When a cowboy rescues a single mom, he promises to do things the right way—his way!—in this story from USA TODAY bestselling author Kathie DeNosky Rancher T. J. Malloy doesn't think twice before saving a woman and her baby from raging floodwaters and taking them to his ranch. So what if it's Heather Wilson, the neighbor he's feuded with for months. Heather also happens to be heart-stoppingly beautiful and in desperate need of the kind of help only he can give. As the floodwaters rise, so does their passion—and T.J. will do whatever it takes to get Heather to stay…on his terms!

Analyzing a sample of 25 films, including such notables as Red River, Shane, Unforgiven, The Wild Bunch, Wyatt Earp, and Dances with Wolves, this work examines traditional leadership theories as reflected in the western film genre. The western vividly portrays a variety of leadership styles, motifs, and characteristics giving perspective on several traditional leadership theories. The different leadership styles the films exhibit are categorized and described through content analysis. Some of the concepts and underlying theories and styles reveal a universal quality about leadership that transcends theoretical research. As a cultural study that traces the relative popularity of leadership styles, this work provides new insight toward studying leadership effectiveness. Through the lens of leadership theory, this unique look at the western films from 1945 to 1995 and the American culture they depict will appeal not only to leadership, film, and popular culture scholars but to leaders in business, government, and the military. Chapters group films by their similar depiction of leadership styles. Within each chapter the films are separately described, then each is explored within the context of leadership theory. Films prior to 1980 are included on the basis of their critical or commercial success, while films after 1980 are included on the basis of their box office success or their individual portrayals of gender or cultural leadership.

Commemorated to honor the 50th anniversary of the Dallas Cowboys—one of the most prominent and popular franchises in professional sports—Cowboys Chronicles presents the colorful history of "America's Team." This lively retrospective features every game of every season, the unforgettable players, coaches, and Super Bowl teams, and even the world-famous Dallas Cowboys cheerleaders.

Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.

FAMILY MATTERS IT WAS JUST A HOUSE… Bachelor Cade McKendrick has no intention of filling his rugged ranch with a family. Then his hastily hired cook turned out to be a gorgeous single mom, and the place was promptly invaded by freshly baked cookies, toys and laughter. Soon, Cade longed for something he didn't even believe in… COULD IT BECOME A HOME? P.J. Kirkland was a mother, not a wife. Yet Cade's tender ways had her dreaming of a husband. Was it possible this cowboy wanted more than a place to hang his Stetson…that he desired his own loving family? Kisses, kids, cuddles and kin—the best things in life are found in families!

Rugged J.D. Holt had a life full of secrets—none of which he intended to share with brainy, beautiful Lydia Cochrane. He wasn't sharing ANYTHING with Lydia—until he found out she'd bought HIS ranch and was now HIS boss! Well, he could handle it. He was tough, wasn't he? But Lydia had a way of getting under a cowboy's skin, making him want things he had no business wanting. A home. A family. A woman like her. Everyone knew she wasn't his kind of woman. But what if "everyone" was wrong—and some secrets were meant to be shared?

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

"I'm...pregnant?"