In The Fascist Effect, Reto Hofmann uncovers the ideological links that tied Japan to Italy, drawing on extensive materials from Japanese and Italian archives to shed light on the formation of fascist history and practice in Japan and beyond. Moving between personal experiences, diplomatic and cultural relations, and geopolitical considerations, Hofmann shows that interwar Japan found in fascism a resource to develop a new order at a time of capitalist crisis. Hofmann demonstrates that fascism in Japan was neither a European import nor a domestic product; it was, rather, the result of a complex process of global transmission and reformulation. Far from being a vague term, as postwar historiography has so often claimed, for Japanese of all backgrounds who came of age from the 1920s to the 1940s, fascism conjured up a set of concrete associations, including nationalism, leadership, economics, and a drive toward empire and a new world order.

Study of the origins of fascism in Europe during the twenties and thirties, vividly depicting the mass rallies, emotional speeches and street clashes which attended its growth.

This book develops a number of new conceptual tools to tackle some of the most hotly debated issues concerning the nature of fascism, using three profoundly different national contexts in the inter-war years as case studies: Italy, Britain and Norway. It explores how fascist ideology was the result of a sustained struggle between competing internal factions, which created a precarious, but also highly dynamic, balance between revolutionary/totalitarian and conservative/authoritarian tendencies. Such a balance meant that these movements were hybrids with a surprising degree of internal diversity, which cannot be explained away as simple opportunism or lack of ideological substance. The book's focus on fascist ideology's internal variety and aggregative potential leads it to argue that when fascism "succeeded," this was less an effect of its revolutionary ideas, than of the opposite – namely, its power to integrate elements from other pre-existing ideologies. Given the prevailing opinion that fascism is revolutionary by definition, the book ultimately poses a challenge to the dominant view in the field of fascist studies.

Visualizing Fascism argues that fascism was not merely a domestic menace in a few European nations, but arose as a genuinely global phenomenon in the early twentieth century. Contributors use visual materials to explore fascism's populist appeal in settings around the world, including China, Japan, South Africa, Slovakia, and Spain. This visual strategy allows readers to see the transnational rise of the right as it fed off the agitated energies of modernity and mobilized shared political and aesthetic tropes. This volume also considers the postwar aftermath as antifascist art forms were depoliticized and repurposed in the West. More commonly, analyses of fascism focus on Italy and Germany alone and on institutions like fascist parties, but that approach truncates our understanding of the way fascism was indebted to colonialism and internationalism with all their attendant grievances and aspirations. Using photography, graphic arts, architecture, monuments, and film—rather than written documents alone—produces a portable concept of fascism, useful for grappling with the upsurge of the global right a century ago—and today. Contributors. Nadya Bair, Paul D. Barclay, Ruth Ben-Ghiat, Maggie Clinton, Geoff Eley, Lutz Koepnick, Ethan Mark, Bertrand Metton, Lorena Rizzo, Julia Adeney Thomas, Claire Zimmerman

"The range of Alan Tansman's coverage is truly prodigious and diverse--from the most obscurantist cultural analysis through mawkish sentimentality and orchestrated nostalgia for the medium past. His scholarship is impeccable: he knows the relevant secondary literature and has absorbed an impressively wide-ranging metacritical literature, which he has used with great originality and authority to untangle the knotted relationship between aesthetic modernism and fascism. He reads difficult texts brilliantly, with seeming and enviable effortlessness and his translations are a joy to read."--Harry Harootunian, University of Chicago "Alan Tansman opens up a new apprehension of the fantastic possibilities of these works through his attention to the senses. He is as much attuned to the specifically rhythmic and tonal dimensions of writing as he is to its visual possibilities. And he has the capacity to evoke these varied sensorial domains in his own (re) writings, which, in their refusal to give up on beauty, critically recapitulate the very dilemma that his object texts stage: the dilemma of beauty within capitalist modernity and its complicity with an aesthetics of unification that often presages violence."--Marilyn Ivy, Columbia University

A crisis is coming for everyone who uses math and science. For decades now, the classical model of probability (the indifference principle and the Gaussian distribution) has been breaking down and revealing its limitations in fields from economics to epidemiology. Now a new approach has revealed the underlying non-classical principle behind all these 'anomalous' laws: — Pareto’s law of elite incomes — Zipf’s law of word frequencies — Lotka’s law of scientific publications — Kleiber’s law of metabolic rates — the Clausewitz-Dupuy law of combat friction — Moore’s law of computing costs — the Wright-Henderson cost law — Weibull’s law of electronics failures — the Flynn Effect in IQ scores — Benford’s law of digit frequencies — Farr’s law of epidemics — Hubbell’s neutral theory of biodiversity — Rogers’ law of innovation classes — Wilson’s law of island biogeography — Smeed’s law of traffic fatalities The general law behind all these particular laws (and countless others) is the "decline effect". As a system ages or grows in size, the rules of probability subtly change. Entropy increases, rare items become rarer, and average performance measures decline. The human meaning of a decline may be positive (decreasing costs, falling epidemic mortality) or negative (lower customer loyalty, decreasing efficiency), but the mathematical pattern is always the same. The implications are enormous, as these examples show: All epidemic diseases decline in infectiousness and in lethality. HIV-AIDS went from a highly infectious, 95-percent fatal disease, to a survivable condition with a latency of decades. COVID-19 went from a death rate of 7 percent in early 2020, to under 2 percent in 2022. Hereditary dynasties around the world declined smoothly in lifespan, from hundreds of years to tens of years. When democracies replaced monarchies, the decline (in spans of party control) continued.

It is one of the great ironies of the history of fascism that, despite their fascination with ultra-nationalism, its adherents understood themselves as members of a transnational political movement. While a true “Fascist International” has never been established, European fascists shared common goals and sentiments as well as similar worldviews. They also drew on each other for support and motivation, even though relations among them were not free from misunderstandings and conflicts. Through a series of fascinating case studies, this expansive collection examines fascism’s transnational dimension, from the movements inspired by the early example of Fascist Italy to the international antifascist organizations that emerged in subsequent years.

Fascism was one of the twentieth century's principal political forces, and one of the most violent and problematic. Brutal, repressive and in some cases totalitarian, the fascist and authoritarian regimes of the early twentieth century, in Europe and beyond, sought to create revolutionary new orders that crushed their opponents. A central component of such regimes' exertion of control was criminal law, a focal point and key instrument of State punitive and repressive power. This collection brings together a range of original essays by international experts in the field to explore questions of criminal law under Italian Fascism and other similar regimes, including Franco's Spain, Vargas's Brazil and interwar Romania and Japan. Addressing issues of substantive criminal law, criminology and ideology, the form and function of criminal justice institutions, and the role and perception of criminal law in processes of transition, the collection casts new light on fascism's criminal legal history and related questions of theoretical interpretation and historiography. At the heart of the collection is the problematic issue of continuity and similarity among fascist systems and preceding, contemporaneous and subsequent legal orders, an issue that goes to the heart of fascist regimes' historical identity and the complex relationship between them and the legal orders constructed in their aftermath. The collection thus makes an innovative contribution both to the comparative understanding of fascism, and to critical engagement with the foundations and modalities of criminal law across systems.

The Enlightenment of the late 17th and 18th century is characterized by an emphasis on reason and empiricism . As a major shaping philosophy of Western culture, it had a historical impact on the religious, cultural, academic, and social institutions of 18th century Europe. In this compelling volume, the author explores the lasting impact of Enlightenment thinking on modern Western societies and other democracies. With an interdisciplinary, comparative-historical approach this volume explores the impact of Enlightenment ideals such as liberty, equality, and social justice on current social institutions. Combining sociological theory with concrete examples, the author provides a unique framework for understanding modern cultural development, including a picture of how it would look without this Enlightenment basis. This work provides a multi-faceted approach, including: an historical overview, analysis of the Enlightenment’s influence on modern democratic societies, modern culture, political science, civil society and the economy, as well as exploring the counter-Enlightenment, Post-Enlightenment, and Neo-Enlightenment philosophies.

This volume offers a fresh and original collection of primary sources on interwar European fascist movements. These sources reflect new approaches to fascism that emphasise the practical, transnational experience of fascism as a social movement, contextualising ideological statements within the historical moments they were produced. Divided into 18 geographically based chapters, contributors draw together the history of various fascist and right-wing movements, selecting sources that reflect themes such as transnational ties, aesthetics, violence, female activism, and the instrumentalisation of race, gender, and religion. Each chapter provides a chronological, narrative account of movements interspersed with complete primary sources, from political speeches, internal movement circulars and articles, police reports, oral history, songs and music, photographs, artworks, poetry, and anti-fascist sources. The volume as a whole seeks to introduce readers to the diversity of fascist groups across the continent, to show how fascist groups were constituted through social bonds, rather than around fixed ideologies, and to capture the inexperience and ad hoc character of early fascist groups. With an Introduction that explains the volume’s theoretical approach and elaborates on the chronology of European fascism, this is the perfect sourcebook for any student of Modern European history and politics. The book is accompanied by a free app, available for download for iOS and Android from: https://www.liverpool.ac.uk/it/app-directory/fascistmovements/ You can use the app to identify places where fascist groups were active during the 1920s and 1930s, and to get a glimpse of what life was like during ‘the age of fascism’. The app includes interactive maps, descriptions of 76 points of interest, and images for each point of interest.