“An eloquent, honest tribute to a sports genius.” —Publishers Weekly, Best 100 Books of 2013 As the coach during professional football’s most storied era, Tom Landry transformed the gridiron from a no-holds-barred battlefield to the highly-technical chess match it is today. With his trademark fedora and stoic facade, he was a man of faith and few words, for twenty-nine years guiding “America’s Team” from laughingstock to well-oiled machine, with an unprecedented twenty consecutive winning seasons and two Super Bowl titles. Now, more than a decade after Landry’s death, acclaimed biographer Mark Ribowsky takes a fresh look at this misunderstood legend, telling us as much about our country’s obsession with football as about Landry himself, the likes of whom we’ll never see again.

City girl. It was written all over her like a sign warning him to keep off. Sure, Slade McPherson would train her horse...With his ranch one bad day away from foreclosure, he can't afford to turn away a paying customer. But no way is this cowboy getting involved with a woman like Jordana Lawton–no matter how pretty she looks in a saddle.

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She's back in his life... and this time he’s not letting go. Gage Granger knew back in high school that his friend and secret crush was desperate to get out of Last Stand, Texas. But with his roots running deep into the Hill Country soil of his family's ranch, he couldn’t leave and so made the tough decision to let her go. When Faith Stone runs into Gage in a San Antonio bar, she's had just enough to drink to act on feelings that haven't cooled in six years. And enough sense to flee the morning after. Yet almost twelve weeks later she’s back in her hometown and despite her life-altering news, her plan's the same—leave Last Stand and its painful memories behind. Faith will never be anyone’s burden or responsibility again. For Gage, Faith has always been the one. But he'll have an uphill battle to convince her his heart is true.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

These "New Westers", Johnson reveals, line-dance and two-step, listen to Garth Brooks and George Strait, drink beer from long-neck bottles, wear clothes ordered from Sheplers, watch rodeo on ESPN, play Wild West arcade games, eat fajitas and tacos in stuccoed Mexican cafes, collect Western art and Native American crafts, and vacation in and move to the West. "New Westers" rewrite the history and biography of the West. They reimagine the West in Cowboy sagas and poetry, Native American novels, Mexican-American drama, nature writing, revisionist films, eclectic visual artwork, and neo-traditional music. They flock to movies like Thelma and Louise, Unforgiven, and Dances with Wolves, watch mini-series like Lonesome Dove, and read bestsellers like The Crossing and All The Pretty Horses. "New Westers" are men and women who may or may not have ever hitched up a horse but who crave connection with the West. At the end of a century of urbanization, technological change, and cultural confusion, they seek a more natural home, a fuller and wider sense of place, and a deeper and more colorful personal identity. They also want to revive the dream of the mythic West - but on different terms. They overrun the Old West and yet strive to preserve it, raising troubling new concerns about the differences between the mythic and the real, between traditional and contemporary cultural influences.

Shane Marvell's career as a rodeo rider is ending far too soon. He doesn’t have a plan B, so during his last season, he’s all in, determined to win as much prize money as possible--even if it means riding injured and taking more risks than he should. Ella Etxeberri has always played it safe, so when her life still takes a bad turn despite her caution, she wonders if it isn’t time to see what she’s been missing. While researching risk behaviors in rodeo riders, she meets Shane Marvell, a cowboy who merits additional study of the personal variety. Just as Ella is hitting the point to embrace risk, Shane is pulling back. He knows Ella’s all-in approach is born of curiosity and whim. He’s not what she wants forever, and perhaps Ella is one risk he can't allow himself to take.

Historians of the American West, perhaps inspired by NAFTA and Internet communication, are expanding their intellectual horizons across borders north and south. This collection of essays functions as a how-to guide to comparative frontier research in the Americas. Frontiers specialist Richard W. Slatta presents topics, techniques, and methods that will intrigue social science professionals and western history buffs alike as he explores the frontiers of North and South America from Spanish colonial days into the twentieth century. The always popular cowboy is joined by the fascinating gaucho, llanero, vaquero, and charro as Slatta compares their work techniques, roundups, songs, tack, lingo, equestrian culture, and vices. We visit saloons and pulperias as well as plains and pampas, and Slatta expertly compares clothing, weather, terrain, diets, alcoholic beverages, card games, and military tactics. From primary records we learn how Europeans, Native Americans, and African Americans became the ranch hands, cowmen, and buckaroos of the Americas, and why their dependence on the ranch cattle industry kept them bachelors and landless peons.

"Tracing the story of Red Lodge from the 1880s to the present, Christensen tells how a mining town managed to endure the vagaries of the West's unpredictable extractive-industries economy. She connects Red Lodge to a myriad of larger events and historical forces to show how national and regional influences have contributed to the development of local identities, exploring how and why westerners first rejected and then embraced "western" images, and how ethnicity, wilderness, and historic preservation became part of the identity that defined one town."--BOOK JACKET.

No one wants to be in the sights of these blood brothers. Rip-roaring Western adventure from the bestselling author of Brotherhood of the Gun. Young Matt Bodine and Sam Two Wolves became blood brothers on the day the rancher’s son saved the warrior’s life, forging a bond no one could ever break. And as years passed, a legend grew of the Cheyenne and the white man who rode together—and who could jerk killing iron with the best of them . . . Gunsight Crossing Wise in the ways of a lawless land, the blood brothers deal out their own brand of frontier justice. And when they ride a hot and dusty trail into Texas looking for some excitement, they find it in spades. Big John Lee owns the biggest spread west of the Pecos, but he’s hired a crowd of tough gunners to claim more than his legal share. Bodine and Sam Two Wolves decide to throw their lot in with the men of the Circle S, who were next on John Lee’s land-grabbing list. It certainly won’t be the first time they use their Colts to deal out death sentences in burning powder and hot lead—but if they’re not careful, it might well be their last . . . Praise for the novels of William W. Johnstone “[A] rousing, two-fisted saga of the growing American frontier.”—Publishers Weekly on Eyes of Eagles “There’s plenty of gunplay and fast-paced action as this old-time hero proves again that a steady eye and quick reflexes are the keys to survival on the Western frontier.”—Curled Up with a Good Book on Dead Before Sundown