The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman--who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society. These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.

Human rights offer a vision of international justice that today’s idealistic millions hold dear. Yet the very concept on which the movement is based became familiar only a few decades ago when it profoundly reshaped our hopes for an improved humanity. In this pioneering book, Samuel Moyn elevates that extraordinary transformation to center stage and asks what it reveals about the ideal’s troubled present and uncertain future. For some, human rights stretch back to the dawn of Western civilization, the age of the American and French Revolutions, or the post–World War II moment when the Universal Declaration of Human Rights was framed. Revisiting these episodes in a dramatic tour of humanity’s moral history, The Last Utopia shows that it was in the decade after 1968 that human rights began to make sense to broad communities of people as the proper cause of justice. Across eastern and western Europe, as well as throughout the United States and Latin America, human rights crystallized in a few short years as social activism and political rhetoric moved it from the hallways of the United Nations to the global forefront. It was on the ruins of earlier political utopias, Moyn argues, that human rights achieved contemporary prominence. The morality of individual rights substituted for the soiled political dreams of revolutionary communism and nationalism as international law became an alternative to popular struggle and bloody violence. But as the ideal of human rights enters into rival political agendas, it requires more vigilance and scrutiny than when it became the watchword of our hopes.

In tracing the modern moral imagination, Donskis works out a theory of tolerance, dialogue, human intersubjectivity, the Other, ideology, and utopia. This theory then provides the framework for social and cultural criticism. By considering the work of Kavolis, Gellner, Dumont, and Mumford, Donskis argues that modern critiques of culture originate in political philosophy, sociology, and the comparative study of civilization. Annotation copyrighted by Book News Inc., Portland, OR.

Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Osnabrück, language: English, abstract: This paper will argue that in "Parable of the Sower" by Octavia Butler creates utopian hope by realistically building a dystopian vision which immanently criticises the present. For reasons of brevity, this will be elucidated mainly using the example of capitalism. While an abundance of other issues taken up by the novel, like climate change, democracy, racism or violence, would certainly serve as productive foci of analysis as well, capitalism will be the centre of attention because it is at the core of the apocalyptic circumstances portrayed in the novel. It also constitutes an intersection with most of the other issues named above, making capitalism a suitable starting point. Firstly, a short overview will be given on contemporary interpretations of the state of utopia, pointing out capitalism as a main factor in the changing of utopianism. Among others, Krishan Kumar’s “The Ends of Utopia”, Jerry Phillips’s “Utopia and Catastrophe in Octavia Butler’s Parable of the Sower” and Darko Suvin’s Metamorphoses of Science Fiction will be consulted. Realism, cognition, and estrangement will be pointed out as main tools of offering immanent critique and, in extension, utopian hope. Secondly, the production of immanent critique in Parable of the Sower will be analysed with the help of Mathias Nilges’s paper on “The Realism of Speculation”. Mike Davis’s City of Quartz will serve to illustrate the realism in Butler’s vision of future Los Angeles. The second example will examine the company town Olivar. Briefly consulting Rottinghaus’, Pluretti’s and Sutko’s discursive paper “The End of Material Scarcity”, the effectiveness of this immanent critique will be discussed. Lastly, this paper will seek to show how immanent critique allows for the creation of utopian hope, pointing towards the transformative value of utopian literature presented in Carl Freedman’s Critical Theory and Science Fiction. This paper will, because of its limited length, not be able to further investigate critiques of capitalism in any other context than that of Butler’s novel. Also, it will not be analysing the portrayal of capitalism as essentially nostalgic and conservative, making it the opposite of the utopian vision of adaptation and progress that it is contrasted with. This paper will not delve deeper into other interesting aspects of the generation of utopian hope, like narration