’s wisdom from three fascicles (or chapters) of his monumental Shobogenzo for a modern audience. The fascicles presented here from Shobogenzo, or Treasury of the True Dharma Eye include “Shoaku Makusa” or “Refraining from Evil,” “Maka Hannya Haramitsu” or “Practicing Deepest Wisdom,” and “Uji” or “Living Time.” Tom Wright and Shohaku Okumura lovingly translate Dogen’s penetrating words and Uchiyama’s thoughtful commentary on each piece. At turns poetic and funny, always insightful, this is Zen wisdom for the ages.

Some 2000 years ago Buddhism experienced a major reformation through a movement called the Mahayana, or "Great Vehicle," which dominated religious through in much of Asia for many centuries and still exerts considerable influence. The basic Mahayana texts, sermons ascribed to the Buddha and called "sutras" in Sanskrit, discussed the "perfect wisdom." The "Large Sutra on Perfect Wisdom" took shape between 50 and 2000 A.D. in southern India during one of the most momentous outbursts of religious creativity in human history.

An inspiring commentary on the three sutras at the centre of East Asian Buddhist faith. The three Pure Land Sutras are a body of Mahayana scriptures that for centuries have played an important part in the spiritual life of East Asian Buddhists. These texts describe Sukhavati, the archetypal 'land of bliss' presided over by Amitabha or Amitayus, the Buddha of Infinite Light and Eternal Life. This book is a beautiful exploration of the imaginative world portrayed in the Pure Land Sutras. Includes new translations of the sutras by Sraddhapa.

On its broadest level, this book contributes to an ongoing expansion of both the history of religions and Buddhist studies by focusing on what is a far too frequently ignored aspect of religious experience: visual images. This is a study that is intended to speak to, and be relevant for, not only those interested specifically in Buddhism, but also scholars and students in the field of religion at large who are interested in the dialectical ways abstract, abstruse and even rarified textual discourses interact with devotional practices 'on the ground'. The specific focus of this book is on the Buddhist visual practices surrounding the visual representation of a single, central concept, prajna, or wisdom, in medieval north India. Prajna, however, was not only an intellectual state and spiritual goal to which to aspire. Rather, wisdom also becomes a quality to be visually represented and ritually responded to, and even an active presence to be venerated in much the same manner as the Buddha himself. This book explores the ways in which the production and use of artistic images involving prajna constituted a central, if not the central, component of Buddhist religious practice in Medieval India.

Marked by eloquent poetry, vigorous and extensive analysis, and heart instructions on breaking through the veils of confusion to independently experience the true nature of things, The Karmapa’s Middle Way contains the Ninth Karmapa Wangchuk Dorje’s comprehensive commentary on the Indian master Chandrakīrti’s seminal text, the Madhyamakāvatāra, or Entrance to the Middle Way. This commentary, Feast for the Fortunate, is the Ninth Karmapa’s abridgement of the Eighth Karmapa Mikyö Dorje’s masterpiece, the Chariot of the Takpo Kagyü Siddhas. In it, readers will find previously unavailable material on the Karmapas’ Middle Way view and a rare window into a philosophically charged era of Middle Way exposition in Tibetan Buddhism. It includes Chandrakīrti’s root text to the Entrance to the Middle Way and its commentary by the Ninth Karmapa; an introduction detailing the history of the Middle Way, key Middle Way philosophical principles, and the main points of each chapter of the text; an annotated translation of a famous excerpt of Chandrakīrti’s Lucid Words; and other useful appendices and reference materials.

Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --

An overview of Tibetan tantric practice that explains its concepts, clarifies its terminology, and shows how its myriad pieces fit together, including an extensive teaching on the bardos, or "between states"--essential for those new to the topic and a welcome source of illumination for longtime students. Vajrayana methods for realizing the true nature of the mind take the resultant state of buddhahood as the path, or what is to be practiced. Pure Appearance focuses on the generation and completion stages of tantra that work with the pure form aspect of enlightenment. In this short but densely packed teaching, Dilgo Khyentse Rinpoche explains the structure of the tantric path and how its stages are put into practice, in terms that apply generally across the spectrum of deity practices. He emphasizes the distinctive features of the Nyingma approach but frequently correlates them with their counterparts in the New Translation traditions. The result is a crystal-clear depiction of a complex topic, a treasure trove of illuminating gems that will be welcomed by all students of Tibet's Buddhist traditions.

The most accessible and informative version of the Buddhist classic available in English, with instruction in meditation, illuminating commentary, and guidance in the practical use of the prayers The so-called “Tibetan Book of the Dead” has been renowned for centuries as a cornerstone of Buddhist wisdom and religious thought. More recently, it has become highly influential in the Western world for its psychological insights into the processes of death and dying—and what they can teach us about the ways we live our lives. It has also been found to be helpful in the grieving process by people who have recently lost their loved ones. Composed in the eighth century C.E., it is intended to prepare the soul for the trials and transformations of the afterworld. Its profound message is that the art of dying is as important as the art of living. Drawing on Tibetan spiritual traditions, it shows us the workings of the mind in its various manifestations—terrifying and comforting, wrathful and beautiful—which appear more clearly after death in the consciousness of the deceased. By recognizing these manifestations, we can attain a state of enlightenment, both in this existence and in the existence to come. This authoritative translation preserves the form and spirit of the original and was prepared especially for Western readers by Robert A. F. Thurman, one of the most prominent Tibetan scholars in America and a close associate of His Holiness the Dalai Lama’s.