The Dixie frontier was one of the most romantic and heroic of the entire North American continent. This engaging social history of the everyday life of the first settlers and pioneers has earned readers' praise over two generations.

In this deeply researched and well-written study, Donald P. McNeilly examines how moderately wealthy planters and sons of planters immigrated into the virtually empty lands of Arkansas, seeking their fortune and to establish themselves as the leaders of a new planter aristocracy west of the Mississippi River. These men, sometimes alone, sometimes with family, and usually with slaves, sought the best land possible, cleared it, planted their crops, and erected crude houses and other buildings. Life was difficult for these would-be leaders of society and their families, and especially hard for the slaves who toiled to create fields in which they labored to produce a crop. McNeilly argues that by the time of Arkansas's statehood in 1836, planters and large farmers had secured a hold over their frontier home, and that between 1840 and the Civil War, planters solidified their hold on politics, economics, and society in Arkansas. The author takes a topical approach to the subject, with chapters on migration, slavery, non-planter whites, politics, and the secession crisis of 1860–1861. McNeilly offers a first-rate analysis of the creation of a white, cotton-based society in Arkansas, shedding light not only on the southern frontier, but also on the established Old South before the Civil War.

In Kentucky, the first frontier beyond the Appalachians, Arthur K. Moore finds a unique ground for examining some of the basic elements in America's cultural development. There the frontier mind acquired definite form, and there emerged the forces that largely shaped the American West. Moore reveals the Kentucky frontiersman as a colorful, exciting figure about whom there gathered a golden haze of myth from which historians have never been able to free him. He finds that "noble savage" did not possess those high qualities of mind and spirit which both his contemporaries and present-day writers have attributed him. He especially questions the wide and uncritical acceptance of Frederick Jackson Turner's theory that the illiterate emigrants had vast creative powers and made worthwhile contributions to government, education, religion, and literature. The author, professor of English at the University of Kentucky, has shown how unlikely it was that the uncouth frontiersmen, subjected as they were to brutalizing influences and separated from the main stream of Western civilization, could find in themselves the intellectual and spiritual resources to create a distinctive culture. Far from displaying the benevolence and rationality imputed to men living close to nature, the frontiersmen proved themselves addicted to demagogism, narrow sectarianism, materialism, and anti-intellectualism. The Frontier Mind is an uncompromising book. It may not win your assent, but it will force you to reexamine the grounds of your beliefs about the settlement and development of the American West.

Winner of the 2008 Rupert N. Richardson AwardBook of the Year by the National Association for Outlaw and Lawmen History

The Allegheny frontier, comprising the mountainous area of present-day West Virginia and bordering states, is studied here in a broad context of frontier history and national development. The region was significant in the great American westward movement, but Otis K. Rice seeks also to call attention to the impact of the frontier experience upon the later history of the Allegheny Highlands. He sees a relationship between its prolonged frontier experience and the problems of Appalachia in the twentieth century. Through an intensive study of the social, economic, and political developments in pioneer West Virginia, Rice shows that during the period 1730–1830 some of the most significant features of West Virginia life and thought were established. There also appeared evidences of arrested development, which contrasted sharply with the expansiveness, ebullience, and optimism commonly associated with the American frontier. In this period customs, manners, and folkways associated with the conquest of the wilderness to root and became characteristic of the mountainous region well into the twentieth century. During this pioneer period, problems also took root that continue to be associated with the region, such as poverty, poor infrastructure, lack of economic development, and problematic education. Since the West Virginia frontier played an important role in the westward thrust of migration through the Alleghenies, Rice also provides some account of the role of West Virginia in the French and Indian War, eighteenth-century land speculations, the Revolutionary War, and national events after the establishment of the federal government in 1789.

Table of contents available via the World Wide Web.

William Gilmore Simms (1807-1870), the antebellum South's foremost author and cultural critic, was the first advocate of regionalism in the creation of national literature. This collection of essays emphasizes his portrayal of America's westward migration.

Few frontiersmen in the late eighteenth century and early nineteenth century epitomized the reckless energies of the West and the lust for adventure as did John Smith T pioneer, gunfighter, entrepreneur, militia colonel, miner, judge, and folk hero. In this fascinating biography, Dick Steward traces the colorful Smith T's life from his early days in Virginia through his young adulthood. He then describes Smith T's remarkable career in the wilds of Missouri and his armed raids to gain land from Indians, Spaniards, and others. Born into the fifth generation of Virginia gentry, young Smith first made his name on the Tennessee frontier. It was there that he added the "T" to his name to distinguish his land titles and other enterprises from those of the hosts of other John Smiths. By the late 1790s he owned or laid claim to more than a quarter million acres in Tennessee and northern Alabama. In 1797, Smith T moved to Missouri, then a Spanish territory, and sought to gain control of its lead-mining district by displacing the most powerful American in the region, Moses Austin. He acquired such public positions as judge of the court of common pleas, commissioner of weights and levies, and lieutenant colonel of the militia, which enabled him to mount a spirited assault on Austin's virtual monopoly of the lead mines. Although neither side emerged a winner from that ten-year-old conflict, it was during this period that Smith T's fame as a gunfighter and duelist spread across the West. Known as the most dangerous man in Missouri, he was said to have killed fourteen men in duels. Smith T was also recognized by many for his good works. He donated land for churches and schools and was generous to the poor and downtrodden. He epitomized the opening of the West, helping to build towns, roads, and canals and organizing trading expeditions. Even though Smith T was one of the most notorious characters in Missouri history, by the late nineteenth century he had all but disappeared from the annals of western history. Frontier Swashbuckler seeks to rescue both the man and the legend from historical obscurity. At the same time, it provides valuable insights into the economic, political, and social dynamics of early Missouri frontier history.

Part of a series of detailed reference manuals on American economic history, this volume traces the development of agriculture, transportation, labour movements and the factory system, foreign and domestic commerce, technology and the ramifications of slavery.

Until recently, most scholarly work on Chinese music in both Chinese and Western languages has focused on genres, musical structure, and general history and concepts, rather than on the musicians themselves. This volume breaks new ground by focusing on individual musicians active in different amateur and professional music scenes in mainland China, Hong Kong, and Chinese communities in Europe. Using biography to deepen understanding of Chinese music, contributors present contextualized portraits of rural folk singers, urban opera singers, literati, and musicians on both geographic and cultural frontiers. Contributors are Nimrod Baranovitch, Rachel Harris, Frank Kouwenhoven, Tong Soon Lee, Peter Micic, Helen Rees, Antoinet Schimmelpenninck, Shao Binsun, Jonathan P. J. Stock, and Bell Yung.