Throughout its history, enchanting and mysterious Venice has attracted seekers. Some travel to the city to experience its storied charms, while others look for something else. This is the story of vastly different seekers whose lives unexpectedly intersect over six decades in a city shrouded in mystery. In the Venice of pre-WWII, Costanza, a talented baker, and her husband Piero Agostino, a glass blower, are blessed with a daughter, Breva. She is the love of their life until the waters of Venice snatch her from them. Bereaved, their lives are lost to them. In present-day Venice, Claudia Baggi, the diffident daughter of a countess, and Louis Howard, an unemployed expatriate from Chicago, have become good friends in the last year. Together, they concoct a plot that will allow Claudia to remain in Venice instead of returning home with her pious and controlling mother, Countess Baggi. Claudia and Louis restore a crumbling palazzo and convert it into a hotel. But the burning of the old La Fenice opera house triggers a series of unforeseeable events. In this saga of love and redemption, Claudia, Louis, Costanza, Piero, and the Countess come to realize that rebirth is possible from the ashes of devastation.

When ex-priest Tom Shaman, jaded from years in the Los Angeles ghetto, decides on a last-minute trip to Venice, he gets much more than he expected. A brutal killer is on the loose and Tom finds himself in the midst of a series of ritualistic killings unlike anything Venice has ever seen. Enlisted by the Italian police, Tom teams up with young investigator Valentina Morassi to dig deep into the city's darkest history, stretching from an ancient civilization to the sexual decadence of eighteenth-century Italy to the gritty underworld of modern-day Venice. As Valentina and Tom trace the killings through the centuries, they uncover a deadly secret that generations have killed to protect: a priceless mosaic known as the Gates of Hell. As the clock counts down, Tom and Valentina's adventure builds to an astonishing and satisfying end. Exotic and well-researched, The Venice Conspiracy will continue to build Christer's name in the hit-thriller genre.

In this sequel to Babylon's Banskters. The banksters have moved from Mesopotamia via Rome to Venice. There, they have manipulated popes and bullion prices, clipped coins, sacked Constantinople, destroyed rival Florence, waged war, burned "heretics" and suppressed hidden secrets threatening their financial supremacy... until Giordano Bruno and Christopher Columbus, broke the banking cartel's control of information and bullion...

Jeff Atman, a journalist, is in Venice to cover the opening of the Venice Art Biennale. He’s expecting to see a load of art, go to a lot of parties and drink too many bellinis. He’s not expecting to meet the spellbinding Laura, who will completely transform his few days in the city. Another city, another assignment: this time on the banks of the Ganges in Varanasi. Amid the crowds, ghats and chaos of India’s holiest Hindu city a different kind of transformation lies in wait. A beautifully told story of erotic love and spiritual yearning, Jeff in Venice, Death in Varanasi is playful, stylish, sensual, comic, ingenious and utterly captivating. It confirms Geoff Dyer as one of Britain’s most exciting and original writers.

Celebrated novella of a middle-aged German writer's tormented passion for a Polish youth met on holiday in Venice, and its tragic consequences. New translation with extensive commentary.

"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.