Theosis, or the principle of divine-human communion, sparks the theological imagination of Orthodox Christians and has been historically important to questions of political theology. In The Mystical as Political: Democracy and Non-Radical Orthodoxy, Aristotle Papanikolaou argues that a political theology grounded in the principle of divine-human communion must be one that unequivocally endorses a political community that is democratic in a way that structures itself around the modern liberal principles of freedom of religion, the protection of human rights, and church-state separation. Papanikolaou hopes to forge a non-radical Orthodox political theology that extends beyond a reflexive opposition to the West and a nostalgic return to a Byzantine-like unified political-religious culture. His exploration is prompted by two trends: the fall of communism in traditionally Orthodox countries has revealed an unpreparedness on the part of Orthodox Christianity to address the question of political theology in a way that is consistent with its core axiom of theosis; and recent Christian political theology, some of it evoking the notion of “deification,” has been critical of liberal democracy, implying a mutual incompatibility between a Christian worldview and that of modern liberal democracy. The first comprehensive treatment from an Orthodox theological perspective of the issue of the compatibility between Orthodoxy and liberal democracy, Papanikolaou’s is an affirmation that Orthodox support for liberal forms of democracy is justified within the framework of Orthodox understandings of God and the human person. His overtly theological approach shows that the basic principles of liberal democracy are not tied exclusively to the language and categories of Enlightenment philosophy and, so, are not inherently secular.

The T&T Clark Handbook of Political Theology is a comprehensive reference resource informed by serious theological scholarship in the three Abrahamic traditions. The engaging and original contributions within this collection represent the epitome of contemporary scholarship in theology, religion, philosophy, history, law, and political science, from leading scholars in their area of specialization. Comprised of five sections that illuminate the rise and relevance of political theology, this handbook begins with the birth of contemporary “political theology,” and is followed by discussions of historical resources and past examples of interaction between theology and politics from all three Abrahamic traditions. The third section surveys the leading figures and movements that have had an impact on the discipline of political theology in the twentieth and twenty-first centuries; and the contributors then build on previously discussed historical resources and methods to engage with contemporary issues and challenges, emphasizing interreligious dialogue, even while addressing concerns of relevance to a particular faith tradition. The volume concludes with three essays that look at the future of political theology from the perspective of each Abrahamic religion. Complete with select bibliographies for each topic, this companion features the most current overview of political theology that will reach a broader, global audience of students and scholars

This volume traces the roots of the constructivist turn in the distinct (and competing) traditions of Continental and Anglo-American Western political thought. Divided into three thematic parts, these 13 newly commissioned essays develop the constructivist turn as a central concept. They advance the insight that there can be no democratic politics without representation; constituencies or groups exist as agents of democratic politics only insofar as they are represented.

Jean-Francois Lyotard is still considered to be the father of postmodernism. An international range of contributors in the field of cultural and philosophical studies, including Barry Smart, John O' Neill and Victor J. Seidler consider Lyotard's writings on justice and politics of difference, feminism, youth and Judaism.

This book was originally planned as the 'ecclesiological' third part of Schillebeeckx Jesus trilogy. It indeed concludes his thinking about the relevance of the living Jesus through history, but with a different approach than originally intended. By the end of the 20th century, many believers have left the unworldly 'super-naturalistic' preconciliar church behind. Those who leave the church, often leave a church that claims to be the direct mediator of God's will. However, the church is not a flawless gift from heaven. It is the vulnerable work of human beings which tries to find accurate ways to comply to the heart of the gospel message. In a time that is characterized by polarization in the church, Schillebeeckx does not forget to look at the unprecedented and authentic flourishing of the gospel. This book therefore contains the testimony of a theologian who tried, during the course of his life, to describe what God can mean for people today.

Annotation An in-depth examination of the event that precipitated the complete domination of Restoration politics by the Royalists and ultimately convinced millions of French citizens to support Louis XVIII and the Bourbon monarchy. On 13 February 1820 the Duke of Berry, the only Bourbon prince capable of siring an heir, was assassinated. Seven months later the Duchess of Berry gave birth to a boy, the Duke of Bordeaux, and the Bourbon lineage was saved. The boy was immediately nicknamed "the miracle child." The Duke's assassination and the birth of his son gave rise to the Royalist Reaction of 1820, a ten-month period that forever altered France's political landscape. This remarkable story provides the backdrop for David Skuy's analysis of the Royalist Reaction and its place in the history of the French Restoration. Skuy argues that the Royalist Reaction was the product of two divergent forces: historical echoes of the French Revolution and the Napoleonic Empire and the psychological consequences of the assassination, and the miracle child. Skuy discusses Restoration political theory and the development of modern political parties. He follows the strategems of anti-royalist extremists plotting to overthrow the Bourbon regime, and details the complexities and intrigues that characterized the royal court and parliament. Skuy reveals how the assassination and the birth of the miracle child triggered a popular Royalist Reaction that changed millions of French citizens from passive observers into ardent royalists.

Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed-media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valérie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning. In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Graves—an eclectic cast that includes Beyoncé, Radcliffe Bailey, Edwidge Danticat, Édouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Édouard Duval-Carrié, Natasha Trethewey, and Kara Walker, among others—are an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritual—whether in the context of the aftermath of slavery or of ecological and human-made catastrophes—their aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.

How does a regime, whose members have been actively involved in the previous one, appropriate and deploy religious ideas and rhetoric to cast itself as 'born-again' and attractive? Exploring intersections between politics, religion and economics, this book examines invention of Zimbabwe's 'New Dispensation,' the regime of Emmerson D. Mnangagwa, and how it has aimed to separate itself from the previous regime of Robert G. Mugabe. Utilizing the concept of 'invention', contributors reflect on how Mnangagwa and his publicists deploy religious ideas, concepts and rhetoric in the quest for legitimacy in a heavily contested political field. The book also reflects on the ways opposing political actors have utilized the same template in their quests to secure power. The contributors interrogate the use of time, theological ideas and religious practices to separate Mnangagwa's regime from Mugabe's. This book provides insight into how religious rhetoric is used not only to gain, but also to contest legitimacy in Zimbabwe's political sphere.

Presenting a political history and sociology of Moroccan Sufism from colonialism to the modern day, this book studies the Sufi model of Master and Disciple in relation to social and political life, comparing the different eras of acquiescent versus dissident Sufism. This comparative fieldwork study offers new perspectives on the connection between the monarchy and mystic realms with a specific coverage of the Boutchichi order and Abdessalam Yassine’s Al Adl Wal Ihsane, examining the myth of apolitical Sufism throughout the Middle East and North Africa. Drawing on Michel Foucault and James Scott, this book fuses thinking about the political dimension of Sufism, a "hidden transcript," involving power struggles, patronage and justice and its esoteric spiritual ethics of care. Addressing the lacuna in English language literature on the Boutchichi Sufi order in Morocco, this book will be of interest to students and scholars of Islamic Studies, Comparative Politics and the MENA region.

This volume brings together ten distinguished scholars of history, literature, music, theatre, and art to explore the political and cultural implications of the court's transgressive new character.