"Thecla, a disciple of the apostle Paul, became perhaps the most celebrated female saint and 'martyr' among Christians in late antiquity. In the early church, Thecla's example was associated with the piety of women - in particular, with women's ministry and travel. Devotion to Saint Thecla quickly spread throughout the Mediterranean world: her image was painted on walls of tombs, stamped on clay flasks and oil lamps, engraved on bronze crosses and wooden combs, and even woven into textile curtains. Bringing together literary, artistic, and archaeological evidence, often for the first time, Stephen Davis here reconstructs the cult of Saint Thecla in Asia Minor and Egypt - the social practices, institutions, and artefacts that marked the lives of actual devotees. From this evidence the author shows how the cult of this female saint remained closely linked with communities of women as a source of empowerment and a cause of controversy."--Jacket.

This collection spans a vast chronology and territory, ranging from Old Kingdom Egypt to modern-day Slovenia and moving geographically from the centres to the peripheries of the Mediterranean and back again, including Antinoë, Calabria, Belgrade, and Paris. While this volume can be situated well within the context of Mediterranean studies, each essay serves as a micro-study that demonstrates one of the many ways in which Mediterranean communities have co-opted, appropriated, and adapted symbols from one another. As a result, this interdisciplinary volume adds something unique to each discipline represented within it (including history, anthropology, art history, literature, and philosophy, among others) while contributing to the greater discourse of Mediterranean studies. Furthermore, the essays collectively illustrate how symbols were distributed widely among Mediterranean communities and, consequently, further a dialogue about what “Mediterranean” might mean. Overall, the original content and its accessibility make the volume valuable to academics, graduate and undergraduate students, and general audiences alike.

Thecla was one of the most venerated saints in late antiquity. One of her followers created the Life of Thecla as an act of devotion in the fifth century, rewriting the popular Acts of Thecla and transforming it into the heroic saga of a saint. Replete with long speeches, dramatic flourishes, and literary flamboyance, the Life of Thecla gives modern readers insight into the ways a gender-bending apostolic saint could be reframed and reimagined for later audiences. This first modern English translation of the Life explores its relationship with the earlier Acts as well as its place in fifth-century concerns about miracles, healing, sainthood, and sexuality.

Explores Saint Thecla and her story as preeminent models for medieval hagiographers across Eurasia and North Africa.

Thecla, a disciple of the apostle Paul, became perhaps the most celebrated female saint and 'martyr' among Christians in late antiquity. In the early church, Thecla's example was associated with the piety of women - in particular, with women's ministry and travel. Devotion to Saint Thecla quickly spread throughout the Mediterranean world: her image was painted on walls of tombs, stamped on clay flasks and oil lamps, engraved on bronze crosses and wooden combs, and even woven into textile curtains. Bringing together literary, artistic, and archaeological evidence, often for the first time, Stephen Davis here reconstructs the cult of Saint Thecla in Asia Minor and Egypt - the social practices, institutions, and artefacts that marked the lives of actual devotees. From this evidence the author shows how the cult of this female saint remained closely linked with communities of women as a source of empowerment and a cause of controversy.

Thecla is one of the strangest characters from Christianity's past. She falls in love with the apostle Paul's teaching on continence, twice faces martyrdom, fights with beasts in the arena, cuts her hair, cross-dresses, baptizes herself, and becomes a preacher. Tertullian tried to silence her story and the Pastoral Epistles warned about women like her. The Acts of Paul and Thecla was widespread and popular but then was hidden away in the Apocrypha. In recent years, Thecla has come out of the shadows. Her story reframes conventional views of second-century Jesus communities. Out of the Shadows offers a vibrant, and accessible modern translation and commentary.

This volume questions the prevailing 'female empowering' interpretation of Thecla in the Acts of Paul and Thecla. Rosie Andrious examines the way that Thecla is voyeuristically paraded and subjected to a kind of sado-erotic torture, and demonstrates how this perception clashes with any notion that she is presented as a positive role-model for a woman. Rather, Andrious sets this discourse about female 'self-control' and 'chastity' over against the wider narrative of Christian men struggling against the invasive violence of Rome and suggests that the victimized, voyeuristic female representation of Thecla has very little to do with women and is, rather, a complex literary text that represents a power struggle between men. The ideological function of Thecla is therefore, as a constructed body that transcends its 'natural' feminine weakness. Andrious thus provides an original interpretative framework for understanding Thelca's representation, and suggests a completely new way of seeing the saint.

This interdisciplinary study explores Marian imagery and representations in world literature and art throughout the centuries. This book demonstrates the widespread deep veneration of the image of the Blessed Virgin Mary in various countries and different Christian traditions. Devotion to the Holy Virgin has served as a bridge to different cultures, overcoming all types of possible borders. Religious and cultural literacy is crucial for domestic and international politics, the practice of peace, harmony, justice and prosperity. This book also gives recognition and pays homage to the influence of the image of Mater Dolorosa in shaping art and literature around the world.

Drawing on comparative literature, ritual and performance studies, and the history of asceticism, Derek Krueger explores how early Christian writers came to view writing as salvific, as worship through the production of art. Exploring the emergence of new and distinctly Christian ideas about authorship in late antiquity, Writing and Holiness probes saints' lives and hymns produced in the Greek East to reveal how the ascetic call to imitate Christ's humility rendered artistic and literary creativity problematic. In claiming authority and power, hagiographers appeared to violate the saintly practices that they sought to promote. Christian writers meditated within their texts on these tensions and ultimately developed a new set of answers to the question "What is an author?" Each of the texts examined here used writing as a technique for the representation of holiness. Some are narrative representations of saints that facilitate veneration; others are collections of accounts of miracles, composed to publicize a shrine. Rather than viewing an author's piety as a barrier to historical inquiry, Krueger argues that consideration of writing as a form of piety opens windows onto new modes of practice. He interprets Christian authors as participants in the religious system they described, as devotees, monastics, and faithful emulators of the saints, and he shows how their literary practice integrated authorship into other Christian practices, such as asceticism, devotion, pilgrimage, liturgy, and sacrifice. In considering the distinctly literary contributions to the formation of Christian piety in late antiquity, Writing and Holiness uncovers Christian literary theories with implications for both Eastern and Western medieval literatures.

This volume deals with the origins and rise of Christian pilgrimage cults in late antique Egypt. Part One covers the major theoretical issues in the study of Coptic pilgrimage, such as sacred landscape and shrines' catchment areas, while Part Two examines native Egyptian and Egyptian Jewish pilgrimage practices. Part Three investigates six major shrines, from Philae's diverse non-Christian devotees to the great pilgrim center of Abu Mina and a Thecla shrine on its route. Part Four looks at such diverse pilgrims' rites as oracles, chant, and stational liturgy, while Part Five brings in Athanasius's and an anonymous hagiographer's perspectives on pilgrimage in Egypt. The volume includes illustrations of the Abu Mina site, pilgrims' ampules from the Thecla shrine, as well as several maps.