Harriette Wilson was the most desired and the most dangerous woman in Regency London. This highly acclaimed biography reveals for the first time the true story behind her sensational life and scandalous 'Memoirs'. When her former lovers - including much of the British aristocracy - turned against her, she knew exactly how to take revenge . . . 'A wonderful book. Much more than a biography of one attractive, witty woman, it offers a deft analysis of how Britain dealt with celebrity, sex, power and popular journalism in an age that bears remarkable similarities to our own . . . Frances Wilson is not only a first-rate scholar but also a wonderful storyteller who manages to get inside her namesake's famously creamy skin and tell her story with wit and understanding.' Kathryn Hughes, Mail on Sunday 'Lively and stylish . . . Reveals how dangerous the courtesan who operated at the heart of the political world was thought to be.' Anne Sebba, Spectator 'Harriette's story is deftly and stylishly told. It beats most novels with its rich ingredients.' Frances Spalding, Daily Mail

Cover Flap By 1072, after six years of rebellion against the Normans, the defeated Anglo-Danish nobility of England were either dead or in exile. Some exiles accepted young Philip of France’s offer to be his mercenaries on Normandy’s northern border, much to the annoyance of the Conqueror. Meanwhile life was good for Raynar and Hereward in Flanders. Their ships plied the trade route between the Fens and Brugge. They had the backing of the Count of Flanders and allies in great Danish fleet that controlled the North Sea. Early in 1102, Duke Robert and his barons went back to Normandy, so England became less risky for travellers. Eustace did not return to Boulogne, as his new wife Mary wanted to linger until Queen Edith’s baby was born. It was an opportunity for him to visit the Honours of Boulogne. About the Author Skye Smith is my pen name. My ancestors were miners and shepherds near Castleton in the Peaks District of Derbyshire. I have been told by some readers that this series reminds them of Bernard Cornwell’s historical novels, and have always been delighted by the comparison. This is the seventh of my Hoodsman series of books, and you should read the first “Killing Kings” before you read this book. All of the books contain two timelines linked by characters and places. The “current” story is set in the era of King Henry I in the 1100’s, while the longer “flashback” story is set in the era of King William I after 1066. I have self-published twelve “The Hoodsman” historical-adventure novels and one Companion reference book for the series: # - SubTitle William I Timeline Henry I Timeline 1. Killing Kings 1066 killing King Harald of Norway (Battle of Stamford Bridge) 1100 killing King William II of England. Henry claims the throne. 2. Hunting Kings 1066 hunting the Conqueror (Battle of Hastings Road) 1100 hunting Henry I (Coronation Charter) 3. Frisians of the Fens 1067/68 rebellions. Edgar Aetheling flees north with Margaret. 1100 amnesty and peace. Henry recruits English bowmen. 4. Saving Princesses 1068/69 rebellions. Margaret weds Scotland (Battle of Durham) 1100/01 Edith of Scotland weds Henry (Battle of Alton) 5. Blackstone Edge 1069/70 rebellions (The Harrowing of the North) 1101 peace while the economy is saved from the bankers 6. Ely Wakes 1070/71 Frisian rebellion (Battles of Ely and Cassel) 1101 Henry collects allies. Mary of Scotland weds Boulogne. 7. Courtesans and Exiles 1072/74 English lords flee abroad (Battle of Montreuil, Edgar surrenders) 1102 Henry collects allies (the honour of Boulogne) 8. The Revolt of the Earls 1075/76 Earls revolt (Battles of Worchester and Fagaduna) 1102 Earls revolt (Battles of Arundel, Bridgnorth, Shropshire) 9. Forest Law 1076/79 fighting Normans in France (London Burned, Battle of Gerberoi) 1103 fighting Normans in Cornwall (Battle of Tamara Sound) 10. Queens and Widows 1079/81 rebellions (Gateshead, Judith of Lens) 1103 Edith made Regent (Force 5 Hurricane) 11. Popes and Emperors 1081 Normans slaughter English exiles (Battle of Dyrrhachium) 1104 Henry visits Normandy (Duchy run by warlords) 12. The Second Invasion 1082/85 power vacuum, peaceful anarchy (Regent Odo arrested enroute to Rome) 1085/87 Re-invasion and Harrowing of all England (Battle of Mantes, Conqueror dies) 1104/05 Henry invades Normandy twice (Battle of Tinchebray) Other Novels By The Same Author: The Pistoleer – 9 historical adventures set in the English Civil War. Maya’s Aura – 8 new age adventures while tripping around the world. Knut – many historical adventures set in the Viking Era.

Prostitutes and Courtesans in the Ancient World explores the implications of sex-for-pay across a broad span of time, from ancient Mesopotamia to the early Christian period. In ancient times, although they were socially marginal, prostitutes connected with almost every aspect of daily life. They sat in brothels and walked the streets; they paid taxes and set up dedications in religious sanctuaries; they appeared as characters—sometimes admirable, sometimes despicable—on the comic stage and in the law courts; they lived lavishly, consorting with famous poets and politicians; and they participated in otherwise all-male banquets and drinking parties, where they aroused jealousy among their anxious lovers. The chapters in this volume examine a wide variety of genres and sources, from legal and religious tracts to the genres of lyric poetry, love elegy, and comic drama to the graffiti scrawled on the walls of ancient Pompeii. These essays reflect the variety and vitality of the debates engendered by the last three decades of research by confronting the ambiguous terms for prostitution in ancient languages, the difficulty of distinguishing the prostitute from the woman who is merely promiscuous or adulterous, the question of whether sacred or temple prostitution actually existed in the ancient Near East and Greece, and the political and social implications of literary representations of prostitutes and courtesans.

She flees from China, Yanshi to Edo where she is a stranger, fallen into a belief that she could bring peace and to know the truth about her bloodline. She meets an attractive young- man name Spider (Kyiomizu Rau) who she is willing to trust as part of a clan that falls into two world. The clan holds account in their own murders and assassinations of traitors, they say is the good of the clan. Read how a princess of Yanshi china becomes a ninja assassin of Iga Japan for an unknown clan she is drawn to trust in order to receive a fate of immortality.

Indispensable for the student or researcher studying women's history, this book draws upon a wide array of cultural settings and time periods in which women displayed agency by carrying out their daily economic, familial, artistic, and religious obligations. Since record keeping began, history has been written by a relatively few elite men. Insights into women's history are left to be gleaned by scholars who undertake careful readings of ancient literature, examine archaeological artifacts, and study popular culture, such as folktales, musical traditions, and art. For some historical periods and geographic regions, this is the only way to develop some sense of what daily life might have been like for women in a particular time and place. This reference explores the daily life of women across civilizations. The work is organized in sections on different civilizations from around the world, arranged chronologically. Within each society, the encyclopedia highlights the roles of women within five broad thematic categories: the arts, economics and work, family and community life, recreation and social customs, and religious life. Included are numerous sidebars containing additional information, document excerpts, images, and suggestions for further reading.

Witty nicknames, crude jokes, public nudity and lavish monuments, all of these things distinguished Greek courtesans from respectable citizen women in ancient Greece. Although prostitutes appear as early as archaic Greek lyric poetry, our fullest accounts come from the late second century CE. Drawing on Book 13 of the Athenaeus' Deipnosophistae--which contains almost all known references to hetaeras from all periods of Greek literature--Laura K. McClure has created a window onto the ways ancient Greeks perceived the courtesan and the role of the courtesan in Greek life.

Brings into relief a critical relationship between the female mind and body that is essential to understanding the discursive position of the turn-of-the-century woman writer. This book includes novels that confront this mind/body problem through a wide variety of styles and genres that challenge conventional fin-de-siecle notions of femininity.

Here is the story how the decadent Hindu society of pandits turned a loving man into a beast of revenge. The gallant Kala Chand who was ready to die for his faith but lived for love, was transformed into Kala Pahar, the perverse killer and destroyer of Hindu faith. Abandoned by this loving Muslim wife and affectionate Hindu relations, Kala Pahar though he won an empire, lost his soul......

Revenge Drama in European Renaissance and Japanese Theatre is a collection of essays that both explores the tradition of revenge drama in Japan and compares that tradition with that in European Renaissance drama. Why are the two great plays of each tradition, plays regarded as defining their nations and eras, Kanadehon Chushingura and Hamlet, both revenge plays? What do the revenge dramas of Europe and Japan tell us about the periods that produced them and how have they been modernized to speak to contemporary audiences? By interrogating the manifestation of evil women, ghosts, satire, parody, and censorship, contributors such as Leonard Pronko, J. Thomas Rimer, Carol Sorgenfrei, Laurence Kominz explore these issues.

Indian cinema is the only body of world cinema that depicts courtesans as important characters. In early films courtesan characters transmitted Indian classical dance, music and aesthetics to large audiences. They represent the nation's past, tracing their heritage to the fourth-century Kamasutra and to nineteenth-century courtly cultures, but they are also the first group of modern women in Hindi films. They are working professionals living on their own or in matrilineal families. Like male protagonists, they travel widely and develop networks of friends and chosen kin. They have relations with men outside marriage and become single mothers. Courtesan films are heroine-oriented and almost every major female actor has played this role. Challenging received wisdom, Vanita demonstrates that a larger number of courtesans in Bombay cinema are Hindu and indeterminate than are Muslim, and that films depict their culture as hybrid Hindu-Muslim, not Islamicate. Courtesans speak in the ambiguous voice of the modern nation, inviting spectators to seize pleasure here and now but also to search for the meaning of life. Vanita's groundbreaking study of courtesans and courtesan imagery in 235 films brings fresh evidence to show that the courtesan figure shapes the modern Indian erotic, political and religious imagination.