The Ministry of Vincent Van Gogh in Religion and Art surveys the historical venues where Van Gogh's life and work unfolded--Aldersgate, England, Amsterdam, Au Borinage, Antwerp, Asnieres-sur-Seine, Arles, Auvers-sur-Oise--culminating in an assessment of his legacy. Arguing that he is a painter-evangelist, a man of authentic religious calling, it demonstrates a novel thesis that theological spirituality is the genius of both his religious ministry and his art.

In 1970, Hans Rookmaaker published Modern Art and the Death of a Culture, a groundbreaking work that considered the role of the Christian artist in society. This volume responds to his work by bringing together a practicing artist and a theologian, who argue that modernist art is underwritten by deeply religious concerns.

Cliff Edwards, a well-known Vincent Van Gogh author and scholar, explores Van Gogh's second gift--the surprising written works of Van Gogh in letters to his brother, fellow artists, and friends. Edwards illuminates Van Gogh's vision and creative process for readers as a way of living and creating more deeply. Van Gogh's Second Gift gives us another side of Van Gogh, whose poetic, creative, and original mind opened up startling insights on the creative process. A perfect book for creatives and those who want to understand more about one of the world's most beloved artists, the genius creator of works like Starry Night. Focusing on more than 40 letter excerpts, Edwards offers clear background and insights into Van Gogh's life and creative ideas, as well as suggestions for reflection and personal engagement. Van Gogh sketches are scattered throughout the book.

"We are surrounded by poetry on all sides," Vincent van Gogh (1853-90) once wrote to his brother Theo. His art was a reflection of this belief. In these ekphrastic sonnets, the author reflects on themes Van Gogh returned to over and over again in his brief but intense journey from evangelist and pastor-in-training to painter of peasants, still lifes and growing things. As these poems reflect, Van Gogh's poetic imagination was best expressed in blossoming orchards, starry nights, sheaves of wheat, final harvests, and in his signature sunflowers--a metaphor for his own life, lifting petals to the sky, bending toward heaven.

Vincent van Gogh’s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh’s illness. The author of the article saw the painter as “a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological.” Very little is known about Vincent’s childhood. At the age of eleven he had to leave “the human nest”, as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply “Vincent”. He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent’s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh’s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: “I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, ‘La tristesse durera toujours (The sadness will last forever).’”

Vincent van Gogh’s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh’s illness. The author of the article saw the painter as “a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological.” Very little is known about Vincent’s childhood. At the age of eleven he had to leave “the human nest”, as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply “Vincent”. He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent’s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh’s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: “I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, ‘La tristesse durera toujours (The sadness will last forever).’”

Published on the hundredth anniversary of Van Gogh's death, this is the first full-length biography of this undying man in twenty years and surely the most comprehensive account to date. Mr. Callow treats more searchingly than any previous work the development of Van Gogh's genius and his emergence as an artist after early struggles to find a vocation, first in the world of art dealing and later as an evangelical missionary among Belgian miners. Using the skills and psychological insights of an accomplished novelist, and drawing upon new Van Gogh materials which have surfaced in the last two decades, Mr. Callow sets a turbulent life story firmly in historical context, including Vincent's desperate attempts to accept his repressive religious upbringing, and his unhappy experiences in love. The story is filled with paradoxes and crushing failures, ending in suicide that was to lead to enormous posthumous success. Through Mr. Callow's book we can see Van Gogh's life and work in terms of tumult, of a legend breaking out of the triumph and confusion of 19th-century culture while representing it uniquely. It is perhaps the story of a saint, certainly a hero of art.

The incarnation of the myth of a cursed artist, Vincent van Gogh (1853-1890) is a legend who became a reference for modern art. An Expressionist during the Post-Impressionist movement, his art was misunderstood during his lifetime. In Holland, he partook in the Dutch realist painting movement by studying peasant characters. Anxious and depressed, Vincent van Gogh produced more than 2000 artworks, yet sold only one in his lifetime. A self-made artist, his work is known for its rough and emotional beauty and is amongst the most popular in the art market today.

Step into the vibrant world of Vincent van Gogh, a genius whose life was as turbulent as the brushstrokes he made. Dive into a profound exploration of the artist's journey, delving into his humble beginnings, his struggles with mental illness, and his relentless pursuit of artistic expression. Discover the inspiration behind iconic masterpieces like "The Starry Night," unravel the secrets behind his vibrant color palette, and witness the profound impact of his unique style on the art world. This book offers a compelling and intimate portrait of Vincent van Gogh, capturing his struggles, triumphs, and ultimately, the enduring legacy of his art. You'll discover: The profound impact of his family and social environment on his artistic development. The influence of Impressionism and Post-Impressionism on his revolutionary style. The intimate details of his life in Arles, his creative community, and the tragic breakdown that marked his final years. The lasting impact of his art on modern culture and its enduring relevance to our own times. More than just a biography, this book is a captivating journey through the life and legacy of a visionary artist, forever etched in the annals of art history.

Vincent van Gogh was a restless soul. He spent his twenties searching for a vocation and once he had determined to become an artist, he remained a traveller, always seeking fresh places for the inspiration and opportunities he needed to create his work. Living with Vincent van Gogh tells the story of the great artist’s life through the lens of the places where he lived and worked, including Amsterdam, London, Paris and Provence, and examines the impact of these cityscapes and landscapes on his creative output. Featuring artworks, unpublished archival documents and contemporary landscape photography, this book provides unique insight into one of the most important artists in history.